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The shoes also had a two-tone effect, and the swell of celestial voices in David Motion's "Buoyancy" on the soundtrack underscored the twisted religiosity. The bi-collar was a foretaste of what can only be described as a male bikini, which combined a bib front with what appeared to be a visible jockstrap (or maybe male garter belt?) and closed at the back like a waistcoat. Wags instantly dubbed the look "wedgie chic," but it was more disturbing than that—as if traditional concepts of masculinity had been turned inside out. Of course, this is something Miuccia's talked about for years, but it was still striking to see it rendered so graphically. Even more so when a couple of back-buttoning blouses walked past—male vulnerability wrapped up in a shirt.

这是本季男装戏谑趣味又颠覆传统的其一；仿似神职人员的double小领结及以两种色调呈现的皮鞋、再搭上伦敦著名作曲配乐家David Motion综合了圣乐与电子节拍的秀场主题曲"Buoyancy"，成功的带出Miuccia意欲传递给大家的矛盾和滑稽；更夸张傻眼的紧接而来：儿童使用的围兜（也很像中国古代女人的性感肚兜）配上男运动员专用的弹性下体护身、穿在合身的双领衬衫外，就活像是男性比基尼的外穿，然后转过身来，我们更看到，肚兜上衣的背后或交叉缕空的有如女人的性感马甲、或呈排扣有如女性内衣。

Can not be each business nevertheless so prosperous ↓ 3, just arrived of new city I, seek new view everywhere, the station takes camera to overflow in house of bubble steamed bun aimlessly a chaos is patted, do not let off even eaves ↓ 4, in the street alley of lane of whole the Huis, probably only I just can am opposite there is grumous interest ↓ in the take a walk cock hen of roadside 5, going, see the ancient Buddhist templeput on the brakes with one beautiful place and compound, it is one saves in good condition big mosque so this screen wall on ↓ or front door most the look ↓ that attracted me first 6, go in to look, the building distinguishing feature of each place is so attract my ↓ 7, boosting watch for a chance, to any one place in compound Gu Xianggu's lubricious construction details does not let off ↓ 8, also be to see a new world in the compound on the side of main hall ↓ 9, room apical moon, beautiful here is authentic mosque building ↓ 10, go out courtyard, better of a few the Hui nationality people sitting in the sun next prattle,↓ of good envy letting a person 11, this clever animal on mosque gate pier looked a long time, also doing not have differentiate to go out is what animal ↓ 12, come out from the Huis lane, along the town god's temple that the ave went to Xi'an toward westing again on the west, light is a card these upstairs woodcarving had let me admired a head to pat ↓ a long time 12, what main hall of town god's temple saves is not very good, xi'an municipal government also uses contemporary carpentry to come alive without sedulous ground it seems that overhaul, then ability sees audience hall two side this former juice raw ingredient woodcarving gate ↓ 13, the eaves of audience hall also follows pailou same distinctive ↓ 14, the gravelstone lion of two side of pailou looks to also resemble antique ↓ is breathed out, photography homework of the first day is explained end, will stick other again tomorrow...

不过可不是每一家的生意都这么红火↓3、刚到一个陌生城市的我，到处寻找新鲜的景致，站在泡馍馆拿起相机漫无目的地一通乱拍，连房檐都不放过↓4、整个回民坊的街巷里，大概只有我才会对在路边的散步的公鸡母鸡都有着浓厚的爱好↓5、走着走着，就看见一处漂亮的古刹和院落，原来是一间保存完好的大清真寺↓还是正门对面的这个影壁最先吸引住了我的目光↓6、走进往看，每一处的建筑特色都是那么吸引我↓7、捧着相机，对院落里的任何一处古香古色的建筑细节都不放过↓8、正殿旁边的院落里也是别有洞天↓9、房顶上的月亮，标致着此处是正宗的清真寺建筑↓10、出得大院，几位回族长者们正坐在太阳底下闲聊，好让人羡慕↓11、清真寺门墩上的这个灵兽看了半天，也没辨出是什么动物↓12、从回民坊出来，沿着西大街再往西走就到了西安的城隍庙，光是牌楼上的这些木雕就已经让我仰头拍了半天↓12、城隍庙正殿保存的不是很好，西安市政府似乎也没有刻意地用现代木工活来翻修，于是才能看到大殿两侧这原汁原味儿的木雕大门↓13、大殿的房檐也跟牌楼一样有特色的↓14、牌楼两侧的小石狮子看上往也像古董呢↓哈，第一天的摄影作业交代完毕，明天再贴其它的

The first thing we must do is define what is most important to us in life and create a vision for what we wish to achieve, both in life and in business.

第一件事我们必须做的，是界定什么是最重要的是要我们在生活中，创造一个远景，我们希望达到的，无论在生活和生意。

What I can do What I can do for you ?

我还能为你做什么？

A; What's its name B: Sorry, I can't remember it.A: Who wrote it B: A famous scientist.A: What does it look like B: It is very thick and has a lot of beautiful pictures in it.A: How many pages does it have B: More than 300.A; I see. I'll try to find it for you. B: Thank you.

提示：假如你去图书馆借一本有关地理方面的书，你告诉图书管理员你忘了书名，只记得它是由一位著名的科学家写的，书很厚，有300多页，书中有许多漂亮的图画。

For many of us, it all comes down to available dollars and this is what is going to dictate what winch we are going to buy.

对我们许多人，这一切归结到现有的美元，这是怎么回事来决定什么绞车，我们将会购买。

The Spirit puts what is essential for your life into these worde,The point is precisely that you are SUPPOSED to see clearly only what even this representation clearly shows,I am not sure how far this is exactly in the spirit of Kierkegaard.

精神把本质的东西，对你的生活而言是本质的东西，赋予这些词。关键恰恰在于你只应该清楚地看见在这种表述中清晰地呈现出来的事物。我不能肯定地知道这一切在克尔凯郭尔的精神中确切地达到多大程度。

The Spirit puts what is essential,essential,for your life,into these worde,The point is precisely that you are SUPPOSED to see clearly only what even this representation clearly shows,I am not sure how far this is exactly in the spirit of Kierkegaard.

精神把本质的东西，对你的生活而言是本质的东西，赋予这些词。关键恰恰在于你只应该清楚地看见在这种表述中清晰地呈现出来的事物。我不能肯定地知道这一切在克尔凯郭尔的精神中确切地达到多大程度。

What I do, and what works for me.

我做什么，我什么作品。

The starting point in experimental psychology, I now think, consisted very properly in a very exhaustive study of sensation, for the purpose of ascertaining both what it can and what it cannot explain; so that Wundt's pioneering work in this direction was really indispensable.

那个 在实验心理学出发点，现在我认为，包括在一个非常恰当的感觉非常详尽的研究，为此目的而确定什么都可以，什么不能解释，因此，这冯特在这方面的开创性工作确实是必不可少的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。