查询词典 what... for

What are your short-term and long-term career objectives? What do you think is the most ideal job for you?

请问你的短期、长期目标是什么以及你认为对你最理想的工作是什么？

It's a balance between what the horse will do and what it can do, and the classical rider always opts for the horse's side of it.

这是一种平衡，在马愿意做什么与能做什么之间，而古典骑手永远选择马的那一边。

As he talked about just teach you how to do, not explain the reasons, this is nothing on the people, for example, a day spent an hour sit-in, what do not want to, but did not say what use is to do so.

由于他讲的只是教你怎么去做，没有讲明原因，这个就让人无所是从，比如，每天花一个小时的时间静坐，什么也不想，但没有说明这样做有什么用处。

To put a telescope to rewarding use, you first need to know the constellations as seen with the naked eye, be able to find things among them with sky charts, know something of what a telescope will an d will not do, and know enough about the objects you're seeking to recognize and appreciate them. The most successful, lifelong amateur astronomers are often the ones who b egan with the least equipment. What they lacked in gear they had to make up for in study, sky knowledge, map use, and fine-tuning their observing eyes.

要有回报的使用望远镜，你必须用肉眼来认识星座，这样你才能在天空中找到你所需要的东西，识别并欣赏它们。

This is what I sought, and though it might seem too good for human life, this is what

这就是我所寻找的，而且，虽然对人生来说似乎过于美妙，这也是我终于找到了的。

What really matters when making the decision for soy or cow is what you want to get out of it.

真正重要的是什么时，对大豆或牛的决定是什么您想要脱身。

At work I speak to clients on the phone to see what they want and then I make sure that we send them what they ask for.

在工作中，我从一名客户打电话给我，然后看看他们想使我们送什么，有求必应。

In The Big Typescript, this dichotomy is detailed in his analysis of the temporal, spatial and genitive expressions, resulting in the distinction between the unspeakable"memory-time"(Ged〓chtniszeit) and the speakable"physical time", and that between the unspeakable"visual space" and the speakable"Euclidean space", etc;(4) From another perspective, the destruction of the conception of the "phenomenological language"could also be seen as the logical consequence of the radicalization of the one and the same conception, since this destruction does reinforce rather than weaken RLF's original intention of distinguishing the physical system from what are given in phenomena by demonstrating the incompatibility between this intention itself and the insistence on the speakability of the phenomena, which gives birth to the illusion of the"phenomenological language";(5) Nevertheless, what the radical distinction between the sense-data and the physical language (as the unique possible language) implies, according to Wittgenstein, is not that the latter has nothing to do with the former, but that the association between the two does not follow the"original sample-copy"pattern but the"screen-presenting-filmoperation"pattern, which indicates that phenomenon itself can be aroused by or included in-rather than to be described by-the physical language/system;(6) Thus Wittgenstein leads us to depart from the obsolete ambition of representing the immediately given data perfectly for a new destination where a comprehensive "perspicuity" of the"grammar"should be required and where his later philosophy is coming into being.

在《大打字稿》中，这一二分法在他对于时间表达式、空间表达式与人称表达式的分析中得到了细化，并导致了他对于"记忆时间"与"物理时间"的区分，以及对于"视觉空间"与"欧几里得空间"的区分，等等；(4)从另一个视角来看，维氏对于"现象学语言"观念的拆解也可以被视为同一观念在被加以彻底化后所导出的必然后果，因为这一拆解工作实际上乃是加强了，而不是削弱了他在写作《略论逻辑形式》时就已怀有的信念，即：必须将物理系统严格地区分于在现象中被直接给予的东西。换言之，维氏在这一拆解工作中所做的，只不过就是暴露了这一信念本身与对于现象之"可说性"的坚执之间的固有矛盾罢了——而所谓"现象学语言"的幻相，亦正是导源于上述坚执；(5)然而，根据维氏的本意，感觉予料与物理语言之间巨大的逻辑差异却并不意味着后者与前者毫无关联，而只是意味着两者之间的关系并不遵循着所谓的"原本—摹本"模式，而遵循的乃是"屏幕呈现—胶片运作"模式。

Here's what I believe in, here's what I stand for.

这是我相信的，这是我赞成的。

Content handles a side, the attention achieves a gender formerly, we were in the 2nd to be told, of the search achieve formerly achieve formerly with what we understand have difference, it identifies what never exist for the sake of it is not known or be in its perspective to make be achieved formerly, so, the content that we need to release is very crucial, you have energy, stick-to-itive, resemble me such, a few words are accumulated more on clavier, nature is to be achieved formerly.

内容处理方面，注重原创性，我们在第二篇就讲了，搜索的原创和我们理解的原创有差异，它认为的是它不熟悉或在它的视角里从不存在的就叫原创，那么，我们需要发布的内容就很要害了，你有精力，有耐心的，就像我这样，键盘上多累积几个字，自然是原创。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。