查询词典 what... for

What is your business objective and what kind of return on investment are you looking for?

什么是您的业务目标和什么样的投资回报，你要找的人？

But for you, what is ahead and what is in the back are always wrong, because many things in your Rightist's eyes are often upside down!

但是由于右派眼中的东西常常是颠倒的，所以对你而言，什么是前，什么是后，常常是错误的。

For those who are yet to know what exactly Franklin planner is, it is a ring binder with lots of pages and accessories to consolidate tasks, appointments, and records to effectively manage what little time that we have.

对于那些尚未谁知道到底富兰克林规划，它是一个拥有大量的网页及配件活页夹，以巩固任务，约会，并记录有效地管理一点点时间，我们不得不。

When choosing roofing materials for your home you must consider what you like as well as what will fit into your budget.

屋面材料选择必须看你的家，你喜欢什么，以及你会放入预算。

It will be a difficult run-in for everybody and it's about what we do - not what anybody else does.

对每个人来说都是艰难的一段时间，关键是我们自己所做的，而不是其他人。

Snow is falling from the sky in the middle of July The sun was shining in my eyes again last night It all goes off without a sound, the silence is so loud Something isn't right Footsteps echo down the hall, no one's there at all Dial your number but your voice says "I'm not home" Everything is inside out, don't know what it's about It keeps getting Stranger by the day Stranger by the day It keeps getting stranger by the day Stanger by the day, yeah Going for a walk outside, to see what I can find No reflections in the window as I pass by It feels hotter in the shade, water running from the drain Something going on Coversations with a mime,(?????????alguem sabe) Imagination must be working overtime The world is upside-down, everything is turned around It keeps getting, Stranger by the day Stranger by the day It keeps getting stranger by the day Stanger by the day, yeah By the time I reach your door, I can't take any more I just happened to be in your neighborhood I'm the one who gets surprised, I Don't believe my eyes Your alibi's no good.

雪是从空中向下，在7月中旬阳光明媚，在我的眼睛再次昨晚它一切顺利起飞，没有一个健全，沉默是如此响亮东西是不正确的脚步声回波下来大厅，没有人的存在，在所有拨打你的电话号码，但你的声音说："我没有家"一切都是里面出，不知道这是什么，它的约它总是陌生的，一天陌生的，一天它总是有陌生人一天陌生的，一天，是啊要设立一个走在外面看到有什么我可以了解没有思考，在窗口我擦肩而过它感到热，在阴凉处，水从排水管一些正在进行 coversations与默剧，）想象力必须超时工作世界是倒置式的，一切扭转它总是，陌生的，由天陌生的，由天它总是由陌生人一天 stanger由一天，是啊由那时，我到达你的门，我不能采取任何更多我只是刚巧在你的周边环境我是一个谁得到惊讶，我不相信我的眼睛你的不在犯罪现场的任何好处。

This kind of love gives sacrificially for the benefit of others. It is also seen not only in what we do but in what we refrain from doing.

不单是我们做什么能显示这爱，我们拒绝做什么，也是这爱的表现。

Do not mention reports, duke, to me, for I know now what confidence to place in them. Yet, speaking of reports, baron, what have you learned with regard to the affair in the Rue Saint-Jacques?""

然后，又急忙换了口气说，"请您原谅，陛下，我对陛下的忠诚使我忘记了——倒不是忘记了对您的尊敬，而是一时忘记了礼仪。"

I was curious about what was going on for the saleslady couldn't understand what the man was talking about.

我对正在发生的事感到很好奇，因为售货小姐听不懂这个人在说什么。

Take the early "schematization" for example, an abundance of similar symbolized schemas were duplicated in faith that the forerunners' success ensures theirselves, totally disregarding that the real question is self questioning and issuing what no one issues, to parrot what other says only makes one a laughing stock and is the manifest of extremely lacking of creativity; surely there still another type of art exists, seemingly novel but not actually raising any question, but in blind pursuit of the shocking, monstrous effect of the form, which as well can only be deemed as superficial.

比如因为早期"图式化"的成功表达，便大量复制类似的符号化图式，仿佛前人的成功便能够保证类似问题的当下成功，而全然不考虑真正的问题是从自我出发，发人所未发的问题或视角，重复别人已经提出的问题，只能落下"鹦鹉学舌"的笑柄，是缺乏创造性的极端表现；当然，还有一类貌似新颖，实际并未提问的艺术在一味追求表达形式的惊人、怪异中，同样流于肤浅之弊。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。