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For those who can afford to be pickier, here are five tips on what type of offers to take a pass on and what warning signs to watch out for

对那些有资本挑选工作的人来说，下面五条建议有助于你了解应该放弃哪些类型的工作邀请，以及需要关注哪些预警信号。

This paper mainly includes two parts The first part falls into three main sections. First, it analyses the formative causes of the Chinese traditional house interior display art through five aspects, including the structure and forms of Chinese traditional architecture, the productive mode of Chinese traditional society, Chinese traditional philosophy, the idea of ethics and grading and custom of Chinese traditional society. Second, it briefly introduces the history of Chinese traditional house interior display art's development. Finally, it focuses on the analysis of Chinese traditional house interior display art's design ideas and concludes that its design ideas embodies the five sides as follows: respect for nature and imitate artfully nature, practical-oriented and function incorporated into form, images of space of what the theory and practice forms, balanced natural pattern of the display, artifacts with the thoughts and respect for poetic imagery. Another part of the article further researches on the application of Chinese traditional house interior display ideas to the contemporary home display, and leads to the author's view, that is that each era should has its own character when it inherits the traditional culture. What's more, the contemporary Chinese-style home display design not only have to take over the spirit of the tradition but also have to give full consideration of the contemporary aesthetic concepts, principles and methods. In the 21st century, humanistic care is greatly proponed in the interior design. The interior display art should develop towards the ecological, personalized and comfortable direction and the cultural dimensions. It should absorb the traditional cultural elements to decorate contemporary living space. In order to upgrade the simple and primary "appearance likeness" to a higher level of "spirit likeness", it must effectively grasp the poetic imagery of space, which can reach the artistic effect of "both appearance and spirits".

本文的重点内容有两部分：一部分是从中国传统建筑的结构形式、中国传统社会的生产方式、中国传统的哲学观念、中国传统的伦理等级观念、中国传统社会的风俗习惯等五个方面简单分析了中国传统民居室内陈设艺术形成的原因；简要介绍了中国传统民居室内陈设艺术的发展过程；着重对中国传统民居室内陈设艺术设计理念的具体内涵进行了深入的分析，总结出其设计理念集中体现在五个方面，即崇尚自然与巧法造化、实用为本与文质彬彬、虚实相生的空间意象、均衡自然的陈设格局、器以载道与以境为尚；另一部分是对中国传统民居室内陈设设计理念在当代居室陈设设计中的应用作了较深层次的探讨，并提出了自己的见解，即每个时代对传统文化的继承都应该呈现出自己的特色，当代中式风格的居室陈设设计既要秉承传统民居室内陈设艺术的设计精髓，又要充分考虑当代审美观念、原则和方法的融入。21世纪，室内设计大力提倡人文关怀，具体到室内陈设艺术设计上，应该向生态化、个性化、舒适化和文化层面发展；吸收传统文化元素装饰当代居室空间，要有效地把握空间意境，使当代中式风格的居室陈设设计从简单、初级的&形似&上升到较高层次的&神似&，进而追求&形神兼备&的艺术效果。

The harmless, inoffensive, and unsuspecting creatures, are so devoted to the Prophet, and the cause of Jesus Christ, that they do not dream of the deep laid and fatal scheme which prostrates happiness, and renders death itself desireable; but they meet him, expecting to receive through him a blessing, and learn the will of the Lord concerning them, and what awaits the faithful follower of Joseph, the Apostle and Prophet of God, When in the stead thereof, they are told, after having been sworn in one of the most solemn manners, to never divulge what is revealed to them, with a penalty of death attached that God Almighty has revealed it to him, that she should be his Spiritual wife; for it was right anciently,and God will tolerate it again: but we must keep those pleasures and blessings form the world , for until there is a change in the government, we will end anger ourselves by practicing it-but we can enjoy the blessings of Jacob, David, and others, as well as to be deprived of them, if we do not expose ourselves to the law of the land.

这些不伤害不具攻击性和不疑有她的受造物们这麼地奉献给先知和耶稣基督的缘故，她们没有梦想这深深隐藏和致死的阴谋会屈绝快乐和将死亡粉饰得可悦；她们会见他，期待从他得到祝福，并且从他学习神关於她们的心意。但等待著约瑟这个神的先知和使徒的跟随者的却是在最庄严的起誓决不泄漏显示的内容否则愿遭死亡惩罚后被告知全能的神向他启示她应该做他的属灵妻子。因为古早以前不是错事，现在神又再次允许。但是我们必须保持这个欢娱和祝福不让世界知道，直到政府更改，否则我们会因著实行它而带愤怒到我们身上。我们可以享受雅各、大卫和其他人的福份，但是我们也可以被剥夺，只要我们不暴露我们在这地的法律之前。

The love we are faced with may not be what we have long quested for; the life we are leading may deviate from what we have yearned for; similarly, our inward duty may be in disagreement with our outward action.

我们所面对的爱情可能并非我们的真爱，我们现在所处的生活可能并非我们所期望的生活，我们内心的责任可能与我们外在的表现是非统一的。

Such a study is no other than one of an ideological criticism, because the decisive mechanism behind this influence is the ideological circumstances in which the receiver of the influence is set. The truth of a influence is a myth, which confirms to Roland Barthes1 myth concept in all aspects. For a influence or a myth, the important thing is not what the influence sender is actually like, but what the receiver needs. The receiver tells and retells this influence as a myth for his own ideological purpose.

这样一种探究不是别的，正是意识形态批判的一种，因为这一影响背后的决定机制就是接受者所处的意识形态环境，影响就其实质而言是一个神话，它在各方面都符合着罗兰·巴特的神话概念，对于一个影响来说，重要的不是影响的发射者的本来面目是什么，而是接受者现在需要什么，而接受者现在将这个影响作为神话而转述、传播也是服从于自己的意识形态目的。

I saw a song named LOVE CRIME, i am moved by that name. yes, retrospecting what i did before, i had thought all what i did was for love, was affection, but for others, were those all true?

我看了一首名为LOVE CRIME的歌曲，被这首歌曲的名字所打动，当回首过去我所做的一切，我原以为我做的一切都是为了爱，为了情。

Low interest rates have steepened the yield curve, the difference between short- and long-term rates, but they also make this a terrible environment for deposit margins, which banks calculate as the difference between what they pay for deposits and what they make by putting them to work in money markets.

低利率使生产曲线变得陡峭，这是短期利率和长期利率的区别，但是他们也将信贷利润置于一个糟糕的环境当中，贷款利润通常是银行通过计算存款的付出和把他们放到金融市场上运转的所得之间的差额得出的。

Low interest rates have steepened the yield curve, the difference between short- and long-term rates, but they also make this a terrible environment for deposit margins, which banks calculate as the difference between what they pay for deposits and what they make by putting them to work in money markets.

银行的低利率，也已经使收益线陡降，加剧长短期利率的差距，不过，低利率在恶劣的经济环境中也有助于减轻存款的边际成本，银行可以评估偿付利息和周转资金的利弊得失。

It symbolizes象征/标志 me for what I am and for what I have become.

它标志着我是谁，以及我是什么样的人。

It's what your kid thrives on, it's what we love to teach, and it's what employers are looking for.

这就是你的孩子致力学习的，也是我们喜欢教授的，更是我们的雇主寻求的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。