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"Then," I said,"Thrasymachus, there is no one in any rule who, in so far as he is a ruler, considers or enjoins what is for his own interest, but always what is for the interest of his subject or suitable to his art; to that he looks, and that alone he considers in everything which he says and does."

"既然如此，"我说，"斯拉斯马科斯，世上应该不会有这样一种统治，如果这种统治还有统治者的话，其统治者既能认定或顺应自身的利益，又能永远认定或顺应其利益对象或其技艺所要求的利益；也就是说，他总能像人们所看到的那样独自审慎于他所说和所做的每件事情。"

"Then," I"Then," I said,"Thrasymachus, there is no one in any rule who, in so far as he is a ruler, considers or enjoins what is for his own interest, but always what is for the interest of his subject or suitable to his art; to that he looks, and that alone he considers in everything which he says and does."

"既然如此，"我说，"斯拉斯马科斯，世上应该不会有这样一种统治，如果这种统治还有统治者的话，其统治者既能认定或顺应自身的利益，又能永远认定或顺应其利益对象或其技艺所要求的利益；也就是说，他总能像人们所看到的那样独自审慎于他所说和所做的每件事情。"

What's great in the film, and what will make it live for many years and speak to many audiences, is what Coppola achieves on the levels Truffaut was discussing: the moments of agony and joy in making cinema.

这个电影之所以伟大，并将在今后许多年内保持生命力，吸引更多的观众的原因，就在于科波拉捕捉到了特吕佛谈论的层次：电影中欢乐与痛苦的瞬间。

To milk my She-goats, and manage my little Flock, in the Wood; which as it was quite on the other Part of the Island, was quite out of Danger; for certain it is, that these Savage People who sometimes haunted this Island, never came with any Thoughts of finding any Thing here; and consequently never wandred off from the Coast; and I doubt not, but they might have been several Times on Shore, after my Apprehensions of them had made me cautious as well as before; and indeed, I look'd back with some Horror upon the Thoughts of what my Condition would have been, if I had chop'd upon them, and been discover'd before that, when naked and unarm'd, except with one Gun, and that loaden often only with small Shot, I walk'd every where peeping, and peeping about the Island, to see what I could get; what a Surprise should I have been in, if when I discover'd the Print of a Man's Foot, I had instead of that, seen fifteen or twenty Savages, and found them pursuing me, and by the Swiftness of their Running, no Possibility of my escaping them.

羊群在岛的另一边，因此没有什么危险。因为那些偶尔上岛的野人，从来没有想在岛上找到什么东西，所以他们从不离开海岸向岛里走。我也毫不怀疑，自从我处处小心提防他们之后，他们还照常到岛上来过好几次。真的，我一想到我过去出游的情况，不禁不寒而栗。我以前外出只带一支枪，枪里装的也是一些小子弹。就这样我在岛上到处东走走，西瞧瞧，看看能不能弄到什么吃的东西。在这种情况下，假使碰上他们，或被他们发现，我该怎么办呢？因为，我没有多少自卫能力。或者，假定我当时看到的不是一个人的脚印，而是一二十个野人，一见到我就向我追来。他们善于奔跑，我是无论如何跑不过他们的，那我必定会落在他们手里！

No matter whether it is the uncertainness of politicians to voters or the hesitation of architects for idealism, at least they did make decisions on "what to do" and "what not to do" in the 1000-page proposals: they focus on housing, transportation, presentation and media promotion, those which have spaces for creativeness.

不管是政客对选民的不确定，还是建筑师对理想主义的迟疑？

How much more reasonable is that opposing theory (it is not for that reason more true—) which Herbert Spencer, for example, espoused: that the concept "good" is essentially identical with the concept "useful,""practical," so that in the judgments "good" and "bad" mankind has summed up and sanctioned precisely its unforgotten and unforgettable experiences regarding what is useful-practical and what is harmful-practical.

这样一来那种反对派理论倒是更为清晰合理了（那理论并不因此而更正确——）。例如赫伯特·斯宾塞就表述了这派理论：他认为"好"的概念就其本质来说与"有益"、"实用"相通，因此在"好"和"坏"的判断中人类总结并确认的正是他们关于有益——实用和有害——不实用的那些未被遗忘和遗忘不掉的经验。

What lips my lips have kissed, and where, and why, I have forgotten, and what arms have lain Under my head till morning; but the rain Is full of ghosts tonight, that tap and sigh Upon the glass and listen for reply, And in my heart there stirs a quiet pain For unremembered lads that not again Will turn to me at midnight with a cry.

我还曾枕过谁的手臂直至天明？如今，我已毫无记忆。但这夜雨鬼影重重，敲打着窗玻璃，似乎在等待回音，在轻声叹息。那个我已忘记的少年，在深夜里再也不会翻身面向我。静静地，我的心在疼，抑制不住哭泣。

The old green typewriter sits in my office now, unrepaired. It is a memento, but what it recalls for me is not quite what if recalled for Mother.

现在，我把那台未作修理的绿色旧式打字机当作一个纪念品放在我的办公室，但我不是因为它而想起母亲。

The reason they were such a waste of time is that what I was really looking for was a way to vegetate, escape my own reality and not have to think so much. So what I was really looking for was a good TV show.

读《南茜·朱尔》来消耗我的时间是因为我真正要做的只是想找个方式去度过那些单调乏味的生话，能够逃避现实，让自己没有时间去胡思乱想；或许我真正想要的只是有个电视可看。

Be such, to new website that still ranks data without Alexa, alexa is collected also have a process, like be just like search to all alone engine is collected, this needs period of time, specific how long is the thing of the specific algorithm inside Alexa, we are bad also and informal speak carelessly, but have a bit, if the visit amount of your station is large, meet what collect quickly for certain, still what Alexa ranks raise a question, the effective affirmation that brush a station can raise a rank, but Alexa rank also is an index that measures a website, collect an amount with Pr value and search engine, key word ranks the algorithm that there is his like waiting a moment, not be effect of 9 days of affirmative certain visibility, it is commonly of course should such, but what thing has exception, so, urgent also be urgent do not come, general left and right sides of a week, affirmative meeting vicissitudinous, if you are,undertaking brushing the word of the station effectively.

是这样的，对于新网站(还没有alexa排名数据的网站)，alexa收录也有一个过程，就好比搜索引擎收录一样，这个需要一段时间，具体多长时间就是 alexa里面的具体算法的事情，我们也不好随便乱说的，但是有一点，如果你站的访问量大，肯定会加速收录的，还有alexa排名的提高问题，有效的刷站肯定会提高排名，但是alexa排名也是衡量网站的一个指数，就和pr值和搜索引擎收录数量，关键字排名等等一样有自己的算法，不是一两天肯定就一定能见效果的，当然一般是应该这样，但是什么事情都有例外，所以，急也是急不来的，一般一个星期左右，肯定会有变化的，如果你是在进行有效刷站的话。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。