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From The Economist print edition??WITH a model line-up that includes the Wingle, Sailor and Socool, and a corporate action plan to "attack the consciousness like a wolf while sensing danger like a rabbit", it is easy to poke fun at Great Wall Motor, based in Hebei Province, south of Beijing. The carmaker's output of 108,000 vehicles in 2007 is puny by global standards—about half what Toyota builds in a week.

一家旗下仅有风骏，赛铃，赛酷三个车系的小公司，却打出了&猛如狼，狡如兔&的行动口号（中文口号原文：&玩命提品质，疯狂抓执行&为宗旨的&狼兔行动&译者注），位于北京南部河北省的长城汽车真是贻笑大方。2007年，这家公司的产量为108，000辆，仅是丰田公司周产量的半数，在全球市场也就是沧海一粟。

When they come to explaining matter, they either say, like Berkeley, that matter is really nothing but a collection of ideas, or they say, like Leibniz (1646-1716), that what appears as matter is really a collection of more or less rudimentary minds.

当他们要解释物质的时候，要么他们就像贝克莱那样说，物质其实只不过是一束观念；要么就像莱布尼兹（1646－1716）那样说，表现成其为物质的一切事物，其实或多或少只是原始心灵的聚集而已。

"Phil is still playing with the lineup," Bryant said."It's tough to really know what that lineup is going to look like, or what we want to be while he still tinkers with it."

科比说：&菲尔他还在权衡着首发的名单，很难去知道某个首发阵容会怎样，或者说我们想成为怎样，他还在酝酿着。&

Statistical models are like bikinis: what they reveal is suggestive, but what they conceal is vital.

统计模型就好像是比基尼泳衣：露出来的部分令人想入非非，但藏起来的部分才是关键。

I like fruity espresso and also chocolaty espresso, but taste is individual and there is no correct answer to what an espresso should taste like.

我个人喜欢水果风格的espresso，也喜欢巧克力风格的espresso，但感官总是个人主观的，espresso的风格走向是没有标准答案的。

Small town hearts of the New Year Brought down by gravity, crystal clear City fog and brave dialogue converge on the frontier Make haste, I feel your heartbeat With new taste for speed, out on the street Find a road to a humble abode where both of our routes meet The silver sound is all around and the colors fall like snow The feeling of letting go, I guess we'll never know Cheer up and dry your damp eyes and tell me when it rains And I'll blend up that rainbow above you and shoot it through your veins Cuz your heart has a lack of color and we should've known That we'd grow up sooner or later cuz we wasted all our free time alone Your nerves gather with the altitude Exhale the stress so you don't come unglued Somewhere there is a happy affair, a ghost of a good mood Wide eyed, panic on the getaway The high tide could take me so far away VCR's and motorcars unite on the Seventh Day A popular gauge will measure the rage of the new Post-Modern Age Cuz somewhere along the line all the decades align We were the crashing whitecaps On the ocean And what lovely seaside holiday, away A palm tree in Christmas lights My emotion Struck a sparkling tone like a xylophone As we spent the day alone

小城镇的心，新的一年下跌所带来的严重性，清澈城市雾和勇敢的对话，衔接，对前作出匆忙，我觉得您的心跳与新口味速度，列于街找到一条道路，以谦虚的居留权，如我们的路线，满足银的声音是所有周围的颜色一样，属于雪感觉不放，我猜想我们将永远不知道欢呼起来，擦干潮湿的眼睛和告诉我，下雨时我将融入了以上的表示，彩虹，你射击，透过您的静脉 cuz你的心有一个缺乏色彩，我们应该已经被称为我们要长大，迟早的事cuz我们浪费了我们所有的空闲时间，单你的神经，收集与高空呼出的压力，让您不来脱胶某处有一个愉快的事，鬼，一个良好的情绪广泛的眼睛，恐慌就逃走高潮流可以采取我那么远录像机的团结和汽车上第七天流行的衡量措施，将风靡一时的新后现代的年龄 cuz某处线沿线的所有几十年来对齐我们被撞毁whitecaps 就海洋什么可爱的海边度假，远离一棵棕榈树在圣诞灯我的情感一个晶莹剔透的语气就像一个木琴作为我们花了一天单

Small town hearts of the New Year Brought down by gravity, crystal clear City fog and brave dialogue converge on the frontier Make haste, I feel your heartbeat With new taste for speed, out on the street Find a road to a humble abode where both of our routes meet The silver sound is all around and the colors fall like snow The feeling of letting go, I guess we'll never know Cheer up and dry your damp eyes and tell me when it rains And I'll blend up that rainbow above you and shoot it through your veins Cuz your heart has a lack of color and we should've known That we'd grow up sooner or later cuz we wasted all our free time alone Your nerves gather with the altitude Exhale the stress so you don't come unglued Somewhere there is a happy affair, a ghost of a good mood Wide eyed, panic on the getaway The high tide could take me so far away VCR's and motorcars unite on the Seventh Day A popular gauge will measure the rage of the new Post-Modern Age Cuz somewhere along the line all the decades align We were the crashing whitecaps On the ocean And what lovely seaside holiday, away A palm tree in Christmas lights My emotion Struck a sparkling tone like a xylophone As we spent the day alone Cheer up and dry your damp eyes and tell me when it rains And I'll blend up that rainbow above you and shoot it through your veins Cuz your heart has a lack of color and we should've known That we'd grow up sooner or later cuz we wasted all our free time alone

小城镇心中的新年被击落的严重性，清澈市雾和勇敢的对话汇聚边界快点，我觉得你的心跳随着新口味的速度，在街道上进行查找道路谦虚居留权都在我们的路线满足银色的声音和周围的颜色属于如雪感情的放手，我想我们永远不会知道振作起来并擦干潮湿的眼睛，告诉我什么时候下雨我会结合这一彩虹，你和你的拍摄是通过静脉 Cuz你的心已经缺乏色彩，我们应该都知道我们希望长大迟早cuz我们浪费了所有的空闲时间仅你的神经的高度聚集梦醒时分的压力，让您不来脱胶某处有一个幸福的事，鬼的好心情广泛眼，恐慌的假期高潮可以采取我那么远录像机和汽车团结的安息日人气指数衡量的仇恨，这种新的后现代时代 Cuz某处线沿线所有的几十年里保持一致我们是崩溃白浪海洋和可爱的假日，离开棕榈树在圣诞装饰灯我的情感了一个闪闪发光的色调像木琴正如我们仅花了一天振作起来并擦干潮湿的眼睛，告诉我什么时候下雨我会结合这一彩虹，你和你的拍摄是通过静脉 Cuz你的心已经缺乏色彩，我们应该都知道我们希望长大迟早cuz我们浪费了所有的空闲时间

When the man you like switches from what he said a year ago, or four years ago, he is a broadminded person who has courage enough to his mind with changing conditions. When a man you don't like does it, he is a liar who has broken his promises.

如果你喜欢的人改变了他一年前或四年前说过的话，那他就是一个开明的人，有勇气随情况的变化而变化；如果你不喜欢的人这么做，那他就是一个不信守诺言的谎言家。

When the man you like switches from what he said a year ago, or four years ago, he is a broadminded person who has courage enough to his mind with changing conditions. When a man you dont like does it, he is a liar who has broken his promises.

如果你喜欢的人改变了他一年前或四年前说过的话，那他就是一个开明的人，有勇气随情况的变化而变化；如果你不喜欢的人这么做，那他就是一个不信守诺言的谎言家。

The 'arrival' of Sisyphus means that he has to employ 'pathetic fallacy' to personify the stone as signifying man's desire and mental burden – the stone lying at the roadside has been changed and elevated to a symbolic level, which incorporates the myth with heroic spirit and becomes the objective equivalent to that of desire, anxiety, and pressure. In essence, the physical features are drowned and from between to express the natural physical features or the ideas, he chooses the latter. This means that there is disjoint between what originally moved him and what he would like to express, but he is acutely aware of it – the 'danger of illustration'. We can see that these series of paintings are finally presented to us, the physical features of the objects still remains and are expressed to some extent. Among them some directly depict the stones in their own part about their pleats and points, desolateness and heaviness; at the meantime, nobody appears in the pictures.

西西弗斯的&到来&，意味着他不得不采用感情误置的方式，将石头进行拟人化的处理，用以指称人的欲望和精神负担——那块路边的石头已经不复它本来的面目，它被提升到一个象征的位置上，与神话和英雄的精神题旨迅速结合在一起，成为人性之中欲望、焦虑、压力等情感的客观对应物，从本质上来说，物自身的特性被淹没了，在表现物的自然特性和表现理念这两者之间，他选择了后者，这意味着，在感动他的最初事实与他要表现的事实之间就有了一种脱节，但他敏感地意识到了这种脱节，这种&图解的危险&，我们可以看到，当这组画最终呈现在我们面前的时候，物的自然特性得到了很大程度的挽留和表现，其中有一些画作直接描绘了岩石本身，它本身的褶皱和棱角、苍凉和沉重，同时，并没有人出现在这样的画面上。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。