查询词典 western films

This was reminiscent of Western practices of yesteryear, as when Al Jolson wore blackface or the Swedish actor Warner Oland was cast as Charlie Chan in 1930s films.

这使人想起了去年西方发生的一些事： Al Jolson 扮演黑人，和瑞典演员 Warner Oland 在一个30年代的电影里扮演陈查理。

I think that for every movie I make, I always try to duplicate that feeling of purity and innocence that I got when I saw this movie,'' he said.''I bring in Western drama. I bring in metaphor. I bring in Jean-Luc Godard. Whatever I bring in to my own films, I am forever trying to update and recapture that feeling.

我每拍一部电影都试图复制我看这部电影时得到的纯净天真的感受，我将它们带入西方戏剧，带入每个隐喻，带入戈达尔，带入我自己的电影，我永远都试图更新和找回那种感受。

You have made many films that are set in Western or European landscapes, for instance Laputa and Porco Rosso. Others are set in very Japanese landscapes.

问：您的许多片子都是以西方或者欧洲为背景的，比如《天空之城》和《红猪》；其他的则是绝对纯正的日本背景。

Since the beginning of silent film and cinematic mutism, it has been lasting from the Western modernism films (e.g. Fritz Lang and Ingmar Bergman's films) to the contemporary cinema (e.g. Ming-liang, Tsai's cinema).

沉默与缄默影音美学的诞生，自西方现代主义电影到当代电影以来，就从没停止过。

He became one of the major filmmakers of the 1970s through his innovative and explicit depiction of action and violence, as well as his revisionist approach to the Western genre. Peckinpah's films generally dealt with the conflict between values and ideals, and the corruption of violence in human society.

他的成功之处在于对动作场景和暴力描绘的改革创新（尤其是对暴力毫无遮掩的详尽描述），和对西部片类型的重新拓展，他也因此成为了七十年代最具影响力的电影人之一。

The energetic Bo broke into feature films as the ill-fated "Crazy Lee" in the Sam Peckinpah landmark western The Wild B...

充满活力的公报闯入故事片作为虐待注定"疯狂李"，在山姆派金帕的里程碑西部野生乙。。

The second section mainly focuses on the initial stage of Chinese film, its imitation of foreign movies while showing distinctive inclination towards Chinese and Western styles. The early films by Commercial Press Film Studio, Shanghai Photoplay Company and Star Film Company will be discussed in this section.

第二部分《初始的模仿与选择》，讨论1920年代初期中国电影如何从仿制入手，开始了侦探片、爱情片和喜剧片的试验与探索，以《阎瑞生》、《红粉骷髅》、《海誓》和《劳工之爱情》等影片为例，探讨了中国试制电影与欧美影片的影响关系，在此部分还讨论了在"商务"、"上海影戏"和"明星"形成的竞拍态势中，初露端倪的"欧化"与"华式"两条发展路径，包括"商务"早期长片的国家意识和影像风格上"欧化"色彩；"上海影戏"对欧美儿童片的摹仿以及"明星"以《孤儿救祖记》为代表的比较民族化的创作方向。

As to the study of contemporary western film theories, the psychoanalytic study of films is an important part, or a subject, which is of great importance.

电影与精神分析学之间的关系，是十分密切的，电影的精神分析学研究是当代西方电影理论研究的一个重要组成部分，或一个学科，占据着重要的地位。

Poliziotteschi films became very popular in the mid-70s after the downfall of spaghetti western .

Poliziotteschi型电影在上世纪70年代意大利式美国西部片衰败之后开始变得非常流行。

Obviously, it seems that his intention is to make another kind of voice out of the deep water, which makes it fight against traditional phalloccntrism; while also entangle on the male dcsire peering at female bodies in his narrative words, using the supposing visual center in the film picture to disguise the ubiquitous male desire peering at female bodies, all which embody the desire to close the western cultural center regardless of the picture handling and cameral lens cutting. Finally, he spends every strain to alleviate visual pressure and catering to the visual feeling of the western audience using narrative tactics, while the real intention to fight for language right with traditional phallocentrism. So it"s safe to say that this is a right fight between traditional phallocentrism and marginal counterpart. Just as the sacrifice of women in Zhang"s films, the marginal women again betrayed in Lous, and women again become the punishing and desire subject and swapping subject between men.

似乎让另外一种声音浮出水面是他的叙事意图，使它能够对抗传统中心话语权威；然而，在他影片的叙事话语中，仍然纠缠于固执的男性对于女性的窥视，利用设定影片画面中的表层观看&中心&，企图掩饰他影片中无处不在的对于女性的窥视欲，无论是在影片画面处理、影片镜头的剪辑上都显示出对西方强势文化中心的靠近，利用其中叙事策略来尽量减轻或者迎合西方观众的视觉接受，而其真正的叙事权威就是利用&边缘&来争夺西方观众的肯定，来与传统男性中心权威话语争夺话语权，这是一场传统男性中心话语权威与男性边缘群体争夺话语权的斗争，就如张艺谋的影片中以牺牲女性为代价，娄的影片中同样牺牲了边缘女性群体，女性再一次成为窥视、惩罚的对象，成为男性交换的对象。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了