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He bid me observe it, and I should always find, that the Calamitles of Life were shared among the upper and lower Part of Mankind; but that the middle Station had the fewest Disasters, and was not expos'd to so many Vicisitudes as the higher or lower Part of Mankind; nay, they were not subjected to so many Distempers and Uneasiness either of Body or Mind, as those were who, by vicious Living, Luxury and Extravagancies on one Hand, or by hard Labour, Want of Necessaries, and mean or insufficient Diet on the other Hand, bring Distempers upon themselves by the natural Consequences of their Way of Living; That the middle Station of Life was calculated for, all kind of Vertues and all kinds of Enjoyments; that Peace and Plenty were the Hand-maids of a middle Fortune; that Temperance, Moderation, Quietness, Health, Society, all agreeable Diversions, and all desirable Pleasures, were the Blessings attending the middle Station of Life; that this Way Men went silently and smoothly thro' the World, and comfortably out of it, not embarass'd with the Labours of the Hands or of the Head, not sold to the Life of Slavery for daily Bread, or harrast with perplex'd Circumstances, which rob the Soul of Peace, and the Body of Rest; not enrag'd with the Passion of Envy, or secret burning Lust of Ambition for great things; but in easy Circumstances sliding gently thro' the World, and sensibly tasting the Sweets of living, without the bitter, feeling that they are happy, and learning by every Day's Experience to know it more sensibly.

他提醒我，只要用心观察，就会发现上层社会和下层社会的人都多灾多难，唯中间阶层灾祸最少。中间阶层的生活，不会像上层社会和下层社会的人那样盛衰荣辱，瞬息万变。而且，中间地位不会像阔佬那样因挥霍无度、腐化堕落而弄得身心俱病；也不会像穷人那样因终日操劳、缺吃少穿而搞得憔悴不堪。唯有中间地位的人可享尽人间的幸福和安乐。中等人常年过着安定富足的生活。适可而止，中庸克己，健康安宁，交友娱乐，以及生活中的种种乐趣，都是中等人的福份。这种生活方式，使人平静安乐，怡然自得地过完一辈子，不受劳心劳力之苦。他们既不必为每日生计劳作，或为窘境所迫，以至伤身烦神；也不会因妒火攻心，或利欲薰心而狂躁不安。中间阶层的人可以平静地度过一生，尽情地体味人生的甜美，没有任何艰难困苦；他们感到幸福，并随着时日的过去，越来越深刻地体会到这种幸福。

Such a problem implies that, we have to jump out of the analysis of essence of the art of Hollywood, or the motive of Hollywood being the Number One of the world as well as the judgments of the culture greed. We have to look for a wider background in the complicated entwining among the life style, art of entertainment and the way of culture. Based on this background, we can form a clear cultural field to the amusement power of the Hollywood movie, offering a completely way to analyze all the aspects of the entertainment art.

诸如此类的问题表明，我们首先必须跳出好莱坞娱乐艺术的叙事形式辨析抑或好莱坞称霸全球的意识形态动机和文化野心批判，在生活方式、娱乐艺术和文化道路的复杂缠绕中寻找一个更为广阔的阐释背景，依托这个背景，我们也许能够对好莱坞电影的娱乐力量形成一个比较清晰的文化整体视野，并从这个视野出发全面透析好莱坞娱乐艺术的方方面面。

Carry out the important thought of "Three Represents" in an all-round way, concern the overall situation of working for party and country, is it realize in an all-round way building grand goaling of well-to-do society to concern, concern the great rejuvenation of Chinese nation, concern the long-term development of the socialist cause.

全面贯彻落实&三个代表&重要思想，关系到党和国家工作的全局，关系到实现全面建设小康社会的宏伟目标，关系到中华民族的伟大复兴，关系到社会主义事业的长远发展。

I observ'd, that the two who swam, were yet more than twice as long swimming over the Creek, as the Fellow was, that fled from them: It came now very warmly upon my Thoughts, and indeed irresistibly, that now was my Time to get me a Servant, and perhaps a Companion, or Assistant; and that I was call'd plainly by Providence to save this poor Creature's Life; I immediately run down the Ladders with all possible Expedition, fetches my two Guns, for they were both but at the Foot of the Ladders, as I observ'd above; and getting up again, with the same haste, to the Top of the Hill, I cross'd toward the Sea; and having a very short Cut, and all down Hill, clapp'd my self in the way, between the Pursuers, and the Pursu'd; hallowing aloud to him that fled, who looking back, was at first perhaps as much frighted at me, as at them; but I beckon'd with my Hand to him, to come back; and in the mean time, I slowly advanc'd towards the two that follow'd; then rushing at once upon the foremost, I knock'd him down with the Stock of my Piece I was loath to fire, because 1 would not have the rest hear; though at that distance, it would not have been easily heard, and being out of Sight of the Smoke too, they wou'd not have easily known what to make of it: Having knock'd this Fellow down, the other who pursu'd with him stopp'd, as if he had been frighted; and I advanc'd a-pace towards him; but as I came nearer, I perceiv'd presently, he had a Bow and Arrow, and was fitting it to shoot at me; so I was then necessitated to shoot at him first, which I did, and kill'd him at the first Shoot; the poor Savage who fled, but had stopp'd; though he saw both his Enemies fallen, and kill'd, as he thought; yet was so frighted with the Fire, and Noise of my Piece, that he stood Stock still, and neither came forward or went backward, tho' he seem'd rather enclin'd to fly still, than to come on; I hollow'd again to him, and made Signs to come forward, which he easily understood, and came a little way, then stopp'd again, and then a little further, and stopp'd again, and I cou'd then perceive that he stood trembling, as if he had been taken Prisoner, and had just been to be kill'd, as his two Enemies were; I beckon'd him again to come to me, and gave him all the Signs of Encouragement that I could think of, and he came nearer and nearer, kneeling down every Ten or Twelve steps in token of acknowledgement for my saving his Life: I smil'd at him, and look'd pleasantly, and beckon'd to him to come still nearer; at length he came close to me, and then he kneel'd down again, kiss'd the Ground, and laid his Head upon the Ground, and taking me by the Foot, set my Foot upon his Head; this it seems was in token of swearing to be my Slave for ever; I took him up, and made much of him, and encourag'd him all I could.

在他们和我的城堡之间，有一条小河。

The screenplay, by Jim Herzfeld and John Hamburg, gets a lot of its laughs out of the way Stiller's character tells thoughtless little social lies and then, when he's caught, improvises his way into bigger, outrageous lies.

由Jim Herzfeld 和John Hamburg写的剧本有许多STILLER所说的，令人发笑的小谎言，于是当他被揭穿时候，牛皮就越吹越大，越来越过分。

That was one way to gauge distance—north of the capital, the urban development thinned out, and along the way the volunteers' gear became more ragged.

但对我网开一面，因为我从2001年就开始在那儿租了房子生活。&别去爬长城就行了&，那个警察提醒我说。

"It's palatial in a New World sort of way," he said with a little mockery in his smile. It's not far at all. I have the most spacious gardens and old oaks, oaks far older than those even out there on the Avenue, and all the windows are doors. You know how I like it that way. It's the Roman style.

&这是通往富丽堂皇的新世界之路，&马里乌斯带着一丝嘲弄的微笑说道，它离这儿一点也不远，我拥有最为宽畅的花园和古老的橡树，那些橡树比外面林荫道上的那些更为古老，所有的窗户都可以当作是进出的门，你知道我是多么喜欢那种罗马式风格的建筑的。

Traditional literature and reader meet is a kind of enclosed home remedy peddles, and network literature is in the reader pay close attention to all the way and breathe out go into battle of the convoy in drinking sound, its give those who rise to be born even if accompanying a hit to grow all the way, it is the creation of a kind of open mode, the reader's opinion and attention can change the direction of creation and outcome even.

传统文学与读者见面是一种封闭式的单方叫卖，而网络文学则是在读者的一路关注和呼喝声中护送上阵，它的出生就是伴随着点击率一路成长起来的，是一种开放式的创作，读者的意见和关注甚至可以改变创作的方向和结局。

Also want to let our culture head for the world, but the Olympics is an extremely good of opportunity, let the people of this world feel the Chinese culture most inning, the news requites the importance of the way convex and carefree come out, this text how strengthen the dissemination of the race culture to take into the research in news report way.

同时也要让我们的文化走向世界，而奥运是一个绝好的机会，让世人感受中国文化的最好时机，新闻报道的重要性就凸闲出来了，本文就如何在新闻报道中加强民族文化的传播加以研究。

It was in the way the autumn day looked into the hilt windows as it waned; the way the red light, breaking at the close from under a low somber sky, reached out in a long shaft and played over old wainscots, old tapestry, old gold, old color.

妙的是妙处不仅于此，部分妙处还在于韦瑟恩德没有一处不是值得留下来的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。