查询词典 water of life

Past evidence from photographs and films is re-examined, and naturalists and palaeontologists discuss the possibility of the various life forms that have been suggested to inhabit the Loch, surviving in 'one of the most lifeless bodies of water in the world'.

人们再次检查了以往照片和影像中的证据，自然学者和古生物学者探讨了居住在尼斯湖中的生物形态的可能性，其生活的地方是全世界最无生命迹象的一个水域。

The 120m3 BF foundation temperature is reduced from 950℃ to below 700℃ and the furnace life campaign is prolonged for more than 2 years by taking furnace maintenance measures such as batching schreyerite in burdens to deposit Tion hearth bottom to form a steady protective layer and make molten iron liquidity slower to slowdown the erosion on bottom, drilling holes to lay water-cooling pipes in heat resistant foundation to heighten the 1150℃ isothermal line of molten iron to make frozen metal layer thicker.

对济钢120m3高炉炉底侵蚀状况，在生产中配加钒钛矿，使其还原成Ti的沉积，以对炉底形成稳定保护层，降低铁水流动性，减缓铁水对炉底冲刷；同时在耐热基墩打孔，穿埋水冷管，促使炉缸铁水1150℃等温线上移，凝固团增厚。实践表明，特护期间炉基温度由950℃下降至700℃以下，炉役寿命延长2年以上。

The eudemon of tree of thousands of years has no power to sustain the life force of the whole enchanted forest. So the green place turned into desolation and the local water became dead lake in this forest. There were variational creatures everywhere or residents whose minds have been affected.

被剥离了力量的千年树精灵无力支撑整个梦幻森林的生机力量，于是这片森林里，青葱的地方变得荒芜，流水的地方变为死潭，到处充斥着变异的生物或是受到心智影响的居民，而且，一路上会经常出现被百合用药物致使失控的恐龙。

Antonie van Leeuwenhoek, pioneering microscopist, observed in 1702 that dry sediments of "animalcules", expected to be dead, were brought back to life when exposed to rain water.

安东尼·范·列文虎克——使用显微镜的先驱，在1702年观测发现，把被认为死亡了的干枯的&微生物&沉积物放在雨水中时它们又复活了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。