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The people and objects floating through Gao Bo's works are without roots - perhaps they come from a momentary memory or a spark of interest. Looking at Gao Bo's works brings pictorial information stored deep in the mind to light, yet within a second these mind-images fade again, leaving behind a memory of all the images that lie underneath Gao Bo's warm and languid sketching. In Gao Bo's consciousness, these images don't stop at realism or simply exposit like some historical legend - in the end they reach towards the fringes of nothingness.These images can call up rich associations in our minds yet often these are false associations. For example, in "Gray Face" this is not the mystical dog of the god Erlang in Journey to the West; the rickety bridge in "River Bed" is certainly not a reference to a rainbow in Heaven; the story of "Contest" is not about two dogs running and pretending to be in love but a story of race dogs controlled by humans.

散漫在高波作品中的人与物没有根源，也许它们是源于个人瞬间的兴趣和记忆，有关知识的、情感的和在脑子里存储的图象信息随之而来，也可以随之而去，只是在温和缓慢的描绘背后还有一丝对所有形象匆匆停留过后的怀念，它们在高波的意识之中并不是一次停留于现实或者历史神话般司空见惯的陈述，它们的结果最终都是通向虚无的边缘，尽管那些形象似乎可以唤起我们丰富的联想，比如《灰色的脸》，它绝不是西游记中二郎神的天犬，在《河床》中不牢靠的拱桥，肯定不是寓指天堂里的彩虹，《竞赛》讲述的故事并不是两只在假装为爱情奔跑的狗，而是被人为所驱使的赛狗。

In a bid to bring avid local music and dance lovers to a firsthand understanding of the traditional Philippino music and dance culture, the 2008 Asia Pacific Traditional Arts Festival has specially developed a "Traditional Philippino Music and Dance Workshop," which is presented and guided by instructor Wu Jung-Shun, the Dean of the Department of Music of Taipei National University of the Arts, to extend warm welcome for all to exchange and emulate the "Hudhud Traditional Music and Dance Troupe of the Ifugao Tribe" in their debut act in Taiwan, and to gain firsthand experience of the rare Masterpieces of the Oral and Intangible Heritage of Humanity that the Philippines has to offer.

为提供国内乐舞爱好者深入了解、体验菲律宾传统乐舞文化，本次艺术节特别规划「菲律宾传统乐舞工作坊」，由台北艺术大学传统音乐系主任吴荣顺老师担任解说与导聆，邀请大家与首次来台的相互交流学习，进一步认识菲律宾难得一见的口传与非物质人类文化遗产。

Dye can bring a little color to life, most clothing is color with dyes, modern manufacture dyes can be costly, natural dyes from plan t and animal products have been used since ancient times, so this week, we describe by natural way to dye world, the advice comes from information written by Jenny Tim of the intermedial technology development group in Briton, this anti group is now called practical action, there are several messages to put dye onto material, the vent message for example, can be used to dye wool with onion skins, for this example, use 100 grams of natural wool, the wool must be clean, leave it overnight in water and liquid soap, then wash it with clean water that is a little warm, gently out the water, a solution called a moderant is used in the dying process, a moderant helps fix the dye to the material, traditionally moderants were found in nature, wood ash is one of example, but chemical moderants such as ironare popular today, iron is so would in many stores, it is often mixed with queen of daughter, a finding powder commonly used in cooking.

使用染料可以为生活带来更多的色彩。许多的布料都是通过染料来上色的。现代工业制造的染料通常都非常的贵，从古时起，人们就知道从植物或者动物产品中提取天然染料。这周，我们就来讨论一下如何用天然的方法来给羊毛着色。这一建议来自英国中级技术发展组的Jenny Dean的信息。这一古老贫穷的小组现在被称为实用性活动。把染料加到材料上有几种方法。其中之一是大桶法。举例来说，就是用洋葱皮来染羊毛。这一例子中，用100g的天然羊毛。羊毛必须清洗。用液体肥皂浸泡过夜。然后用温的干净的水冲洗它。轻柔地把多余的水分压挤出来。一种叫做媒染的溶剂也用于染洗过程。媒染是用来固定染料和材料的。传统的方法是，媒染是来天然的，比如木灰。但是像明矾这样的化学媒染在今天也是很流行的。明矾在许多商场都有出售。它通常和一种经常被用于烹调的粉状物-酒石混在一起。我们用多一点点的辛苦，来交换多一点点的幸福

So I made a rope.And I went up to the summit to hang my self.But I had to test it,you know?Of course. You know me.And the weight of the log. snap ped the limb of the tree.So I couldn't even kill myself the way I wanted to. I had power over nothing. And that's when this feeling came over me like a warm b lanket.

因而，我做了一条绳索，爬下山底念吊逝世，但我失后尝尝那条绳女，该然，您懂得我取代我的木头太沉，把树枝合续了，所以我以至没有能挑选自人的逝世法，我对于什么皆无计可施，便在那时我有了类暖和的感到。

In the Sufei shop, has chocked up the belt tassels' Chinese type back cushion, silk fabrics wallet which the edge plate buckles, colored, has nearby the fine decoration meal the cloth, the plum blossom design assorted door knob sheath, embroiders the snowflake to decorate the heart shape Christmas which China ties to hang the decoration, the thick cotton material is the thick silk bolting spring teapot wrap, has the collar to have the gauze which or silk fabrics beverage bottle clothes the plate buckles, wraps in the fine gauze bag's lavandula spica, to scatter the plate which the candy resembles in the tray to take away the chopsticks wrap, has an unconventional idea paper matsyasana sunlight chimney, but also has each use attractive glassware, both tradition and modern age, is also antique warm refinedly.

苏菲的店里，摆满了带流苏的中式靠垫，滚边盘扣的绸缎钱夹，彩色的，有着精致饰边的餐布，梅花图案的各色门把手套子，绣着雪花缀着中国结的心形圣诞挂饰，厚厚布料系着粗丝绳的茶壶套，有领子有盘扣的纱或绸缎的酒瓶衣服，包在轻纱袋子里的熏衣草、撒在托盘里糖果似的盘扣筷子套，别出心裁的纸质鱼形日光灯罩，还有各种用途的漂亮玻璃器皿，既传统又现代，古香古色又温馨雅致。

Based upon the ecoanatomical method, leaf anatomical characters of eleven populations of six evergreen species (Cyclobalanopsis glauca, C. myrsinaefolia, C. gracilis, Castanopsis sclerophylla, C. eyrei and Lithocarpus glaber) from the eastern subtropical area of China were analyzed and compared with SPSS, DCA and TWINSPAN. The results are: 1. Although the leaf structures of the eleven populations still belong to the mesophyll type, they all express the trend of xerophilization. 2. There are some differences in leaf anatomical characters among populations, species and genera, which occur as the results of their adaptation to different habitats. 3. Different leaf anatomical characters have different variations among populations, species and genera, of which leaf thickness and palisade tissue thickness (considered as ecological adaptation characters) have greater variation than sponge tissue thickness, lower cuticle thickness and lower epidermis thickness (as systematical evolution characters). 4. The leaves of C. sclerophylla and C. glauca with thicker lamina, palisade tissue and cuticle (a multilayered upper epidermis in C. sclerophylla) are thought to better adapt to their dry habitat. The leaves of C. eyrei with thicker sponge tissue, although characterized by a multlayered upper epidermis, adapt to their humid and warm habitat. The leaves of C. myrsinaefolia and C. gracilis characterized by a thinner lamina, a less palisade tissue and a moderate cuticle thickness adapt to the humid and cool habitat in a middle mountain.

选取亚热带东部替代分布明显的壳斗科6种常绿树种（青冈、小叶青冈、细叶青冈、苦槠、甜槠和石栎）的11个种群叶片进行生态解剖，并用SPSS， DCA和TWINSPAN比较分析，结果表明：①尽管6种11个种群叶的结构仍属中生叶型，但有着不同程度的趋旱适应；②叶的解剖性状在属间、种间和种群间均存在着不同程度的差异，这是它们适应各自生境的结果，青冈和石栎的种内差异较大，反映出它们对环境变化有较强响应能力；③叶片的不同解剖性状在属、种类和种群间的变化并不同步，其中叶片和栅栏组织厚度等性状差异突出，反映它们更易受环境的饰变，是生态适应性状，而海绵组织、下角质膜，特别是下表皮厚度等性状差异较小，显示出这些性状的稳定性，可以认为是系统演化性状；④苦槠、青冈具有较厚的叶片、栅栏组织、角质膜和发达输导和机械组织，苦槠还具有复表皮，表现出对旱化生境的适应；甜槠尽管具有复表皮和较厚的叶片，但这是海绵组织增厚的结果，是对中生生境的适应；小叶青冈和细叶青冈具有较薄的叶片和栅栏组织、角质膜厚度居中等特点，可能是对中山凉湿生境的适应。

The upper-class patriotics, represented by Ngapoi Ngawang Jigme, stood for peaceful negotiation, winning the endorsement and support of the majority. The 14th Dalai Lama who had assumed power ahead of time accepted the proposal. In his letter to the central people's government in January 1951, he said,"I have come to govern at the warm and earnest request of all Tibetans";"I have decided to fulfill the people's desire through peaceful means"; and delegates would be sent "to seek a solution to the Tibetan issue with the central people's government."

以阿沛·阿旺晋美为代表的爱国上层人士力主和谈，得到了多数人的赞同和支持，提前亲政的十四世达赖喇嘛，接受了进行和平谈判的意见。1951年1月，达赖致信中央人民政府，信中说&余此次接受西藏全体人民热烈而诚恳的要求执政&、&决定和平达成人民之愿望&，派代表&向中央人民政府谋求解决西藏问题。&

The first thing I made of these was a great Cap for my Head, with the Hair on the out Side to shoor off the Rain; and this I perform'd so well, that after this I made me a Suit of Cloaths wholly of these Skins, that is to say, a Wastcoat, and Breeches open at Knees, and both loose, for they were rather wanting to keep me cool than to keep me warm.

我首先用这些毛皮做了顶帽子，把毛翻在外面，可以挡雨。帽子做得还可以，我就又用一些毛皮做了一套衣服，包括一件背心和一条长仅及膝的短裤。背心和短裤都做得非常宽大，因为它们主要是用来挡热的，而不是御寒的。

The Leaves were torn and so was he, as he tried to follow her trace. A winterly wind embraced his throat and tried its best to strangle. What kept him going was what had left him. It was what he couldn't keep. Kept hunting ancient traces, following flickering lights. This ghost was sculpted by his desire to say goodbye. Could left the hollow sky, as it swallowed all its sorrow. Nearly breathless, he grasped the nearest branch. The voice reappeared, and now he felt sure that it was her, so he did his best to force his feet along. A scarlet dress in the wind. Shadows on stumps of once mighty trees spread rumors of her presence. Looked into her eyes and took her hand. This imagined warm touch was his relief. Kneeling at her feet, ready for his sleep. Had no longer wish to arise. Put her arm around him, no more cries. Slept there until the fierce cold awoke to erase all tracks of life.

在这强烈的欲望下他离开前去探索秋天的水滴落在颤抖的落叶上那夏天启程时的鲜红那幽深黑暗中的脆弱他就像那些落叶那样哀伤当他追逐她的足迹的时候无情的冷风袭向他的喉咙就像想要死死掐住他那样那让他还要继续的原因是他想要找回自己曾失去的东西那个他曾没能够紧紧拥抱住的东西继续在远古的足迹上前行追逐着那闪烁不定的光这些在他渴望中的幽灵似乎在向他说再见多想能离开这空洞的天空就像它吞下那所有的哀伤几乎无法呼吸但当他抓住他身旁的溪流时那个声音再次出现了现在他知道一定就是她了于是他竭尽全力向前走去一身红色的衣服在风中飘荡美丽的身影映在大树之下周围传播着她到场的风声注视着她双眼紧握住她的双手这梦般的景象拂去他所有的痛苦他跪倒在她脚下，心甘情愿地睡去永远不愿醒来与她相拥在在一起，永远不再哭泣就这样睡着直到严寒到来抹去他那漫漫人生的长路

Our urgent task, the resolution of which will largely condition the rapid defeat of the enemy and the dissipation of his army, is to deprive the German army of the possibility of settling into our villages and towns, to drive the German occupiers from all the populated areas into the cold fields, to smoke them out of all lodgings and warm housing and force them to freeze under the open sky.

我们的紧急任务，要尽可能的为击败和消耗敌人创造条件，要剥夺德军居住在我们村庄和城镇的可能性，把德国占领者从所有的居民区赶到冰冷的野地去，把他们从温暖的房屋里熏出去受冻。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。