查询词典 wagon-lit

The black-robed figures swayed—all but the one atop the wagon, who sat as still as the Anger Stones—and a hiss went up from their midst, mingling with the new-risen wind.

那几个穿着黑袍的身影晃动着身体——除了在马车顶端的那个，它一动不动地坐着，就如同那些愤怒之石——这些身影的中间，传来了一个嘶嘶作响的声音，混在刚刚刮起的一阵风里。

They were here in these haunted woods where the slanting afternoon sun gleamed eerily through unmoving leaves, friends and foes, peering at her in her rickety wagon, through eyes blinded with blood and red dust-- glazed, horrible eyes.

他们就在这阴森森的树林里，在傍晚斜阳透过静止的树叶胆怯地照着的地方，无论朋友和仇敌，都一样用沾满鲜血和红土的眼睛、用迟钝而可怕的目光、窥视着破马车里的她呢！

His own children had grown up, and married, and four times he had seen before him on the tracks the ghastly dot of tragedy converging like a cannon ball to its eclipse of horror at the boiler head—a light spring wagon filled with children, with its clustered row of small stunned faces; a cheap automobile stalled up the tracks, set with the wooden figures of people paralyzed with fear; a battered hobo walking by the rail, too deaf and old to hear the whistle's warning; and a form flung pas his window with a scream—all this he had seen and known.

他曾4万次在他面前的铁轨上看到了可怕的悲剧所凝聚的小点，象颗炮弹似的射向火车头前的恐怖的阴影－－－1辆满载小孩子的轻便马车和密密一排惊惶失措的小脸，一辆廉价汽车停在铁轨上，里面坐着吓得目瞪口呆状若木鸡的人们，一个带着惊呼的人影掠过他的窗口－－－所有这些，司机都历历在目，记忆犹新。

His own children had grown up, and married, and four times he had seen before him on the tracks the ghastly dot of tragedy converging like a cannon ball to its eclipse of horror at the boiler head—a light spring wagon filled with children, with its clustered row of small stunned faces; a cheap automobile stalled up the tracks, set with the wooden figures of people paralyzed with fear; a battered hobo walking by the rail, too deaf and old to hear the whistle's warning; and a form flung pas his window with a scream—all this he had seen and known.

当初她有一个小孩缠着她的裙子，现在这孩子已长成大姑娘，也每天和她母亲一起出来挥手致意。司机多年操劳，已经白发苍苍，渐渐变老了。他驾驶长长的列车栽着旅客横贯大地已上万次。他自己的子女都已长大了，结婚了。他曾4万次在他面前的铁轨上看到了可怕的悲剧所凝聚的小点，象颗炮弹似的射向火车头前的恐怖的阴影－－－1辆满载小孩子的轻便马车和密密一排惊惶失措的小脸，一辆廉价汽车停在铁轨上，里面坐着吓得目瞪口呆状若木鸡的人们，一个带着惊呼的人影掠过他的窗口－－－所有这些，司机都历历在目，记忆犹新。

He heaved the heavy box into the wagon .

他举起这个沉重的箱子，放在马车上。

He heaved the heavy box into the wagon.

他把这个很重的箱于扛到了货车上。

He heaved the heavy box into the wagon .

他把重箱子扛上货车。收藏

He heaved the heavy box into the wagon.

他把重箱子扛上货车。

He heaved the heavy box into the wagon.

他用力举起这沉重的箱子放入运货马车中。

He heaved the heavy box into the wagon.

他用力举起这沉重的箱子放入运货的马车中。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。