查询词典 vocal accompaniment in some traditional Chinese operas

This study belongs to the research of basic theories in the national vocal music art, the digital,figurate and scientific characteristics of the experimental results may provide powerful ground ofevidence for further probes into the traditional singing, especially for establishing the school ofChinese national vocal science.

它深入探讨了民族唱法音色的发声特点与规律，不仅可以为民族唱法音色提供实验研究资料，为人们提供直观的区分标准，还可以深入研究民族唱法音色特征，为建立中国民族声乐学派提供基础理论支持。

The words "Pai-Chang"or "Pai5 Tiunn5" have many meanings But when used in traditional opera or music and explained as a kind of formal musical performance they are only applied in Taiwanese Peguan and Nanguan cultural circle particularly in Peguan circle There are two kinds of characters of "Pai-Chang" in terms of the function of the performance namely artistry and folk custom In Tainian city "Pai-Chang" which refers to the formal vocal performance without makeup and acting; nevertheless is used by the amateur actors' organizations of Peking opera as well Such a phenomenon raises two questions: first of all Although Peking the origin of Peking opera has vocal performance of Peking opera "Pai-Chang" is never used either artistry or folklore therefore how does this jargon hand down to the Peking opera circle in Tainan city ?

「排场」(pai5 tiunn5或ㄆㄞˊㄔㄤˇ)一词，用於戏曲音乐方面，做音乐的正式演出型态解释者，为台湾南北管文化圈所特有，其中又以北管最常使用。其以表演目的或弁郧荌粥洃嚏A可分为艺术性与民俗性两种。然而，在台南市及其周边的京剧文化圈内，亦使用有「排场」(pai5 tiunn5或ㄆㄞˊㄔㄤˇ)此一语汇，也指京剧的「正式清唱演出」。本研究动机基於对目前仅见於台南市及其周边之民俗性京调排场的两点疑惑：其一，按京剧的形成地－－北京，虽亦有京剧的清唱演出，然不论为艺术性或民俗性，北京人都不称为「排场」，那麼台南市京剧圈的排场语汇是如何得来的呢？代表了何种意义？

In this song cycle, the music combines the lyrics to bring a higher level of artistic concept, as long as the relationship of the vocal and the piano is not mere accompaniment, but mutual co-operation.

这套作品的音乐结合歌词一起表达出比原本文字更高的意境，就如歌者和钢琴之间并不是纯粹的伴奏关系，两者间互相引导配合。

Sometimes a string accompaniment doubles or replaces one or more of the vocal parts.

有时候以伴奏的弦乐器重奏或替代一个或一个以上的声部

Music A composition for one or more instruments, usually without vocal accompaniment.

器乐曲：为一种或多种乐器所写的曲子，通常是没有伴声的

A composition for one or more instruments, usually without vocal accompaniment.

器乐曲为一种或多种乐器所写的曲子，通常是没有伴声的

The people who learn vocal music and dance need a good accompaniment, the people who learn instruments must learn how to cooperate with the excellent people, and we all want to find the best copartners.

学声乐、舞蹈的人需要好的伴奏，学乐器的人们必须学会与乐队合作，大家都希望找到最好的合作者。

The heavy slow-paced, monotonous slow motion, like Guikulanghao vocal accompaniment, on and off, out loud reminder of the drum too, and it's messy Zhise shamisen, as if a closure pressure for a long time, Xu Man enormous energy The volcano in no choice but to groan.

那沉重缓慢的节奏，单调迟缓的动作，鬼哭狼嚎似的人声伴奏，那断断续续、一声催一声的太鼓声，还有那零乱滞涩的三弦琴，仿佛一座封压已久、蓄满了巨大能量的火山在无奈地呻吟。

"A mesmerizing lyrical and vocal concoction of Chan Marshall's bitter mantras and Hope Sandoval's sweety meanderings, married to a musical accompaniment that would fit right in with Polly Jean Harvey's upbeat swagger and ghostly doldrums, Tian Yuan provides you with a necessary soundtrack for night and day, rain and shine."

&混合了Chan Marshall苦味吟唱和Sandoval甜美婉转，具有催眠力量的歌词和嗓音嫁接到适合P.J.Harvey弱拍摇摆和极度忧郁的伴奏，田原带给你的是一种必不可少的声音，不论在黑夜还是白昼，雨季还是晴天。&

Marcel Theroux TV presenter of Channel 4/ writer（英国电视四台主持人/作家） A mesmerizing lyrical and vocal concoction of Chan Marshall's bitter mantras and Hope Sandoval's sweet meanderings, married to a musical accompaniment that would fit right in with Polly Jean Harvey's upbeat swagger and ghostly doldrums, Tian Yuan provides you with a necessary soundtrack for night and day, rain and shine.

混合了Chan Marshall苦味吟唱和Sandoval甜美婉转，具有催眠力量的歌词和嗓音嫁接到适合P.J.Harvey弱拍摇摆和极度忧郁的伴奏，田原带给你的是一种必不可少的声音，不论在黑夜还是白昼，雨季还是晴天。

In the days of sailing vessels the crew were afraid they would be becalmed on the ocean.

在使用帆船的时代，船员们担心他们会因为无风而无法在海洋上航行。

As long as foreign donors pay the PA's salary bill, few expect a new intifada.

只要外国继续为巴权力机构的薪水买单，希望发动新暴动的人便寥寥无几。