查询词典 visual

T.Caelli,On perceptual Analyzers Underlying Visual Texxture Discriminaion,New York Biol.

陈武凡，鲁贤庆，陈建军等。彩色图像边缘检测的新方法——广义模糊算子法［J］。

Student housing tower Blok 1 serves as a landmark and a visual beacon of change and renewal for the Presikhaaf area.

这座学生住宅是Presikhaaf地区一个新的地标性的建筑，证明了这里正在改革和复兴。

It was our first attempt on creating visual illusion involving interaction and this installation exhibited at 意工场 Factory , Shanghai for a month. Thanks Sean Dinsmore and Geoff Broz for supporting this installation.

2009年8月-9月该装置在意工场 Factory 做为期一个月的展览，十分感谢他们的创意总监-Sean Dinsmore和影像技术-Geoff Broz的大力支持与帮助。

Hiroko is a graduate of Tisch School of the Arts' Film Program at New York University and of the MFA Program in Multi Media Design and Technology at Parsons School of Design, N.Y., where she focused on physical computing. She is the artistic director of post theater production "Heavenly Bento" which was shown at Biennale Bonn (2004) and invited to the Singapore Arts Festival (2005). She showed her second solo exhibition "Delicious Moves", a visual and culinary experience of legendary bento boxes, at Zagreus Projekt in Berlin (2004) and Museum for Design in Zurich.

纽约大学电影电视学士，随后在帕森设计学院多媒体设计所拿到硕士学位，主修互动介面技术，她是后剧场制作《天堂便当》的艺术总监，这出表演已经受邀於波昂双年展和新加坡艺术节呈现，另外她的个人展览《美味行动》以视觉和烹饪经验来展现高级便当盒，在德国的 Zagreus计画和苏黎世的设计博物馆中参展。

These works is consisted of the visual significances of plastic beauty and spatial mystery, which refer to Cavell's automatism, figure-ground ideology, Deleuze's any-space-whatever and the ideas of uncanny and sublime.

这些影像作品之语汇是由具有造型性美学与秘空间感的视觉涵义所构成，此观涉及考到Cavell的自发性创作，极空间观学(figure-ground/two-space)，Deleuze多元体空间(any-space-whatever)，及惊奇感与意境升华等想法。

Because of Ryser's membrane would not made distorted vision and would not change the visual size. It is concluded that a strong correlation between V.A. and S.A. does exist.

因为Ryser's遮闭膜不会造成影像歪曲，且不会影响影像大小，所以本篇以遮闭膜来研究视力及立体视觉的关係是很有意义的。

It has become a common sense and era trend to survive, develop, and advance with innovation in the development of visual culture.

20世纪末期数字化媒体的出现不断地挑战并充实着传统的视觉传播形式。

It has become a common sense and era trend to survive, develop, and advance with innovation in the development of visual culture.

视觉传播竞争日趋激烈，以变革创新求生存、求发展、求进步，已经成为当今视觉发展的一种普遍意识和时代潮流。

It has become a common sense and era trend to survive, develop, and advance with innovation in the development of visual culture.

视觉传播竞争日趋激烈，以变革创新求生存、求发展、求进步，已经成为当今视觉文化发展的一种普遍意识和时代潮流。

It has become a common sense and era trend to survive, develop, and advance with innovation in the development of visual culture.

视觉传播竞争日趋激烈，以变革创新求生存、求、求进步，已经成为当今视觉文化发展的一种普遍意识和潮流。

Summary In copyright infringement cases,if the alleged infringer uses or even plagiarizes the copyrighted works or parts thereof,which causes no substantially adverse effect on the normal exploitation of the work,nor does it inflict any substantial damages to the right owner,the de minis doctrine should be applied to exempt the liabilities of the defendant and seek the balance of interests between the right owner and the general public embodied by the copyright law.

在侵犯著作权案件中，如果被控侵权行为人虽未经著作权人的同意，使用甚至抄袭了受著作权保护的作品或作品的片段，但若情节轻微，未对该作品的正常使用产生任何实质不利的影响，亦未对权利人的权利造成实质性的损害，则应适用&不计琐细原则&，免除行为人的责任，以寻求在权利人利益与著作权法所体现的社会公共利益之间的平衡。

This new product will become our best seller.

这个新产品会成为我们最畅销的产品。