查询词典 visual sense

It has a dedicated centre, from which the sounds and images originate and from there then flicker from screen to screen, towards the edges, emanating a sense of "visual radiation".

在这个环境中有一个特定的中心点，声音和图像由其开始，慢慢地向边缘的屏幕扩散。在此过程中，人们能感受到的是一种"视觉辐射"的感觉。

But what is different from visual illusion is that the cognition illusion is not caused by sense organ essentially.

然而，与视错觉不同的是，认知错觉从本质上来说并非由感官造成的。

By only beautiful, intense visual impulse, shocks reader's first sense organ.

以唯美，强烈的视觉冲击力，震撼读者的第一感官。

From the sensory organ of sexual stimulation, the sense of the feelings of women than men and women is not only shut his eyes as shy, in fact deliberately cut off from the visual information, more focused experience tactile pleasure.

从感觉器官对性的刺激作用来看，女性对触觉的感受强於男性，女性闭上双眼绝不是仅仅因为害羞，实际上是有意切断来自视觉的信息，更集中地体验触觉的快感。

Despite the acceptance of human evolution in the way of stimulating the growing sense of smell in sexual selection given the status of the visual.

尽管人类在进化中接受性刺激的途径不断扩大，嗅觉在性选择中的地位让位于视觉。

In the works such as 2008 in Beijing, South, Abandoned Capital, Postcard, The North Square and The Future of Tower, etc. it's not hard for us to find that the visual effect caused by a glance at the snowscape or an overexposed photo disappears all of a sudden. What follows is a kind of extraordinary sense of relics.

在《北京的2008》《南方》《废都》，还有《明信片》《北广场》《塔的未来》等等这些作品里，我们都不难发现的是，冷眼一看所产生的雪景或者曝光过度的照片的视觉效果转瞬间就没有了，随即出现的是那种一切颓败的异乎寻常的废墟感。

In The Big Typescript, this dichotomy is detailed in his analysis of the temporal, spatial and genitive expressions, resulting in the distinction between the unspeakable"memory-time"(Ged〓chtniszeit) and the speakable"physical time", and that between the unspeakable"visual space" and the speakable"Euclidean space", etc;(4) From another perspective, the destruction of the conception of the "phenomenological language"could also be seen as the logical consequence of the radicalization of the one and the same conception, since this destruction does reinforce rather than weaken RLF's original intention of distinguishing the physical system from what are given in phenomena by demonstrating the incompatibility between this intention itself and the insistence on the speakability of the phenomena, which gives birth to the illusion of the"phenomenological language";(5) Nevertheless, what the radical distinction between the sense-data and the physical language (as the unique possible language) implies, according to Wittgenstein, is not that the latter has nothing to do with the former, but that the association between the two does not follow the"original sample-copy"pattern but the"screen-presenting-filmoperation"pattern, which indicates that phenomenon itself can be aroused by or included in-rather than to be described by-the physical language/system;(6) Thus Wittgenstein leads us to depart from the obsolete ambition of representing the immediately given data perfectly for a new destination where a comprehensive "perspicuity" of the"grammar"should be required and where his later philosophy is coming into being.

在《大打字稿》中，这一二分法在他对于时间表达式、空间表达式与人称表达式的分析中得到了细化，并导致了他对于"记忆时间"与"物理时间"的区分，以及对于"视觉空间"与"欧几里得空间"的区分，等等；(4)从另一个视角来看，维氏对于"现象学语言"观念的拆解也可以被视为同一观念在被加以彻底化后所导出的必然后果，因为这一拆解工作实际上乃是加强了，而不是削弱了他在写作《略论逻辑形式》时就已怀有的信念，即：必须将物理系统严格地区分于在现象中被直接给予的东西。换言之，维氏在这一拆解工作中所做的，只不过就是暴露了这一信念本身与对于现象之"可说性"的坚执之间的固有矛盾罢了——而所谓"现象学语言"的幻相，亦正是导源于上述坚执；(5)然而，根据维氏的本意，感觉予料与物理语言之间巨大的逻辑差异却并不意味着后者与前者毫无关联，而只是意味着两者之间的关系并不遵循着所谓的"原本—摹本"模式，而遵循的乃是"屏幕呈现—胶片运作"模式。

Only the project, the double-wall concept, the three-tier glass curtain wall, roof plant cover, sun louvers and reflectors are brought about by the use of new visual impact, change and develop people's sense of aesthetics.

只有项目，双壁概念的三个层次构成的玻璃幕墙，屋顶植被，孙百叶和反光板所带来的使用新的视觉冲击力，改变和发展人民的美感。

Inside design of this style replaces the former dark colors with profound white color, which combines the European style and modern style to make the home warm with white color system but not uncomfortable. The white wall and white carpet in living room give you the flavor of unostentatious elegance and freshness. Fashionable sofa in white and the placement of ornaments create the sense of fashion, nobleness, relaxation and delight in visual dimension. This style can construct a kind of atmosphere of quietness and add the noble features to the living room without any garish ornaments but gentle curtain hanging before the ground window, which seems to block all the noises made by the mortals.

简欧风格的室内设计打破以往欧式深沉的色彩，大量使用的白色调，把欧式风格设计融入现代设计中浑然一体家居风格，白色调时尚温馨不突兀，客厅的白色墙面与白色地毯散发出的是淡雅清新的现代简欧味道，时尚的白色调沙发与装饰品的摆放，让整个客厅营造出时尚、高贵、轻松、愉悦的视觉感空间，没有任何的花哨装饰，地窗上有轻柔的纱幔，将那凡世的喧嚣抵挡在外，给人的感觉是那样的宁静动人，也让客厅增添了大气感，营造出一个朴实之中的时尚简欧家居设计。

The visual illusion plus the feel of their real bodies being touched made volunteers sense that they had moved outside of their physical bodies.

这个视觉上的幻觉再加上身体被接触的感觉，让自愿接受实验者有了脱离肉身的感觉。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。