查询词典 visual illusion

The screen is set up in the installation box and surrounded by four mirrors. The video image, reflected by the mirrors within the box, creates a series of throw-back visual effect. It aims to create factious and repeatedly feelings, disorder, vision illusion, and confused phenomenon.

装置部分是将影片镶崁在一个盒型的镜子空间之中，四面是镜子在盒子中，反射中间的影片内容，造成一种连续、镜射的视觉效果，试图制造出一种虚实的感觉，及重复重叠的错乱感，让人产生一种视觉错乱，一种乱象。

Factually, what Gombrich was interested in is to describe how a painter turns a 3D object to a 2D painting with the 3D illusion by means of his or her eyes, with the support from various theories of modern psychology, sociology and philosophy (e.g., the visual prevision theory of Gibson, falsificationism of Popper, iconology of Erwin Panofsky, etc.), after the research on a great number of works, artists and related classics and literature.

其实，贡布里希的兴趣是在各种现代心理学、社会学与哲学的支持下(吉布森的视觉预知理论、波普尔的证伪主义、潘诺夫斯基的图像学等等)，通过对大量作品、艺术家与相关的经典和文献的研究来仔细描述人是如何用自己的眼睛这个器官，把一件处在三维当中的物体转变成二维上的平面绘画的，而这平面上的二维又具有三维空间的错觉感。

"Visual Play" is not the illusion phenomenon studied by Al Seckel in visionscience, but a design concept.

中文摘要："视觉游戏"并非是艾尔·塞克尔所研究的视觉科学中的幻觉现象，而是一种设计理念。

In The Big Typescript, this dichotomy is detailed in his analysis of the temporal, spatial and genitive expressions, resulting in the distinction between the unspeakable"memory-time"(Ged〓chtniszeit) and the speakable"physical time", and that between the unspeakable"visual space" and the speakable"Euclidean space", etc;(4) From another perspective, the destruction of the conception of the "phenomenological language"could also be seen as the logical consequence of the radicalization of the one and the same conception, since this destruction does reinforce rather than weaken RLF's original intention of distinguishing the physical system from what are given in phenomena by demonstrating the incompatibility between this intention itself and the insistence on the speakability of the phenomena, which gives birth to the illusion of the"phenomenological language";(5) Nevertheless, what the radical distinction between the sense-data and the physical language (as the unique possible language) implies, according to Wittgenstein, is not that the latter has nothing to do with the former, but that the association between the two does not follow the"original sample-copy"pattern but the"screen-presenting-filmoperation"pattern, which indicates that phenomenon itself can be aroused by or included in-rather than to be described by-the physical language/system;(6) Thus Wittgenstein leads us to depart from the obsolete ambition of representing the immediately given data perfectly for a new destination where a comprehensive "perspicuity" of the"grammar"should be required and where his later philosophy is coming into being.

在《大打字稿》中，这一二分法在他对于时间表达式、空间表达式与人称表达式的分析中得到了细化，并导致了他对于"记忆时间"与"物理时间"的区分，以及对于"视觉空间"与"欧几里得空间"的区分，等等；(4)从另一个视角来看，维氏对于"现象学语言"观念的拆解也可以被视为同一观念在被加以彻底化后所导出的必然后果，因为这一拆解工作实际上乃是加强了，而不是削弱了他在写作《略论逻辑形式》时就已怀有的信念，即：必须将物理系统严格地区分于在现象中被直接给予的东西。换言之，维氏在这一拆解工作中所做的，只不过就是暴露了这一信念本身与对于现象之"可说性"的坚执之间的固有矛盾罢了——而所谓"现象学语言"的幻相，亦正是导源于上述坚执；(5)然而，根据维氏的本意，感觉予料与物理语言之间巨大的逻辑差异却并不意味着后者与前者毫无关联，而只是意味着两者之间的关系并不遵循着所谓的"原本—摹本"模式，而遵循的乃是"屏幕呈现—胶片运作"模式。

Purpose: To determine the dynamic visual acuity and stereopsis during Corionlis illusion.

目的：探讨动态环境所诱发的科氏错觉下，人类视力与立体感的变化情形。

Stereoscopy (also called stereoscopic or 3-D imaging) is any technique capable of recording three-dimensional visual information or creating the illusion of depth in an image, that's the Wikipedia definition.

好莱坞电影中刻画的计算机有很多匪夷所思之处，Expert Reviews列出了有关计算机的10大神话：当计算机系统出错或发生故障，它会爆炸或出现电火花。

Blurring the lines between reality and illusion, present and past, Yan Changjiang invites us to zigzag along an ill-defined boundary that hardly separates childhood imagination and adult fantasy, life and death, Eros and Thanatos, using fiction and creativity to explore the infinite possibilities of photography and literature, to achieve an unprecedented, dramatic, playful, and at the same time grave and serious visual experimentation that forms a fundamental and enduring work of photography.

只有在这个时候，你才明白，朋友的含义模糊了现实和虚幻、现在和过去的界限，颜长江邀请我们沿着已确定的边界蜿蜒前行，无法分离童年的想象和成年人的幻想，生命和死亡，生的欲望和死的渴望，运用虚构和创意的手法来探索摄影和文学的无限可能，来达到史无前例的戏剧性的值得玩味同时也是沉重严肃的视觉体验，而这些体验正构成了杰出摄影作品的基础。

Color illusion is a visual phenomenon. This perception has fixed the tendency and can not overcome by subjective efforts.

色彩错觉是一种视觉现象，并非客观存在，是因人的视觉、大脑对外界刺激物的分析发生困难而造成，这种感知有固定的倾向，是主观努力所无法克服的。

The purpose of this research is to dig into the visual movement illusion from the plane constitution. The result is expected to be referenced by designers for more fancy visual works.

本研究的目的即是在藉由平面构成的观点对错视动态图形进行研究，期将研究的结果提供给设计师作为参考，使其创作出更多新奇的视觉作品。

On the basis of traditional materials, he expresses color in bimo techniques, arriving at a visual effect between reality and illusion.

在他的《舞》系列作品中，我们能发现，冯斌在摄影的视觉效果与中国画的艺术手法之间保持着一种张力关系，其表现方式是在传统材料的基础上，用笔墨手法来表现色彩，形成亦真亦幻而又影像化视觉效果。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失