查询词典 viewpoints

In the chapter, the author discusses features of personality and ascendance reflected in the image of God; the author also notes in this part the traditional viewpoints of God is facing up to the challenges from all viewpoints from science and technology in the modern time; in the third chapter, the author focuses the relationship between God and human beings, which constitutes the theme of his thought on God.

第二部分是本论文的重点。上帝是基督教神学的核心范畴，基督教的上帝观特别强调上帝的人格性和超越性，但是位格主义的上帝观在当今技术时代遭到了否定，然而本文所要指出的是，上帝作为一个位格出现是奥特上帝观的主题和出发点，也是他的理论体系的重要支点。第三部分是本论文的进一步展开。在奥特的上帝观中，有一个贯穿始终的主题：上帝和人。具体说，只有把人作为言说的重点才能准确地理解上帝和人之间的关系。

Based on the idea and method of problem frame,consistency of viewpoints,integrated manner and integrated process of viewpoints are analyzed and discussed,and a method of integration of viewpoints based on problem frame is proposed.

基于问题框架的思想和方法，该文讨论了视点的一致性、集成方式、集成过程等，提出了一种基于问题框架的视点集成方法。

But some viewpoints and phenomenon appeared in this discussion are not only to the disadvantage of understanding the theory of Marxist labour values correctly, but also running counter to the real meaning of Marxism and are in diametrical opposition to the position and viewpoints of Marxist philosophy.

但是在讨论过程中，有些观点违背了马克思的本意，而且与马克思主义哲学的立场、观点是背道而驰的，同时也不利于我们正确理解马克思劳动价值论

The thesis analyzes and elaborates the dialectical relation between the rational and irrational on the basis of man's existence and mankind's spiritual development, from the viewpoints of integration of history and theory ,and employing the stances, viewpoints, and methodology of Marxism philosophy, thus it overcomes the common drawbacks of the traditional rationalism and irrationalism .

本文以人的存在及人类精神的发展为基础，以历史和理论相结合的方式，运用马克思主义哲学的立场、观点和方法，全面地探讨了理性与非理性之间的辩证关系，从而克服了传统理性主义和非理性主义的共同缺失，凸现了非理性研究的合法性根基。

Following this context and along different viewpoints of personality-character arrangement and music interpretation for love and death, this research is trying to explore: firstly, comparing the characters of Jago Otello and Desdemona separately in original text with them in opera text, the specific aesthetic viewpoints of conflict and evil in nineteenth century would in this way be clarified. Hence, basing on the ending of the act IV in the opera, the representation of different viewpoints of death in nineteenth century from that in the era of Shakespeare will be musically interpreted.

对此，本研究没要从人物性格的设计以及音乐里如例诠释爱与死的看法两方面进行探讨：首先比较原著与歌剧文本在Jago、Otello、Desdemona三人情格刻划方面的差异，藉此突显属於十九世纪时代的对立冲突性以及恶的美学观；尔后，再以歌剧中第四幕的结束场景为出发点，探究音乐手法如何同样地反映出十九世纪有别於莎士比亚时代的死亡观。

In all, the thesis obtains the following two objects: First of all, the points of view that people have discussed are excluded. Moreover, the thesis concentrates on adding Bacon"s thoughts that people haven"t emphasized, and corrects the mistakes that people have made concerning Novum Organum. At the same time, the thesis evaluates the viewpoints of Bacon and Novum Organum from historical and dialectic angles. Second, combining the contemporary scientific ideology, the thesis concludes that the viewpoints of Novum Organum are great inspirations to the Modern science. In all, this thesis reviews the philosophical and scientific viewpoints of Bacons Novum Organum on the basis of analyzing the materials of Bacon and Novum Organum. The thesis is divided into four parts.

所以，本文欲采用史学研究与哲学分析相结合的方法对前人的见解和培根及其《新工具》本身进行系统的探讨，希望能达到以下两大目的：首先，对《新工具》中前人已着重论述过的思想不再涉猎，致力于补充培根其他哲学和科学思想的研究资料，并剔除对培根思想的一些误读，同时把对培根的评价放入历史的长河中进行具体研究，用辩证的眼光看培根在那个特定时代下所做出的贡献；其次，在对《新工具》中的思想进行研究时，时刻结合当今现实和当代科学思维成果，古为今用，洋为中用，发掘《新工具》对今天的启示。

In all, the thesis obtains the following two objects:First of all, the points of view that people have discussed are excluded. Moreover, the thesis concentrates on adding Bacon\'s thoughts that people haven\'t emphasized, and corrects the mistakes that people have made concerning Novum Organum. At the same time, the thesis evaluates the viewpoints of Bacon and Novum Organum from historical and dialectic angles. Second, combining the contemporary scientific ideology, the thesis concludes that the viewpoints of Novum Organum are great inspirations to the Modern science.In all, this thesis reviews the philosophical and scientific viewpoints of Bacon\'s Novum Organum on the basis of analyzing the materials of Bacon and Novum Organum. The thesis is divided into four parts.

所以，本文欲采用史学研究与哲学分析相结合的方法对前人的见解和培根及其《新工具》本身进行系统的探讨，希望能达到以下两大目的：首先，对《新工具》中前人已着重论述过的思想不再涉猎，致力于补充培根其他哲学和科学思想的研究资料，并剔除对培根思想的一些误读，同时把对培根的评价放入历史的长河中进行具体研究，用辩证的眼光看培根在那个特定时代下所做出的贡献；其次，在对《新工具》中的思想进行研究时，时刻结合当今现实和当代科学思维成果，古为今用，洋为中用，发掘《新工具》对今天的启示。

Based on the analysis of this study, the major counseling and guidance principles are establishing and maintaining good relationship between teacher and student, accepting and advising children, fairness, teacher's words conforming with higher actions, and other counselling viewpoints; the essential principles of adaptation include a positive attitude toward reality, self-directing and hard working, proper combination of toughness and gentleness, survival in distress, and other viewpoints relative to the adaptation of oneself to the external environment; and leadership principles include using normative power, contingency, and the important characteristics associated with leaders.

主要之辅导原理为包容接纳儿童、辅导儿童自导、建立良好的师生关系、至诚、渐进、豫防、境教身教言教并重、动静相济、公平无私、日新其德、变通、仁合於义、与时偕行、只管耕耘不计收获、周而能异、遏恶扬善、益之用凶事、以果行首德、爱而严之教育态度、恒久於其道而天下化成、有德长老之领导、熟练以致用、不可急速正其不正等；主要之适应原理为中且正、亲比、天下随时、包含章美、积极面对现实、敬慎、努力充实自己、自强不息、自我尝试、自求、刚而能柔、柔而能刚、积种倾倒否塞、艰难以处之、内健而外顺、生於忧患、反身修德、利人、至诚、安而不忘危、见几而作等；主要之统御原理为在莅众用晦而明、师出以律、无为、以孚信化邦、以贵下贱、知临、咸感以临下、威临吉无不利未顺命也、变而过之以尽利、在师中吉、劳谦、敬之无咎、长子帅师、容民畜众、君子央央、师或舆尸凶、师左次无咎、慎密、匪其彭无咎、有孚维心亨、作事谋始、圣人感人心、明慎用那而不留狱、先甲三日后甲三日、致命遂志、涣其躬、涣其羣、动而免乎险、上以厚下安宅、思不出其位等。

Aiming at the foundation of Liu Shipei's literary viewpoints of evolution, namely, vulgarism and parallel prose, this article reviews it by two angles to language and vicissitudes of style, discovering that his literary viewpoints of evolution was only a sort of reasoning strategy, so his two standpoint of enlightening country and preserving Guoxue match respectively for vulgarism and establishing legitimacy for parallel prose.

文学进化观在近代文学观念中很值得研究，从梁启超和刘师培都可见这种文学观念的影响。而刘师培的进化文学观尤其复杂。本文从他立论的基础即俗语和骈文，从语言文字和文体变迁两个角度来讨论这个问题，认为他的进化文学观只是一种论证的策略，承认俗语和为骈文立正统分别合于他的启瀹齐民和保存国学两个立场。

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述，分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观，并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点：一，勋柏格对于音乐历史的认识：通过德奥音乐界前辈给予他的创作启示，以及勋伯格对自己几个创作阶段的发展历程的总结，阐述了他对于艺术中的传统与革新之间的关系的辩证认识，并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系；二，勋柏格的民族主义音乐观：通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识，总结了他的&重艺术音乐，轻民间音乐&、&重西欧音乐，轻非西欧音乐&的观点，从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&，这是一个浸润着浓厚的西欧文化中心论色彩的观点，也是贯串他毕生的音乐思想的重要观点之一；三，勋柏格对音乐教育问题的见解：勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养；四，勋柏格对当代音乐批评家与音乐批评方法提出的要求：音乐批评家必须具备作为一名音乐家的专业修养，要以真实、客观的态度对待音乐批评这门神圣的职业，充分运用内心的艺术联想向公众再现作曲家的意图，而不是将个人见解强加于受众；同时，批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测，在音乐批评的具体范畴中，应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

Singer Leona Lewis and former Led Zeppelin guitarist Jimmy Page emerged as the bus transformed into a grass-covered carnival float, and the pair combined for a rendition of "Whole Lotta Love".

歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车，和一双合并为一移交&整个lotta爱&。

This is Kate, and that's Erin.

这是凯特，那个是爱朗。