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Hebbel Am Ufer 2, Berlin Kreuzberg / Umweg über China, Hebbel Am Ufer 2, Berlin Kreuzberg / The Weight of the Reality, Marella Gallery Beijing / 2006 Regenesis, Museum of Contemporary Art, Haikou / Borderline Video Art Festival, Beijing, Platform China / 2005 Limit and Freedom / Summer Market, Fine Arts Literature Center, Wuhan / 920 Kilograms, Shanghai Duolun Museum of Modern Art, Shanghai / Siemens Art Programe-Part 5, What are they doing here?, SLC, Wuhan, China / 2004 Undercurrent-Video from China, Chinaclub2, Berlin, Germany / Slowly, Fine Arts Literature Center, Wuhan / Plug and Play, Byzantium Community, Wuhan / 2003 Electrolyte, Shenghua Arts Center, Nanjing / The Minority Is Subordinate to the Majority, Biz Art Center, Shanghai / 2002 Mushroom Cloud or Eutopia, Shanghai / Everyday Attitude, special exhibition of Chinese photo art, Pingyao International Photography Festival, Shanxi, China / New Urbanism, Guangdong Art Gallery, Guangzhou / 2001 Contemporary, Wuhan, Hubei Art Gallery / Welcome, Jinshayuan,Wuhan

柏林，HAU2剧场/迂回中国艺术节，柏林，HAU2剧场/现实的重量，玛蕊乐画廊，北京酒仙桥路4号798艺术区/ 2006 再生，海口，当代艺术馆/边界线国际影像艺术展，北京，站台-中国/ 2005 自由与限制——夏市，武汉，美术文献艺术中心/ 920公斤，上海，多伦美术馆/ WHS+8，西门子公司艺术部项目，武汉/ 2004 涌动——来自中国的录像艺术，柏林，Zehdenickerstrasse 12A /慢，武汉，美术文献艺术中心/即插即用，武汉，拜占庭小区/ 2003 电解质，南京，圣划艺术中心/少数服从多数，上海，比翼艺术中心/ 2002 蘑菇云或者乌托邦，上海，外滩艺术馆/日常态度，中国图片艺术特别展，平遥国际摄影节/新都市主义，广州，广东美术馆/ 2001 现在，武汉，湖北美术馆/ WELCOME，武汉，金沙苑

Traditionally, the live fluoroscopic video can be saved by using video tapes.

传统的动态透视影像可以利用外接的录放影机，以录影带做为媒介储存、记录。

This paper describes a foveated vision-based image processing method, which considers the requirements of production monitoring, and simulates the visual perception process of the human eye by a spatial resolution variable transform of the video image to reduce the video data and identify the monitor effective information.

该文提出了一种基于视网膜中央凹视觉的生产监控图像处理方法，从生产监控的特点和需求出发，模仿人眼的视觉感知特性对视频图像进行空间变分辨率转换，从而降低数据量并实现对监控效用信息的筛选。

The major contributions of this thesis include: 1、 A novel CCSDS IDC based 3D wavelet video coding algorithm is put forward, which firstly employs Harr wavelet based motion compensated temporal filtering to reduce the similarities of video sequences, and then uses the IDC for intra-fame encoding.

该算法采用Harr小波运动补偿时域滤波去除运动序列的时域相关性，使用CCSDS IDC标准进行帧内小波变换和子带编码得到质量可控和时域可伸缩性码流。

The video clips that you intend to view might contain something interesting but impropriate, eg sex, porno, political scandals, etc. What can you do to view the deleted, erased, private or flagged video clips anyway?

该视频剪辑，你打算以期可能包含一些有趣的，但impropriate ，如性别，色情，政治丑闻等可以做什么，以查看删除，删除，私人或标记的视频剪辑吗？

The video clips that you intend to view might contain something interesting but impropriate, eg sex, porno, political scandals, etc. What can you do to view the deleted, erased, private or flagged video clips anyway?

该视频剪辑，你打算以查看可能会包含一些有趣的，但impropriate ，如性别，淫秽，政治丑闻等，可以做什么，以查看删除，删除，私人或标记视频剪辑吗？

With the increasement of streaming video application on the internet, the requirement of video compression has changed.

随着 Internet上流视频应用的增加，对于视频编码的要求也与以往有了变化。

This article introduces the hardware structure and the software design of a digital video mixer ,which controls the digital video mix processing chip by the PIC single chip microcomputer intermitting technique.

介绍了一种利用P IC单片机中断技术来控制数字视频混合处理芯片，实现将2路或多路数字视频信号混合成1路或多路输出的数字视频混合器的硬件构成和软件设计。

Finally, third, most unexpected for many sphere Since the jointof two video card as before do not result inwork with two monitors "mode SLI", the third slot is intended for video card, which will powerthis second monitor.

最后，第三最意想不到的许多领域自联合两个显卡像以前不会导致同两台监视器&sli模式&，第三个插槽是为视频卡，将电源这第二个监视器。

With the interactive method proposed, people can do more process on video and image field, such as video segmentation, the future will be luciferous.

以本文的交互方法为基础，实现图像视频处理领域的其它功能，如视频分割等，将是一个良好的开端。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。