查询词典 victim

In view, a humble vaudevillian veteran, cast vicariously as both victim and villain by the vicissitudes of Fate.

如你所见，我是一位卑微的戏子……在命运的摆弄下既扮演受害者又扮演施暴者。

Oilà!In view, a humble vaudevillian veteran, cast vicariously as both victim and villain by the vicissitudes of fate.

-但是在这个特别的夜晚，允许我，抛弃那些不入流的假名来介绍真正的主角。

Voilà! In view, a humble vaudevillian veteran, cast vicariously as both victim and villain by the vicissitudes of Fate.

瞧啊！看起来是一个卑贱的，但经验丰富的杂耍演员，在命运的变迁下代理着恶棍和受害者的双重角色。

Voila'..In view a humble vaudevillian veteran cast vicariously as both victim and villain by the vicissitudes of fate.

因为我们的系统表明您可能在向其他用户提供垃圾评论，您的帐户已禁用了评论功能。

Oil à!In view, a humble vaudevillian veteran...cast vicariously as both victim and villain by the vicissitudes of fate.

-当然你看得出，我不是质疑你的观察力，只是指出你问一个戴面具的人他是谁，有点矛盾。

Voilà!In view, a humble vaudevillian veteran...cast vicariously as both victim and villain by the vicissitudes of fate.

就这样！如你所见，我是一位卑微的戏子……在命运的摆弄下既扮演受害者又扮演施暴者。

Mr Radelet thinks the race of the perpetrator makes little difference, but juries respond more vengefully when the victim is white.

Radelet认为罪犯的种族影响不大，但受害人是白人时陪审团复仇情绪更强。

The victim is willing and able to provide veridical testimony.

受害者愿意并且能够真实地作证。

We also have to say to you -- no one who is not a vibrational match to that could be their victim.

我们也不得不对你们说-----如果一个人没有和那个东西默契的振动，他是不会成为那个受害者的。

Cast vicariously as both victim and villain by the vicissitudes of fate.

他在命运的浮沉中随波逐流扮演着受害与加害者的双重角色

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。