查询词典 victim

It would enable him to leave the prison in some style, and with his reputation for being a desperate and dangerous fellow untarnished; and he readily helped the gaoler's daughter to make her aunt appear as much as possible the victim of circumstances over which she had no control.

这能使他多少气派地离开监狱，而不辱没他那个危险的亡命之徒的英名。于是他很乐意地帮助狱卒的女儿，把她的姑母尽量伪装成一个身不由己的受害者。

Would I become an unwitting victim of circumstances or the jinx of my friends at home?

我会身不由己地变成境遇的牺牲品，或遭到国内朋友们不幸言中的厄运吗？

Little does Jack know his new professor is the unwitting victim of an ancient curse .

小杰克不知道他的新教授，是在不知情的受害者，一个古老的诅咒。

Be as a lamp unto them that walk in darkness, a joy to the sorrowful, a sea for the thirsty, a haven for the distressed, an upholder and defender of the victim of oppression.

要作夜行人的一盏明灯、悲哀者的一份快乐、焦渴者的大海、落难者的港湾、被压迫者的支持者和卫士。

Disaster victim, Tonya Valdivia

我代表慈济基金会，把这个给你，很感谢你到这里来，也希望你们和我们一起努力。

In view,a humble vaudevillian veteran cast vicariously as both victim and villain by the vicissitudes of fate.

在您 眼帘中的是一位低贱的杂耍老手他在命运的沉浮中随波逐流扮演着受害与加害者的双重角色。

In view, a humble vaudevillian veteran...cast vicariously as both victim and villain by the vicissitudes of fate.

如您所见，一个卑贱的戏子，在命运的变迁中，同时扮演者被压迫与反抗的人。

In View, a humble Vaudevillian Veteran cast Vicariously as both Victim and Villain by the Vicissitudes of fate.

看哪！在您眼帘中的是一位低贱的杂耍老手，他在命运的浮沉中随波逐流扮演着受害与加害者的双重角色。

A humble vaudevillian veteran, cast vicariously as both victim and villain by the vicissitudes of Fate.

"一个卑贱的，但经验丰富的杂耍演员，在命运的变迁下代理着恶棍和受害者的双重角色。"

In view, a humble vaudevillian veteran,cast vicariously as both victim and villain by the vicissitudes of fate.

在你眼帘中的是一位低贱的杂耍老手，他在命运的沉浮中随波逐流，扮演着受害者与加害者的双重角色。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。