查询词典 useless

Plus, any changes in regimen will be based on falsehoods and prove useless or even dangerous.

再则，任何养生准则的变化将以虚假数值为基准，这样是无用甚到是危险的。

You were always useless at fencing in school, Tristan.

特里斯顿，在学校，你在剑术方面就总是那么没用

A: It is useless to keep that player on the normal training field because he will not train there and will only fill up a spot that you might use for another player.

没有必要将进入训练营的球员放在普通训练的场地，他不会得到任何更多的训练效果，这样做只会占用场地。

The experiment results show that many useless triples can be filtered before beginning of the evaluation and construction phase, and the filter factor is higher than 0.9 for each example, some even up to 0.999. With the decrease of the running time, it shows that the improved algorithm is much more effective for applications in routing multicast.

在实验结果中，每个实例的过滤因子均大於0.9，有的甚至高达0.999，这表明大量无用的元组在进入评估阶段和构造阶段之前已被过滤掉，同时运行时间的减少也显示出改进算法在多播应用的路由寻迳中更有效。

Although fingering suggestions on the music are generally helpful, they are often useless because, although they may be the best fingerings, you may not be able to use them without some practice.

尽管乐谱上标注的指法一般来说是有帮助的，它们常常也可能是无用的，因为它们尽管可能是最好的指法，不经过某种练习，你可能无法运用。

Never did the former leader try to cope with the pig without adopting such method whereas it was workless even with a backup of a hundred people. Dog was useless in tackling such a situation either: the pig was able to run like a fish torpedo knocking a dog out to ten feet far. However, this time everyone underestimated the resolution of the instructor, who carried about twenty people armed with China-made 54-Model Pistols ; the vice-instructor got more than ten others with crop-guards' muskets. Separated into two teams, they rounded up the pig in the open space outside the hog pen.

第四， 汉语中常用成语，&正人君子&，&鬼哭狼嚎&，在英文里没有直接相对应的词，故译者必需寻找相应的表达法，尽量模仿该成语的韵味/风格，虽然所选表达法的字句可能和文中原话没有直接关系，但因为翻译最终的目的是要让读者读懂文章意思，只要意到就不用一字一句照翻，有时有用英文中的谚语习惯用语就能做到汉语成语的效果。

" "Those flippers are useless to me.

& &那些鳍对我而言毫无用处。

Those flippers are useless to me. They will be

那些鳍对我而言毫无用处。

This "importation" of the individual consciousness of the creator must however remain controlled. This is of the utmost importance, without constraints or measures we would fall either into the aesthetics of popular taste or into an escalation of elitist vocabulary that would weaken the language. If I myself no longer dare to use oil paints, to revisit or augment, it is due to its intrinsic overabundance of culture; having barely touched the palate, there is an immediate return to the domain of noble art. I would be too scared of creating some useless work while loosing the intensity afforded to a more direct language. Fluctuations in our cultural structure have resulted in vernacular embodying the new norm while I, in the domain of artistic language, have opted for the mode and techniques of traditional embroidery. A long while ago, during the time of the Yuan Ming Yuan artist village, I was convinced that I would run into problems if I applied myself to oil paint. I had produced next to nothing up until the day when, by coincidence, I noticed the many works of embroidery being sold at the entrance to the Summer Palace. I felt like I had finally found my mode of expression, my own personal artistic language. Due to the fact that embroidery belongs to the pre-industrial age, there is a "folkie" quality to it, rural and natural. This ill-defined modern world in which we live must also respond to the demands of "common people", the "lowly" and the "nouveau riche". In some sense, the re-appropriation of this folkloric technique was a necessity, much as it was during the time of the shift from "prose to spoken language" [1], an unavoidable consequence of social upheaval. It was not limited to a mere question of the stylistic signification of the semantic form. What embroidery embodies is a structural modification of society at its most basic level.

虽然它注入了艺术家的个人意识，但关键就是分寸感的把握，不然，或者伦为真的大众趣味，或者切入过多的经英语词汇，而使语言虚弱，就我而言，我不敢重操油画，或是改造扩充，就是由于它本身太文化了，一出手就高雅了，怕弄个不伦不类而失掉语言直接性的强度，文化结构的改变，艺术的俗语是一种趋势，从艺术语言上，我是用传统刺绣方式和手法的，早在圆明园画家村时，我几乎没有画出什么东西，油画肯定觉得使用起来有问题，在当时偶然在颐和园门前，看到很多刺绣的艺术品，一下子感到找到了方法，因为刺绣这种手段属于工业文明之前的东西，它有种土色和平民的感觉，这种也对应了时下的&平常人&、&小人物&、&暴发户&对现代化的消费趣味的追求，那种不伦不类的现代性，正好我的家乡唐山有一个很有名的刺绣厂，找师傅做作品可能更方便，有了这个想法之后，也得到朋友的鼓励，刺绣这一传统民间资源的再利用，在某种意义上说就像&白话文&始于当时社会巨大的转型出现的必然，它不单单是语言风格样式上的意义，它体现的是深层的社会文化结构改变的宣示。

Perhaps, it is a fatal missing to choose to escape itself; Way under foot, feel some what in the front have, lift foot, hang in put down in midair: Such torment surpasses the useless suffering of lovesickness

也许，选择逃避本身就是一个致命的错过；路在脚下，只是感觉有些艰难不是前面有什么，而是抬起脚却悬在半空放不下：这样的折磨胜过相思无用的煎熬

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。