查询词典 used to be
- 与 used to be 相关的网络例句 [注:此内容来源于网络,仅供参考]
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Die for you Lay down my life for you The only thing that means everything to me 'Cause when you're in my arms You make me prouder than Than anything I ever could achieve And you make everything that used to seem so big Seem to be so small since you arrived On angel's winds, an angelical formation Angel's wings, like letters in the sky Now I know no matter what the question Love is the answer It's written on angel's wings And I often wonder why, Someone as flawed as I Deserves to be as happy as you make me So as the years roll by I'll be there by your side I'll follow you wherever your heart takes me Cause you make everything that used to be so big Seem to be so small since you arrived On angel's winds, an angelical formation Angel's wings, like letters in the sky Now I know no matter what the question Love is the answer It's written on angel's wings Now anyone who's felt the touch of heaven in their lives Will know the way I'm feeling, looking In my baby's eyes That's why I can't bear to be too far away I know that god must love me cause He sent you to me on angel's wings On angel's winds, an angelical formation Angel's wings, like letters in the sky Now I know no matter what the question Love is the answer It's written on angel's wings Love is the answer It's written on angel's wings
死为下我的生活置于地面你放置为你对我意谓每件事物的唯一事物'引起当你是在我的双臂中的时候,你使我比比较骄傲任何事我曾经可以达成而且你制造每件事物以过去一直像是如此大的像是到是如此小的自你你以后到达在天使的风天使的风之上,一天使的形成天使的翅膀,像信在那天空现在我知道无论什么那问题爱是那答案它是写在天使的翅膀天使的翅膀之上和我时常奇迹为什么,依照有缺点的某人当我该得到是像你一样快乐使我当年我的卷将被你的身边在那里我无论你的心在何处带将跟随你我引起你制造每件事物以致於用当如此大的像是到是如此小的自你你以后到达在天使的风天使的风之上,一天使的形成天使的翅膀,像信在那天空现在我知道无论什么那问题爱是那答案它是写在天使的翅膀天使的翅膀之上现在任何人谁有感觉天堂的触觉在他们的生命中将会知道方式我正在感觉,顺便探访我宝贝的眼睛以致於是我为什麽不能忍受在太远处以致於我知道以致於那个神一定爱我引起他对我在天使的风上天使的翅膀,一只天使的形成天使的翅膀上送你,像信现在在天空中我知道无论什么问题爱是答案它在天使的翅膀爱之上被写是它在天使的翅膀上被写的答案
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Used to,be used to do,be used to doing,get used to do
问题补充:哪一个是"用来做","习惯于","过去常常做"等等
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Or more of current CEOs used to be company presidents; 20% or more of current COOs used to be vice-president of operations; and 20% or more of CFOs used to be financial controllers.
%或更多的CEO们目前使用的是公司总裁; 20 %或更多的电流库斯曾是副总统的行动;和20 %或更多的首席财务官必须使用财政控制器。
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Because different cell lines may show various levels of susceptibility to adenovirus infection and virus production, non-selectively replicating wtAd5 was used to be a comparison with the tested conditionally replicating adenovirus CNHK500.ONYX-015, the first replication-competent adenovirus entered into clinical trials was also used to be a comparison. We used virus proliferation assay, cell viability assay and western blot to evaluate the proliferation and cytolysis selectivity of CNHK500. Results demonstrated that the CNHK500 virus proliferation multiples in breast cancer cell lines after 48 hours is similar to that of wtAd5, ONYX-015 virus proliferation ability is less than that of CNHK500 in cancer cells.
然后,通过与ONYX-015(E1B 55 KD a蛋白缺失的2型和5型嵌和型腺病毒,美国ONYX生化制药公司研制)、wtAd5进行对比,利用病毒增殖实验和细胞生长抑制实验,验证了CNHK500选择性增殖能力和肿瘤特异性杀伤作用;利用Western Blot检测CNHK500腺病毒E1A和E1B在乳腺癌细胞和正常成纤维细胞中的表达差异,揭示了腺病毒肿瘤靶向性的机制;利用携带绿色荧光蛋白的CNHK500-EGFP感染乳腺癌细胞株和正常成纤维细胞株,直观地观察其感染乳腺癌细胞的能力和在乳腺癌细胞中的增殖过程。
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Although your skin is had no aglow, smartly, if bottom of desquamate , take up, pink is not stuck,take those who wait for a circumstance to also explain you are used to protect skin to taste not quite moist, nurse so the method should be used centrally protect wet composition to protect skin high to taste, latex or breast of face of bubble recipe clean are used to be able to suit quite when clean face for example.
即使你的皮肤未有发红、刺痛,假如有脱皮、绷紧、粉底不贴服等情况也说明你使用的护肤品不够滋润,所以护理方法就应集中使用保湿成分高的护肤品,例如洁面时使用乳液或泡沫配方洁面乳会比较适合。
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If i die tomorrow I'd be allright Dream Theater Because i believe That after we're gone The spirit carries on I used to be frightened of dying I used to think death was the end But that was before I'm not scared anymore I know that my soul will transcend I may never find all the answers I may never understand why I may never prove What i know to be true But i know that i still have to try If i die tomorrow I'd be allright Because i believe That after we're gone The spirit carries on Victoria:"move on, be brave Because i am no longer here But please never let Your memory of me disappear" Nicholas: Safe in the light that surrounds me Free of the fear and the pain My questioning mind Has helped me to find The meaning in my life again Victoria's real I finally feel At peace with the girl in my dreams And now that i'm here It's perfectly clear I found out what all of this means If i die tomorrow I'd be allright Because i believe That after we're gone The spirit carries on Hypnotherapist: you are once again surrounded by a brilliant white light.
如果我死在明天我就是所有权梦剧场因为我相信之后,我们正在经历精神继承从前我害怕死亡从前我认为死亡是完不过,那是以前我不害怕了我知道我的灵魂将超越我可能永远找不到所有的答案我可能永远不会明白为什么我可从来没有证明我所知道的是事实但我知道我仍然要尝试如果我死在明天我就是所有权因为我相信之后,我们正在经历精神继承维多利亚:"的大举措,要有勇气因为我已不再在这里但请决不辜负你的记忆力对我的消失"尼古拉斯:安全,在轻环绕箱免费的恐惧和痛苦我的质疑态度已帮我找到意思是我人生的又维多利亚的实质最后,我觉得在和平与女孩在我的梦想现在我来这里它的完全清楚我发现什么所有这一切都意味着如果我死在明天我就是所有权因为我相信之后,我们正在经历精神继承
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Producing PHAs,and then were orientationally inserted into a prokaryotic expression vector pBV220. By analyzing the bioactibity and function of their products, the biological function of phaA, phaB and phaC was confirmed. These have been done in our laboratory. To make better use of the three genes by plant bioreactor, two groups of different plant expression vectors that can be used to produce PHAs in different plants were constructed, and the transformation of PHA in Oxalis triangnlaris has been preliminarily reseached.The following is the main results:Three plant expression vectors pBI121-A,pBI121-B and ubquiting-C, which can be used to be transformed into Oxalis triangularis were respectively constructed by using the phaA, phaB and phaC.
菌株的亚克隆基因组片段中,分离出phaA、phaB和phaC三个基因片段,定向克隆至原核表达载体pBV220,通过对其生物活性与功能分析,确证了基因phaA、phaB和phaC的生物学功能;为了通过植物生物反应器对这三个基因进一步研究利用,本实验利用这三个基因构建了两组可用于不同植物生产PHA的真核表达载体,并对紫叶酢浆草进行PHA基因遗传转化的初步研究,获得主要结果如下:利用克隆的phaA、phaB、phaC三个基因分别构建了可用于转化紫叶酢浆草表达载体pBI121-A、pBI121-B、uBquiting-C;可用于玉米转化的种子特异性表达载体p7S-A、pBI121-S-B、uBquiting-C。
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Usually, when peole have nothing to do, they will think a lot, something like a day dream,and I'm also of them. I'm an ordinary people, a worldling. I spent a lot of time to dream, and it's blind and dull. I can not reconigze myself a little bit. This's not what I used to be- very healthy, happy, optimistic, and full of energy. I know that I cannot keep going like this. If I continue doing this, my life will have nowhere to run, and then, I will slowly fall into depression till the day I will be destroyed."No, no way." I warned myself again and again,"get the confident I used to have and try my best to live." Although it maybe in vain, I have to try , to change my situation, to live better, untill I can be a sunny guy again.
人在无事可做的时候,是很容易胡思乱想的,我也不例外,我也是凡人,更是个俗人,大把的时间里不断的胡思乱想着,盲目又无聊,我有点不认识我自己了,这已经不是曾经的那个健康、快乐、积极、充满活力的我了,我不能再继续这样了,在这样下去我的人生将变得无路可逃,我也终究会慢慢的消沉下去,直至毁灭,不能,绝对不能,一次次的告诫自己,要拿出曾经的勇气来努力的好好生活,即使再徒劳,也要作出最后的努力,改变现状,好好生活,直到做回曾经那个阳光的我!
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Thiol groups were good to be used in functionalizing gold nanoparticles, and ester bond formation and breakage played the major role in this research. Thioctic acid and 11-mercapto-1-undecanol were used to functionalize the gold nanoparticles and form ester bond by using the carboxylic acid group on thioctic acid and the hydroxyl group on 11-mercapto-1-undecanol. Concentrated sulfuric acid was used to be the catalyst in this reaction, and sodium hydroxide was added for the proceeding of the reverse reaction.
硫醇官能基在金奈米粒子的修饰有很好的效果,利用带有硫醇官能基之tioctic acid 与11-mercapto-1-undecanol (11-MUDO)分子修饰在金奈米粒子上,并使TA上之羧基和11-MUDO上之羟基脱水生成酯化键,浓硫酸则是反应中的催化剂,而氢氧化钠则可促使系统进行逆反应。
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This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood
代表了什麼意义?对於上述疑惑,查既有研究成果,不消没有论述者,具体提即「京调排场」现象的可说没有,基於此,有必要对台南市及其周边之民俗性京调排场,不管是语汇来由或者其现象本身,做一番研究。本研究透过文献、访谈、口述史、参与观察等方法,以文化有机体之纵的发展概念为经,以民俗表演之横切面各主客要素为纬,试图先对此文化现象调查并推论出一概貌:台南市民俗性京调排场的形成,是在京调传入台南,台南本地北管子弟改习或兼习京调后,结合北管音乐文化所固有的排场表演型态及民俗演出传统,融合而成,形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友,和中国大陆琴师等等),也曾透过与当地子弟的接触,而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时,对其有义务或交陪的庙宇及子弟间做酬酢性的演出,不收报酬;聆赏者多是京调同好与邻近民众,也有少数路过者;演出模式包括节目安排、乐队编制皆有一定;表演意涵上以「扮仙」祈求神明赐福人间最为重要,因此排仙必不可少,且一定先於京调演唱。随著时间推移,京调排场表演活动的各要素都有变动,惟变迁速度不一,大体而言,业余表演者锐减,人们对酬神娱神节目的需求仍在,因此一些过往的业余表演者遂逐渐转型为职业表演者。此外,虽然表演意涵不变,但在职业表演人员少、又要适应市场的情况下,表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中,而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者,据此概貌,在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象,可视为京剧研究与民俗研究的一环,然而对於台湾文化研究,除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型,进一步扩充整体台湾文化研究的内容外,更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史,其文化自然容易随社会环境改变而弹性适应变迁,呈现多元纷呈、多重覆叠的特色,因此展望未来,从事台湾文化研究应秉除单一观点,保持一定程度之开放与客观胸襟,方不忽视或误识更多重要的文化现象。
- 相关中文对照歌词
- My Memory Ain't What It Used To Be
- Like It Used To Be
- Friendship Isn't What It Used To Be
- The Way Things Used To Be
- Used To Be
- I Used To Be Color Blind
- Ain't What It Used To Be
- Free Won't Be What it Used to Be
- Remember When (Used To Be Used To It)
- He'll Never Be...(What I Used to be to You)
- 推荐网络例句
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Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.
在对危险的南部地区访问时,他斥责什叶派民兵领导人对中央集权的挑衅行为。
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In fact,I've got him on the satellite mobile right now.
实际上 我们已接通卫星可视电话了
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The enrich the peopling of Deng Xiaoping of century great person thought, it is the main component in system of theory of Deng Xiaoping economy, it is a when our country economy builds basic task important facet.
世纪伟人邓小平的富民思想,是邓小平经济理论体系中的重要组成部分,是我国经济建设根本任务的一个重要方面。