查询词典 upright piano

Ming-Ling M U, who has learned the piano from her auntie Li-Fen MU when she was 4 years old. 1997, Ming-Ling has passed the examination of Tainan University of Technology, Department of Music, majors in piano, minor course is flute, and has been taught by Zhen-Zhen LIU, Nei-Wen WANG, Li-Li ZHOU and Li-Min CHEN. During the school, Ming-Ling has been asked to be the accompanist for Tainan city Phoenix City children's choir. 2003 she has passed the examination from Conservatoire de Reuil Malmaison-senior class of piano performer with the teacher CHANTAL RIOU. In year 2006, Ming-Ling has brought herself to the senior class of piano accompanist and learned with teacher PONDEPEYRE ANGELINE, who made her graduated as the first-rate in the next year from Conservatoire de Reuil Malmaison.

穆明伶四岁开始其音乐养成教育，启蒙於姑姑穆丽芬。1997年考上台南女子技术学院音乐系，主修钢琴副修长笛，师事於刘珍珍、王乃雯、周理俐以及陈丽明老师；在学期间曾应邀加入台南凤凰城儿童合唱团担任伴奏一职。2003年考取法国玛尔梅松市立音乐院(Conservatoire de Reuil Malmaison)钢琴演奏高级班，师事 Chantal RIOU.2006 年进入同音乐院钢琴伴奏高级班，师事於Angrline PONDEPEYRE 。2007年以第一奖文凭毕业於法国玛尔梅松市立音乐院，师事Angeline PONDEPEYRE 。

On this occasion he won first place in an international piano competition with 151 contestants. The pieces he performed included Chopin's Piano Concerto No.1, Sergei Rachmaninoff's Piano Concerto No.2, and Ludwig van Beethoven's Piano Sonata No. 23 in F minor, Appassionata.

这次他在有151名参赛者的国际钢琴大赛夺冠，弹奏了包括萧邦的钢琴协奏曲第一号、拉赫曼尼诺夫第二号钢琴协奏曲及贝多芬第23号钢琴奏鸣曲「热情」。

After two years of Stagnation, the appearance of the piano accompany work "The Red Lantern" let the Chinese piano music reobtain the opportunity of creation. From this time, the creation of Chinese piano music entered the peoriod of "piano reorganization music" of "Cultural Revolution".

在历经两年的沉寂之后，钢琴伴唱《红灯记》的出现让处于低谷的中国钢琴音乐事业重获生机，自此中国钢琴音乐创作也进入了&文革&阶段钢琴改编曲盛行的时期。

This text with all say to the synopsis of Chinese's folk song, the piano work of "folk song" it reorganizes the review of the process and the piano work of "folk song" of two representatives《arethusa flower》,《flowing water》give musical performance last analysis as sill, end in giving musical performance the style that Chinese's folk song reorganizes a piano work confidence get oneself's conclusion, for how hold the style of the piano work of "folk song" to carry on overall of, many elaborate of angle and generalize.

本文。。。更多以对汉族民歌的简要概述，&民歌&钢琴作品其改编历程的回顾以及两首代表性的&民歌&钢琴作品《兰花花》、《流水》演奏上的分析作为基石，最终在演奏汉族民歌改编钢琴作品的风格把握上得出自己的结论，对于如何把握&民歌&钢琴作品的风格进行全面的、多角度的阐述与概括。

Production of "Star" brand of vertical, horizontal piano, Piano Group Co., Ltd. Yingkou Northeast production "Nordica Scafa" brand vertical, horizontal piano; violin class, Taixing Fengling Musical Instrument Co. produced " Feng-Ling "," Yinggehai "," Li "brand series 4/4-1/16 violin; guitar category, Guangzhou Pearl River Piano Group Co., Ltd. production of" Cotton Tree "brand guitar, electric guitar, Canton Sihui City Hua musical instrument produced by the "Star Hill" brand electric guitars, wood guitar, Taixing Fengling Musical Instrument Co. production of "Feng-Ling","Yinggehai","Li" brand of classical, folk, electro-acoustic guitar, Canton Kat Sound Guoqin industry produced by "Voice of Kyrgyzstan" brand guitars.

有限公司的&明星产品&的立式，卧式钢琴品牌钢琴集团有限公司营口东北生产的&诺地斯卡法&牌立式，卧式钢琴，小提琴，泰兴凤灵乐器有限公司生产的&凤翎&，&莺歌&，&李&牌系列4月4日至1月16日小提琴，吉他类，广州珠江钢琴集团有限公司的&生产红棉&牌吉他，电吉他，广东四会市华音乐由&星山&牌电吉他，木吉他制作工具，泰兴凤灵乐器有限公司生产的&凤灵&，&莺歌&，&李&牌古典，民间，电声吉他，广州吉声琴业的&吉尔吉斯斯坦声生产的&品牌吉他。

By comparing with the ballets, this article has given the performing guideline for piano about how to apply different tone and accent; how to control the strike of the piano keys, and how to manage the pedal. Based on those, a profound view of this great piano work such as its performing skill, musical style, and expression method has been formed in the article. That is the purpose of the study, and also has great theoretical and practical value to todays piano performance and education.

在此基础上，本文又从该套曲与舞剧音乐的比较入手，从音色与触键方式、节奏重音处理、踏板用法等方面阐述了对作品演奏手法的建议，从而形成对该作品风格、形态、演奏技术、表现手法等要素的整体认识，这对于现今的钢琴演奏与教学有着重要的理论与实践意义，也是本文研究的目的之所在。

"Research on Temperament of Piano Sound" is a systematic description related with aesthetics about mathematics and physics of temperament study of piano art sound in the deep layer, opening out comprehensively the abundant implication of the swing on piano. Piano is not the musical instrument with only twelve-tone-equal temperament, and its structure of sound has three tuning systems in which twelve-tune-equal temperament is as basic frame, and just intonation and circle-of-fifths system are as addition.

&钢琴音响的乐律学研究&是对钢琴艺术音响进行深层系统的数理审美之描述，全面揭示钢琴丰富的音律蕴涵，即钢琴并非是单一的十二平均律乐器，其音响纵横结构是以十二平均律为基本框架，兼有纯律、五度相生律在内的&三律&乐器。

Rubinstein Competition, the Sydney International Piano Competition, the Busoni International Piano Competition, China International Piano Competition in Beijing, and the China Shanghai International Youth Piano Competition.

她还多次担任国际钢琴比赛的评委，例如：柴可夫斯基比赛，里兹国际钢琴比赛，鲁宾斯坦国际钢琴比赛，悉尼国际钢琴比赛，中国国际钢琴比赛，上海国际青年钢琴比赛。

In the 19 century, the transformation of piano music style took place. With the mature of piano, performance on it began to isolated from composing on it. The 78 volumes of piano exercises, created by Carl Czerny at that time, played an important role in piano history.

19世纪上半叶，是钢琴定型、演奏技术不断地发展、演奏与创作开始分离、钢琴音乐风格发生转变的时期，车尔尼在这一时期创作的78本钢琴练习曲在钢琴艺术史中具有重要意义。

With the following four basic teaching materials Beyer, Czerny Elementary Course op. 599 for the Piano Beginners, John Thompson 憇 Modern Piano Course and Microcosm as the object of study, the present paper makes a comparative analysis and study of them from the perspectives such as the structure and content, the progression arrangement, musicality and interest. Based upon this, this paper systematically induces the features of these four courses together with their respective merits and demerits, thus objectively judging their respective stature in the artistic history of piano and their value in the piano instruction.

本文以四种钢琴基础教材《拜厄》、《车尔尼钢琴初步教程Op.599》、《约翰·汤普森现代钢琴教程》、《小宇宙》为研究对象，从结构内容、进度安排、音乐性、趣味性等方面进行比较分析与研究，系统地归纳了四种教材的特点，指出了各自存在的优势和不足，客观地评价了它们在钢琴艺术史上的地位以及在钢琴教学实践中的价值。

A solid basis of evidence underpinned her theory.

有利的证据基础支持她的理论。

Apoptosis was detected in both of the cell lines in the absence of folacin, but no necrosis was observed in this experiment.

实验组和对照组中，均未观察到细胞坏死，每种细胞均可看到凋亡细胞；HBL-100在实验组的P53突变型蛋白面积比对照组大（P.05），实验组P53mRNA阳性面积比对照组的大（P.05）。