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Therefore as all records are gathered and in particular those that originated from Sirius or any other creation that has used humanity upon earth as a dumping ground for unwanted thought-form, karma and dreams, such records must be returned to their creation of origin, as they did not occur upon earth in the first place.

因此，所有记录被收集起来，尤其那些源自天狼星或其他任何造物的记录，他们将地球上的人类当成一个丢弃自身所不要之思想形态、业力和梦想的垃圾场，这些记录必须回归到起源造物，因为它们并不在地球之上首先发生。

Both bread and water which Thou hast, through Thine all-embracing mercy, allowed unto the beasts of the field, they have, for a time, forbidden unto this servant, and the things they refused to inflict upon such as have seceded from Thy Cause, the same have they suffered to be inflicted upon Me, until, finally, Thy decree was irrevocably fixed, and Thy behest summoned this servant to depart out of Persia, accompanied by a number of frail-bodied men and children of tender age, at this time when the cold is so intense that one cannot even speak, and ice and snow so abundant that it is impossible to move.

时值严冬，寒风凛冽，令人结舌无语；冰天雪地，令人寸步难移。

Then, without haste, but without making a useless movement, with firm and curt precision, the more remarkable at a moment when the patrol and Javert might come upon him at any moment, he undid his cravat, passed it round Cosette's body under the armpits, taking care that it should not hurt the child, fastened this cravat to one end of the rope, by means of that knot which seafaring men call a "swallow knot," took the other end of the rope in his teeth, pulled off his shoes and stockings, which he threw over the wall, stepped upon the mass of masonry, and began to raise himself in the angle of the wall and the gable with as much solidity and certainty as though he had the rounds of a ladder under his feet and elbows.

接着冉阿让，不慌不忙，有条有理。以简捷稳健准确的动作？？尤其是在巡逻队和沙威随时都可以突然出现时，更不容许他一回事情两回做？？解下自己的领带，绕过孩子的胳肢窝，松松结在她身上，留了意，不让她觉得太紧，又把领带结在绳子的一端，打了一个海员们所谓的燕子结，咬着绳子的另一头，脱下鞋袜，丢过墙头，跳上土堆，开始从两墙相会的角上往高处升，动作稳健踏实，好象他脚跟和肘弯都有一定的步法似的。

Then, without haste, but without making a useless movement, with firm and curt precision, the more remarkable at a moment when the patrol and Javert might come upon him at any moment, he undid his cravat, passed it round Cosette's body under the armpits, taking care that it should not hurt the child, fastened this cravat to one end of the rope, by means of that knot which seafaring men call a "swallow knot," took the other end of the rope in his teeth, pulled off his shoes and stockings, which he threw over the wall, stepped upon the mass of masonry, and began to raise himself in the angle of the wall and the gable with as much solidity and certainty as though he had the rounds of a ladder under his feet and elbows.

接着冉阿让，不慌不忙，有条有理。以简捷稳健准确的动作棗尤其是在巡逻队和沙威随时都可以突然出现时，更不容许他一回事情两回做棗解下自己的领带，绕过孩子的胳肢窝，松松结在她身上，留了意，不让她觉得太紧，又把领带结在绳子的一端，打了一个海员们所谓的燕子结，咬着绳子的另一头，脱下鞋袜，丢过墙头，跳上土堆，开始从两墙相会的角上往高处升，动作稳健踏实，好象他脚跟和肘弯都有一定的步法似的。

Everything that stirred me, all that happened to me, seemded to be centred upon you, upon my imaginings of you.

我的心里只有一个人，那就是你，就是在睡梦里也只看到你，我把你当做自己唯一的知己。

Bertha stood upon the high road that ran past Court Leys, and from the height looked down upon the lands that were hers.

伯莎站在经过莱伊府第门前的公路之上，从高处俯视属于她的那片大地。

On the poet's choice, mainly be decided by two standards, one is the popularity and influences of works; two is the meaning of the creations development that it create for the whole colony. Owing to above two standards, the writer chooses seven writers to launch the treatise, they are Jidi Maja, Jimu Langge, Luwu Laqi, Ma Deqing, Aku Wuwu , Asu Yuer, Eni-Mushashijia. In discussing the process, the writer used the nationality and Poetics of the poem as the latent clues, emphasized to inquiry into three main roads and three main realms. On the article structure, the full text mainly is divided into two parts, one is the concrete imago analysis to each poet creations, two is upon the analytical foundation the integration of the theories, with this the treatise could be united into an organic whole. In regard to the conclusion, we educe the characteristics of the colony is deep consciousness to the nation culture, also extensive exploration and attention to poetics. The blemish is the inside emotion and sensibility is similar or duplicate and that the creation pattern is narrow. The main develop threads of the colony are upon the female clan culture the diverse poem skill investigation, its nation culture value tropism present the rising spiral type of return- leave- return again.

在研究方法上，本文以意象分析法为贯穿全文的主要方法，通过对意象的具体分析来****凉山诗群的诗歌世界；在诗人的选择上以其作品的影响力及意义为标准，选择了这一诗群的七位诗人展开论述，他们分别是吉狄马加、吉木狼格、倮伍拉且、马德清、阿库乌雾、阿苏越尔、俄尼·牧莎斯加；在论述过程上，笔者以诗歌的民族性和诗性作为前后贯穿的潜在线索，着重探讨了这一诗群创作的三个主要倾向和三个主要领域，前者详论，后者略述，具体表现在对前三位诗人的论述以诗人论的形式详细展开，探讨他们所代表的凉山诗群发展过程中的三个主要创作倾向，即民族文化的深层开掘、诗艺的实验性探索和艺术哲学的尝试性建构，对后四位诗人的论述则以主题的方式展开，探讨他们所代表的凉山诗群在爱情诗、乡土诗和文化诗三个领域的探索；在文章结构上，全文主要分为两大板块，一是对各位诗人创作的具体意象分析，二是在前文分析的基础上进行理论的整合，以此将前面散珠似的论述贯穿成一个有机整体；在结论上，我们通过整合得出：1、凉山诗人群新时期以来诗歌创作的大致发展脉络：在母族文化的基质之上的多元诗艺探索，其民族文化价值取向呈现为回归—离去—再回归的螺旋式上升形态；2、新时期彝族凉山诗人群汉语诗歌创作的特点，即民族文化意识的深层自觉，对诗性的关注和探索；3、新时期彝族凉山诗人群汉语诗歌创作的缺陷，即情感意蕴的雷同和创作格局的狭小。

As you gaze upon the twin skull visages on the fa ade that leer out upon Daggercap Bay, you feel a shiver run down your spine that has nothing to do with the frosty air....

但在这一片战乱之中，你不可避免地会被一个巨大无比的岩石巨塔占据全部的心灵。

As you gaze upon the twin skull visages on the faade that leer out upon Daggercap Bay, you feel a shiver run down your spine that has nothing to do with the frosty air....

当你从刃顶湾看到一对巨大骷髅头雕刻时，一股凉意传遍你的全身，在切削如刀的凛冽寒风中，你更加发现自己的渺小和无能为力……然而，你迅速摆脱了这种战栗，专注于迫在眉睫的战斗。

As you gaze upon the twin skull visages on the faade that leer out upon Daggercap Bay, you feel a shiver run down your spine that has nothing to do with the frosty air….

但在这一片战乱之中，你不可避免地会被一个巨大无比的岩石巨塔占据全部的心灵。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。