查询词典 ty

Some were given "Ty2" or "Crash Twinsanity", both of which involve cartoonish f ighting and destruction.

第一小组分派到&Ty 2&或&Crash Twinsanity&游戏，这两款涉及卡通人物的对打和破坏行为。

"What's Ty Cobb's batting average?"

&请你说泰·科布的终身击球率是多少？&

And see no end to the landscape,new objects presenting themselves as we advan ce;so,in the commencement of life,we set no bounds to our inclinations.nor to the unrestricted opportunities of grastifying them.we have as yet found no obs tacle,no disposition to flag;and it seems that we can go on so forever.we look round in a new world,full of life,and motion,and ceaseless progress;and feel in ourselves all the vigour and spirit to keep pace with it,and do not foresee from any present symptoms how we shall be left behind in the natural course o f things,decline into old age,and drop into the grave.it is the simplicity,and as it were abstractedness of our feelings in youth,thatidentifie s us with nature ,and(our experience being slight and our passions strong)delu des us into a belief of being immortal like it.our short-lives connexion with existence we fondly flatter ourselves,is an indissoluble and lasting union-a h oneymoon that knows neither coldness,jar,nor separation.as infants smile and s leep,we are rocked in the cradle of our wayward fancies,and lulled into securi ty by the roar of the universe around us0we quaff the cup of life with eager h aste without draining it,instead of which it only overflows the more-objects p ress around us,filling the mind with their magnitude and with the strong of de sires that wait upon them,so that we have no room for the thoughts of death.

此时，但觉好风光应接不暇，而且，前程更有美不胜收的新鲜景致。在这生活的开端，我们听任自己的志趣驰骋，放手给它们一切满足的机会。到此为止，我们还没有碰上过什么障碍，也没有感觉到什么疲惫，因此觉得还可以一直这样向前走去，直到永远。我们看到四周一派新天地——生机盎然，变动不居，日新月异；我们觉得自己活力充盈，精神饱满，可与宇宙并驾齐驱。而且，眼前也无任何迹象可以证明，在大自然的发展过程中，我们自己也会落伍，衰老，进入坟墓。由于年轻人天真单纯，可以说是茫然无知，因而将自己跟大自然划上等号；并且，由于经验少而感情盛，误以为自己也能和大自然一样永世长存。我们一厢情愿，痴心妄想，竟把自己在世上的暂时栖身，当作千古不变、万事长存的结合，好像没有冷淡、争执、离别的密月。像婴儿带着微笑入睡，我们躺在用自己编织成的摇篮里，让大千世界的万籁之声催哄我们安然入梦；我们急切切，兴冲冲地畅饮生命之杯，怎么也不会饮干，反而好像永远是满满欲溢；森罗万象纷至沓来，各种欲望随之而生，使我们腾不出工夫想死亡。

It is the most important factor influencing the spread-ability of butter and is determined by the fat ty acid distribution in the fat and in particular by the relative amounts of the most abundant acids, i.e.

它是影响奶油扩散能力的一个重要因素，更度是汕脂肪中脂肪酸的分布决定的。

And thou hast removed my soul far off from peace: I forgat prospe***ty.

3：17 你使我远离平安，我忘记好处。

I m a g ine a star up t o twen ty time s lar g er, bri gh ter and hot ter th an our o wn sun.

设想一恒星大到二十倍较大，较亮和较热比我们的自己的太阳。

Produced by Miten and Kit Walker (Walela, Kitaro, Pagan Love Orchestra), Embrace features a rich, elegantly developed musical dynamic, due in large part to virtuoso performances by such top flight musicians as Jai Uttal, Kit Walker (keyboards, grand piano, Hammond B3), Nepali native Manose, Miten, Ty Burhoe (a star protégé of Zakir Hussain) and Marquinho Brasil (assorted exotic hand percussion).

由Miten、Kit Walker等人共同制作出来的，Embrace这一张专辑的特色，就是整张音乐的扩张性很大，让人感觉到源源不绝的活力，专辑中有很大的部分是由顶尖的音乐演奏家演奏的，像是Jai Uttal、Kit Walker（键盘手，平台式钢琴，汉孟牌电子琴）、在尼泊尔土生土长的Manose、Miten、Marquinho Brasil（各式各样、含各国情调的打击乐器）。

Among civilized people it was once thought that ginger root ty some magical power could improve the memory.

在文明人中，曾经一度认为吃姜的根就可以获得某种魔力改进他们的记忆力。

Within definite height limits, such headframes not only take the place of steel headframes with great saving in steel and builting cost, but also eliminates the detrimental effects incidental to foundation settlement, the common defect of other ty-pes of r.c.

这种类型井架在某种高度下不仅可以代替钢井架工作，使钢材得到大量节约，建筑投资少，而且它也克服了其他类型钢筋混凝土井架在软地基上易于产生不均匀沉陷影响的缺点。

Ty: why are you hiccuping again as soon as were out?

泰英： 为甚麼一走出来你又打嗝了？

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。