查询词典 two-toed

Just add at least two whitespaces at the opposite end of your text: Add two spaces on the left to align right, two spaces on the right to align left and two spaces at least at both ends for centered text.

只需要添加多余两个的空格在您需要对齐的方向的反向即可：如果需要右对齐，在左边添加两个空格；反之，则在右边添加。在两边均添加空格可以实现中间对齐。

After a two-week screening period, 18 patients participated in a four-week as-required regimen of 2 mg apomorphine SL, escalated to 3 mg when appropriate after two weeks. Three patients (16.7%) benefited from this treatment modality ( P .05). The nonresponding group of 15 patients continued with a daily regimen of 2 mg apomorphine SL for two weeks followed by 3 mg daily for two weeks. The 3 mg daily regimen was more effective for ED ( P .02) and for each sexual domain scored with the International Index of Erectile Function questionnaire. Adverse events, as reported by three patients (23%) during the 3 mg regimen, were nausea, dizziness, and headache.

在二星期的筛检过程之后，18位病患参与为期四个星期的2mg，在两星期后适当的增加至3mg的阿朴吗啡 SL疗法，其中三位病患(16.7%)受益于这种治疗方法(P 。05)，15位无反应的病患持续接受每日2 mg的阿朴吗啡 SL两周后，再接著以每日3 mg的两周治疗，对于ED及国际勃起功能指数调查表的每项性功能区计分，每日3 mg的疗法比较有效(P 。02)，在接受3 mg疗法期间三位病患( 23%)的不良事件，为恶心、眩晕、和头痛。

By the combinatorial proof or combinatorial interpretation, the identity is equipped with certain count meaning. The most general way in the combinatorial proof is to count two sides of the identity by two different methods. Generaly, through building a bijection from one set to another one, the number of the two sets respectively represents the two sides of the identity.

恒等式的组合证明或组合解释赋予了恒等式一定的计数意义，组合证明最常用的方法是分别用两种不同的方法对恒等式的两端进行计数，一般通过构造两个集合之间的双射，这两个集合的个数分别表示恒等式的两端，从而根据双射的一一对应性证明恒等式。

Moreover, by the combinatorial proof or combinatorial interpretation, the identity is equipped with certain count meaning. The most general way in the combinatorial proofs is to count two sides of the identity by two different methods. Generaly, through building a bijection from one set to another one, the number of the two sets respectively represents the two sides of the identity. Because of the 1-1 property of bijection, the identity is proved.

此外，恒等式的组合证明或组合解释赋予了恒等式一定的计数意义，组合证明最常用的方法是分别用两种不同的方法对恒等式的两端进行计数，一般通过构造两个集合之间的双射，这两个集合的个数分别表示恒等式的两端，从而根据双射的一一对应性证明恒等式。

Then, the two third he danced with Miss King, and the two fourth with Maria Lucas, and two fifth with Jane again, and the two sixth with Lizzy, and the Boulanger----

第三轮他是跟金小姐跳的，第四轮跟玛丽亚·卢卡斯，第五轮又跟简，第六轮跟莉齐，还有那布朗热舞——

Then, the two third he danced with Miss King, and the two fourth with Maria Lucas, and the two fifth with Jane again, and the two sixth with Lizzy, and the Boulanger --

他第三场舞是跟金小姐跳的，第四场跟玛丽雅·卢卡斯跳，第五场又跟吉英跳，第六场是跟丽萃跳，还有'布朗谢'。

Then, the two third he danced with Miss King, the two fourth with Maria Lucas, the two fifth with Jane again, the two sixth with Lizzy, the Boulanger --

他第三场舞是跟金小姐跳的，第四场跟玛丽雅·卢卡斯跳，第五场又跟吉英跳，第六场是跟丽萃跳，还有'布朗谢'。

Yo, yo Yo, yo Your honour please Gotta believe what I say What I will tell Happened just the other day I must confess 'Cos I've had about enough I need your help Got to make this here thing stop Baby I swear I tell the truth About all the things you used to do And if you thought you had me fooled I'm tellin' you now objection overruled Here we go One for the money and the free rides It's two for the lie that you denied All rise All rise Three for the calls you've been making It's four for the times you've been faking All rise (I'm gonna tell it to your face) All rise You're on the stand With your back against the wall Nowhere to run And nobody you can call oh no I just can't wait Now the case is open wide You'll try to pray But the jury will decide So step back 'cos you don't know this cat I know deep down that you don't want me to react I lay low leaving all my options open The decision of the jury has not been spoken Step in my house you find that your stuff has gone But in reality to whom does the stuff belong I bring you into court to preach my order And you know that you overstep the border, uhuh All rise It's two for the lie that you denied All rise All rise Three for the calls you've been making It's four for the times you've been faking All rise All rise One for the money and the free rides It's two for the lie that you denied (can't you pay) All rise (what you've done) All rise Three for the calls you've been making It's four for the times you've been faking (can't you pay) All rise (what you've done) All rise (where you've gone) One for the money and the free rides It's two for the lie that you denied All rise all rise Three for the calls you've been making It's four for the times you've been faking I said all rise I'm gonna tell it to your face All rise, I rest my case uhuh uhuh

你的荣誉，请宝贝，相信我怎么说什么，我会告诉刚刚发生的另一天我必须承认'产地来源证我已经足够我需要你们的帮助必须使这件事在这里停止宝宝我发誓，我告诉真相对于所有的事情，你用来做而如果你以为你有我受骗上当我tellin '，你现在反对推翻在这里，我们去一本是关于金钱和免费乘车它的两个为谎言，你否认所有上升所有上升三，为召唤你已经使它的四项时代你已经作假所有崛起（我在哪里也告诉它，以你的脸）所有崛起你对的立场与你的背部撞在墙上无处可运行没有人，你可以打，哦，没有我只是不能等待现在的情况是敞开你会尝试祈祷但陪审团将决定所以，退一步说'产地来源证你不知道这猫我知道内心深处，你不希望我作出反应 i打下低离开我的所有选择决定陪审团没有得到发言一步，我的房子，你觉得你的东西了但在现实中，以谁的东西都属于我带来了你在法庭上公开传教订单你知道你超越边界， uhuh 所有崛起它的两个为谎言，你否认所有上升所有上升三，为召唤你已经作出它的四项时代你已经作假所有上升所有上升一本是关于金钱与自由游戏机它的两个为谎言，你否认所有崛起所有崛起三，为召唤你已经作出它的四项时代你已经作假所有崛起所有上升一本是关于金钱和免费乘车它的两个为谎言，你否认所有崛起所有崛起三，为召唤你已经使它的四项时代你已经作假我说，所有崛起我哪里也告诉它，以你的脸所有崛起，我休息，我的案子没有翻译的代表没有意思，只是一些发出的声音

When making an initial cut of two harvested rows into a cane field, the two harvested rows are separated from an adjacent row on each side of the harvested rows by each of the two crop divider scroll assemblies 30. After the initial two-row cut.

当收割机进入一块甘蔗地进行收割时，收割机上左右各一的螺旋装置30将扶持还没收割的邻近甘蔗并将其与正在收割的甘蔗行分开。

I observ'd, that the two who swam, were yet more than twice as long swimming over the Creek, as the Fellow was, that fled from them: It came now very warmly upon my Thoughts, and indeed irresistibly, that now was my Time to get me a Servant, and perhaps a Companion, or Assistant; and that I was call'd plainly by Providence to save this poor Creature's Life; I immediately run down the Ladders with all possible Expedition, fetches my two Guns, for they were both but at the Foot of the Ladders, as I observ'd above; and getting up again, with the same haste, to the Top of the Hill, I cross'd toward the Sea; and having a very short Cut, and all down Hill, clapp'd my self in the way, between the Pursuers, and the Pursu'd; hallowing aloud to him that fled, who looking back, was at first perhaps as much frighted at me, as at them; but I beckon'd with my Hand to him, to come back; and in the mean time, I slowly advanc'd towards the two that follow'd; then rushing at once upon the foremost, I knock'd him down with the Stock of my Piece I was loath to fire, because 1 would not have the rest hear; though at that distance, it would not have been easily heard, and being out of Sight of the Smoke too, they wou'd not have easily known what to make of it: Having knock'd this Fellow down, the other who pursu'd with him stopp'd, as if he had been frighted; and I advanc'd a-pace towards him; but as I came nearer, I perceiv'd presently, he had a Bow and Arrow, and was fitting it to shoot at me; so I was then necessitated to shoot at him first, which I did, and kill'd him at the first Shoot; the poor Savage who fled, but had stopp'd; though he saw both his Enemies fallen, and kill'd, as he thought; yet was so frighted with the Fire, and Noise of my Piece, that he stood Stock still, and neither came forward or went backward, tho' he seem'd rather enclin'd to fly still, than to come on; I hollow'd again to him, and made Signs to come forward, which he easily understood, and came a little way, then stopp'd again, and then a little further, and stopp'd again, and I cou'd then perceive that he stood trembling, as if he had been taken Prisoner, and had just been to be kill'd, as his two Enemies were; I beckon'd him again to come to me, and gave him all the Signs of Encouragement that I could think of, and he came nearer and nearer, kneeling down every Ten or Twelve steps in token of acknowledgement for my saving his Life: I smil'd at him, and look'd pleasantly, and beckon'd to him to come still nearer; at length he came close to me, and then he kneel'd down again, kiss'd the Ground, and laid his Head upon the Ground, and taking me by the Foot, set my Foot upon his Head; this it seems was in token of swearing to be my Slave for ever; I took him up, and made much of him, and encourag'd him all I could.

这时候，我脑子里突然产生一个强烈的、不可抗拒的欲望：我要找个仆人，现在正是时候；说不定我还能找到一个侣伴，一个帮手哩。这明明是上天召唤我救救这个可怜虫的命呢！我立即跑下梯子，拿起我的两支枪--前面我已提到，这两支枪就放在梯子脚下。然后，又迅速爬上梯子，翻过山顶，向海边跑去。我抄了一条近路，跑下山去，插身在追踪者和逃跑者之间。我向那逃跑的野人大声呼唤。他回头望了望，起初仿佛对我也很害怕，其程度不亚于害怕追赶他的野人。但我用手势召唤他过来，同时慢慢向后面追上来的两个野人迎上去。等他俩走近时，我一下子冲到前面的一个野人跟前，用枪杆子把他打倒在地。我不想开枪，怕枪声让其余的野人听见。其实距离这么远，枪声是很难听到的；即使隐隐约约听到了，他们也看不见硝烟，所以肯定会弄不清是怎么回事。第一个野人被我打倒之后，同他一起追来的那个野人就停住了脚步，仿佛吓住了。于是我又急步向他迎上去。当我快走近他时，见他手里拿起弓箭，准备拉弓向我放箭。我不得不先向他开枪，一枪就把他打死了。那逃跑的野人这时也停住了脚步。这可怜的家伙虽然亲眼见到他的两个敌人都已经倒下，并且在他看来已必死无疑，但却给我的枪声和火光吓坏了。他站在那里，呆若木鸡，既不进也不退，看样子他很想逃跑而不敢走近我。我向他大声招呼，做手势叫他过来。他明白了我的意思，向前走几步停停，又走几步又停停。这时，我看到他站在那里，混身发抖。他以为自己成了我的俘虏，也将像他的两个敌人那样被杀死。我又向他招招手，叫他靠近我，并做出种种手势叫他不要害怕。他这才慢慢向前走，每走一二十步便跪一下，好像是感谢我救了他的命。我向他微笑，作出和蔼可亲的样子，并一再用手招呼他，叫他再靠近一点。最后，他走到我跟前，再次跪下，吻着地面，又把头贴在地上，把我的一只脚放到他的头上，好像在宣誓愿终身做我的奴隶。我把他扶起来，对他十分和气，并千方百计叫他不要害怕。但事情还没有完。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。