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The Pigman and Me, was among the 100 Best of the Best Books published for teenagers during the last part of the twentieth century.

Pigman和莪，是在为少年出版地最佳地书地100最佳之中在20世纪期间地最后部分。

By this standard, consider the polemically named Jerusalem Prize, which, in its relatively short history, has been awarded to some of the best writers of the second half of the twentieth century.

不妨根据这个标准，考虑一下其名字备受争议的&耶路撒冷奖&，它在相对短的历史中，曾授予二十世纪下半叶一些最好的作家。

Because of their premillennial eschatology fundamentalist evangelicals have been particularly supportive of the restoration of the Jewish people to Israel and of Israel itself in the twentieth century.

由於其premillennial末世论原教旨主义福音派一直特别支持恢复犹太人民对以色列和以色列本身在二十世纪。

The world's twentieth-century shift to high chemical-input farming was facilitated by high labor costs and low input costs, including land and chemicals, as well as a shift away from a stewardship approach to a productionist outlook, and it has been enabled by the economic treatment of environmental degradation and pesticide contaminations as externalities, rather than as costs of production.

二十世纪，世界上的农业转向高化学产品投入，它依靠高人力成本和低投入费用辅助，利用土地和化学产品，以及从管理工作方法到生产者前景转变，同时，它由环境退化和杀虫剂污染的经济处理作为外在形式，而不是作为生产成本。

A footnote in Kahler's work (The Tirolian Compaign, Fantomadiscs, third issue, 2083, scr. 1099) refers those interested in Garudan psychism to a series of twentieth-century autobiographical novels written by a young anthropologist recording his attempts to enter into various states of altered reality through the guidance of an Yaqui Indian "man of power."

卡勒的著作（《泰洛星战役》——发表于《凡托玛碟环》2083年第三期，编号1099）中，一条脚注提及：对嘎鲁达&心灵论&有兴趣的人应参考二十世纪某位年轻的人类学学者撰写的系列自传体小说，小说记录了他通过一位雅基族印第安&能者&的引导，尝试进入各种另类现实状态的事件。

In 2000 Gate of the Century: 1979——1999 the Exhibition of Chinese Art, Chengdu Modern Art Museum, Chengdu, China; Man+SPACE, Kwangju Biennial 2000, Kwangju, Korea; Messagers of the Hearth, Center of Contemporary Art of the LycEe Xavier Bernard in RouillE; Transcending Boundaries, Montclair State University, USA; Portrait de Chine Contemporaine, Espace Culturel Francois Mitterand, Perigueux; Les Passe —— Murailles, Contemporary Art of China, Picardie Museum Amiens, France; The First Collection Exhibition of China Contemporary Art, Shanghai Art Museum, China; China, Art in the Twentieth Century, Touring Show in Beijing and Shanghai, China; Asia Contemporary Art Exhibition, Japan.

参加在法国班里哥弗郎索瓦·密特郎国际文化中心举办的&当代中国肖像&；参加在法国阿密庇加底国家美术馆举办的&中国当代艺术邀请展&；参加在中国上海上海美术馆举办的&首届中国当代艺术收藏展&；参加在中国美术馆，上海美术馆举办的&20世纪中国油画展&参加在日本宇都宫美术馆，新汤县民会馆举办的&亚洲当代艺术邀请展&。2001年作品分别在上海美术馆，四川省美术馆，广东美术馆展出；参加在法国巴黎法兰西画廊举办的&是我，是我们&展；参加在中国上海艺博画廊举办的&学院与非学院&展；参加在中国上海艺博画廊举办的&最初的形象——当代纸上作品展&

The history of China in twentieth-century China, in a certain sense, is that of the sinicization of Marxism.

20世纪中国的历史，在一定意义上说，就是马克思主义中国化的历史。

A generation after that, Immanuel Kant argued that human beings could never know reality as it is in itself but only their own mental representations, but, since these representations had a common source, each person's experiences were coordinated with the mental representations of all the others to produce what he called the phenomenal world.7 In the early Twentieth Century, the founder of phenomenology, Edmund Husserl, was more solipsistic.

有一个时代过去，康德争辩说一个人永远无法靠自我的精神表现知道真实，但是，这些表现都有一个共同的源头，每个人的经验都和其他人产生的精神表现同等，我们叫那知觉世界。7 在12世纪早期，现象学的创始人，埃德蒙特·胡塞尔，更为自我中心。

More recent theological and liturgical understandings of mystical theology, unlike the systematic phenomenological and "empirical" manuals of the early twentieth century, define characteristics less precisely and seek to fit mystical theology more centrally into an ecclesial and soteriological framework.

较近期的神学和礼仪的认识神秘的神学，不同系统的现象和&实证&手册20世纪初，界定的特点和不足，正是寻求合适的神秘神学更多集中到一个教会和soteriological框架。

For much of the twentieth century, this allowed loggers to manoeuvre hydraulic machines of up to forty-five tonnes through the bush between October and April without fear of sinking into the soupy local soil.

在二十世纪的大部分时间里，这使得通过操纵伐木者的10月至4月布什没有进入云雾当地土壤下沉恐惧液压机高达45吨。

The king's retinue consists of noble lords.

国王的随从由贵族组成。

I suddenly realised that it's a long time that I haven't written in English.

我突然意识到，我已经有很长时间没有用英语写日志了。