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Volgin, however, is a different story. He's planning to use the Shagohod to turn the Cold War into a blazing hot one. We can't let him have it.

不过Volgin就完全不同了，他计划用Shagohod把冷战变成白热化的战争，可不能让他这么干。

Too much salt can also turn you into a water-retaining blimp.

过多的盐份也会把你变成一个水肿的肉球。

Even the blindest men in the world could see that in the pockets of the aged , we can turn our youhhood and beauty into easy wealth.

道理很简单：首先，比较而言，那些挥土如金的老年人，比那些百般挑剔的小白们要慷慨的多了。

The effects animators take that very blocky and plain looking stand-in water and turn it into something beautiful.

特效艺术家们把那么呆板模拟水面制作出美丽的效果。

"Bloodthirst N" means If an opponent was dealt damage this turn, this permanent comes into play with N +1/+1 counters on it.

嗜血N」的字样意指：「如果对手本回合曾受过伤害，此永久物进场时上面有N个+1/+1指示物。

Bloodthirst is an ability that lets your creatures come into play pumped-up if an opponent has been dealt damage earlier in the turn.

靠着嗜血异能，只要对手在本回合稍早曾受过伤害，你的生物进场时就可变得更大。

"Bloodthirst X" means This permanent comes into play with X +1/+1 counters on it, where X is the total damage your opponents have been dealt this turn.

嗜血X」的字样意指：「如果所有对手本回合总共已受过X点伤害，此永久物进场时上面有X个+1/+1指示物。

The focus of this thesis is how to turn the notion represented by Bona Fides into a more concrete mechanism so as to make it more operatable and foreseeable in practice, thereby accentuate the function of the Principle of Good Faith.

本文着重考察如何将诚信所反映的公平要求转化为更为具体的诚信机制以增强诚信原则在实践中的可操作性和可预见性，彰显诚信原则的功能。

As well as making the explosion more reliable, this allowed military engineers to turn the fougasse into a booby trap.

绊索由合股细线制成，一头系在燧发装置的扳机上。

Can he turn FIFA into a bookie's shop?

"他能把国际足联变成家彩票店吗？"

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。