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The Chinese champagne market is 20 times bigger than it was at the turn of the century.

与本世纪初相比，中国的香槟市场已扩大了20倍。

At the end of your turn, you may destroy target equipment.

在你回合结束时，你可以摧毁目标装备。

Turn left at the end of this street.

在这条街道左转。

Turn right at the end of the street.

在这条街的尽头向右拐。

If you do, you lose the game at the end of your next turn unless ...

若你如此做，你将在你的下个回合结束时输掉此盘游戏。除非。。。。。。

Turn right at the end of the road.

在路的尽头向右转。

You can find interesting things from speed metal at the turn of the 90's, too.

你还可以在90年代之初的速度金属找到一些有趣的配饰。

Instead, the things you do at the end of your turn happen at two separate times.

取而代之的是你的回合结束时要做的事在两个独立时间发生。

At the turn of a switch, we can see what are taking place a mile away.

一打开开关，我们就可以看见一英里处正在发生的事情。

At the start of your turn, you and target opponent each draw a card.

在你的回合开始时，你与目标对手各抓一张牌。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。