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Young bine submits square column form, rod by silver-colored gray scale, burgeon skin celadon, have the leather opening of a lot of slit, add gradually when burgeon thick, lignification degree is strengthened, cuticular by ash green turn into gray, leather aperture turns garden into drop record.

主枝和分枝。幼茎呈方柱形，小枝被银灰色鳞片，嫩枝表皮灰绿色，有许多纵裂的皮孔，当嫩枝逐渐增粗，木质化程度加强，表皮由灰绿变为灰色，皮孔便变成园点状。

You can't turn smoke and ash back into a tree.

我们不能把烧剩下来的烟尘和灰烬变回一棵大树。

She said nothing, made no noise-only opened her mouth, and let a torrent of anger flow out in a stream of fire hot enough to turn a tree to ash in a thought's time.

她什么也没有说，没发出任何声音-----只是张开口，让湍流似的愤怒化成火龙，火焰的炽热在眨眼之间就能将一棵树变成灰烬。

In its broader context, social realism can be regarded as something of an international phenomenon, including the Wandering of Russian artists in the 19th century, the Mexican mural paintings of the 1930s and the so called Ashcan art of America, spanning from the turn of the 20th century to the 1930s. The difference between social realism and socialist realism is that the former is free from the influence of national ideology and control; it is the result of independent thought and criticism by freethinking intellectuals.

社会现实主义，从广义上讲应被视为一种国际现象，它包括19 世纪俄国"巡回画派"、1930年代墨西哥的壁画以及大体发生在美国世纪之交到30年代的所谓的"垃圾桶画派"，它与社会主义现实主义不同的是，前者不受国家意识形态和艺术体制的控制，它是自由知识分子对社会现实的独立思考和批判。

In its broader context, social realism can be regarded as something of an international phenomenon, including the Wandering of Russian artists in the 19thcentury, the Mexican mural paintings of the 1930s and the so called Ashcan art ofAmerica, spanning from the turn of the 20thcentury to the 1930s. The difference between social realism and socialist realism is that the former is free from the influence of national ideology and control; it is the result of independent thought and criticism by freethinking intellectuals.

社会现实主义，从广义上讲应被视为一种国际现象，它包括19 世纪俄国"巡回画派"、1930年代墨西哥的壁画以及大体发生在美国世纪之交到30年代的所谓的"垃圾桶画派"，它与社会主义现实主义不同的是，前者不受国家意识形态和艺术体制的控制，它是自由知识分子对社会现实的独立思考和批判。

Don't spend and waste your life accumulating objects that will only turn to dust and asher.

不要花费和浪费你的生命去聚集只会化成灰尘的东西。

Don't spend and waste your life accumulating objects that will only turn to dust and ashes.

不要浪费你的生命去聚集在只会化成灰烬的东西上。

Now and then he would turn over a likely-looking flint with the end of his ashplant.

有时他停下来用木棍尖端翻过一块看上去像是化石的石头看看。

I'm going to turn around and ask you a question.

我想回过来问你一个问题。

I'm gonna ask you to turn around, please.

我要你转过身去

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。