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I saw him absent-mindedly turn down the belt of his trousers and search for some guests.

我看见他心不在焉地松下了裤带，搜寻着什么寄生物。

This is because China is an absolute majority of the Chinese people to their home, their own homes, we can not turn everyone into a foreigner carrying a large sum of money.

因为这里是中国，是绝对多数中国人自己的祖国，自己的家，我们不可能人人都能携带巨款摇身一变成外国人。

Instead, they turn to the law for this despotism, this absolutism, this omnipotence.

他们走的是另一种途径，他们转向使用法律来进行暴政，专制和全能。

According to Franz Borkenau it was a great increase in division of labour occurring in the 1600s after the Industrial Revolution that introduced the abstract category of work, which may be said to underlie, in turn, the whole modern, Cartesian notion that our bodily existence is merely an object of our consciousness.

据弗borkenau 这是一个很大的提高，在分工发生在1600s后工业革命之后，推出的抽象类的工作，可以说是不理解，进而使整个现代，笛卡尔对于我们身体的存在，只是一个物体的讲话意识。

Integral calculus' learning is one is abstract to turn mathematics foundation academics of a higher door of the degree.

积分学是一门抽象化程度较高的一门数学基础学科。

This thesis attempts to discuss Andy Warhol in following aspects: Why did he turn from abstractionist art into pop art; and what were the factors that influenced his painting style?

中文摘要本论文试图以几个层面来探讨，安迪。沃荷为何以普普艺术为出发，从抽象主义的艺术转入普普艺术，是什麼影响及改变了他的绘画风格？

This Abyssinian proverb forms the theme of Anthony Capella's third novel, an erotic, exotic story set at the turn of the 20th century, which builds upon Mr Capella's reputation as a writer of gourmet fiction.

这句阿比西尼亚谚语构成了安东尼·克派拉第三本小说的主题。故事发生在19、20世纪之交，全书情欲流传，弥漫异域风情，奠定了克派拉先生美食小说作者的名望（1）。

Such an aesthetic transition of printmaking eliminated a number of printmaking artists with outmoded conception, which in turn contributed to the development of academicism in printmaking.

版画创作在上世纪90年代的这种审美转换，淘汰了一大批原有创作模式的版画家，版画队伍的收缩成为学院版画发展的重要因素。

Turn down the accelerograph when the car was close to the crossing.

开车接近十字路口时，要减小油门。

I along the access road, turn left!

我沿着来的那条小路，潇洒的离去！

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。