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It is quotative content below: Send content to share, center of dibble seeding business: Recently, allied collaboration site just exists because of copyright issue and copyright a few potential contradiction, for better help dibble seeding stationmaster returns avoid copyright risk, reduce operation risk, classics alliance discusses a decision for many times, share business to make following adjustment to dibble seeding business and content: 1, the film that content provider involves in dibble seeding portal, jump the domain name that turns to content provider undertakes broadcasting; For example, the user is clicked broadcast movie " pass outside Wu Lin " when, the player can inquire to the server " pass outside Wu Lin " provider news of victory, get inquiring the player is automatic after the result jump the page turn Http://xunlei.jeboo.com Face of under one's name of region of this news of victory broadcasts a page to undertake broadcasting, decreased to broadcast the copyright risk of film greatly; But for safety, should broadcast a page not to contain any content besides the player. 2, when using allied player to undertake broadcasting, jump the domain name that turns to content provider undertakes broadcasting, specific broadcast a mechanism Alexandrine; 3, the order programme that shuts bit of order programme serves, and cannot reuse dot order programme undertakes film is released broadcast with film, shut time to be about by August, ask relevant stationmaster to change the technology that the website uses and the content that edit him website as soon as possible. 4, stop to build read channel page, business of original collaboration site will in August the bottom is shut formally; 5, the content that content stops to share by August is updated, the bottom will shut content formally to share professional work in September; Recommend site of this kind of collaboration to select product of allied dibble seeding portal, those who make an user direct enjoy stability is online broadcast.

以下为引用的内容：致内容分享、点播业务站长：近日，联盟合作站点因版权问题与版权方存在一些潜在的矛盾，为更好的帮助点播站长归避版权风险，降低运营风险，经联盟多次商讨决定，对点播业务及内容分享业务做出如下调整：1、点播门户里涉及内容提供商的影片，跳转到内容提供商的域名进行播放；例如，用户点击播放影片《武林外传》的时候，播放器就会向服务器查询到《武林外传》的提供商捷报，得到查询结果之后播放器自动将页面跳转到 http：//xunlei.jeboo.com 这个捷报域名下面一个播放页进行播放，大大减少了播放影片的版权风险；但是为了安全，该播放页不含播放器之外的任何内容。2、使用联盟播放器进行播放的时候，跳转到内容提供商的域名进行播放，具体播放机制同上；3、关闭点点播的点播服务，且不可再使用点点播进行影片发布和影片播放，关闭时间约在8月底，请相关的站长尽快更改网站使用的技术和编辑自己网站的内容。4、停止新建看看频道页，原有合作站点业务将于8月底正式关闭；5、8月底停止内容分享的内容更新，9月底正式关闭内容分享业务；推荐此类合作站点选择联盟的点播门户产品，让用户直接享受稳定的在线播放。

In this DVD, Gil Rimmer simultaneously develops two characters, Francis and Paulo, who are classic pugilists in a fictional turn of the century metropolis. This first in a two DVD series focuses on creating the faces and heads of the two fighters, using dynamic silhouettes, rhythms, graphic design and composition principles.

在本DVD中GIL同时制作了两个卡通角色，它们是Francis and Paulo，两个century metropolis出品科幻小说的著名的拳击手，本DVD是一套2DVD中的第一张，着眼于创建两个角色的头部与面部，其中应用了动感轮廓，图形设计，合成原理等。

Apart from school work, I wrote vers d' occasion, semicomic poems which I could turn out at what now seems to me astonishing speed -- at fourteen I wrote a whole rhyming play, in imitation of Aristophanes, in about a week -- and helped to edit school magazines, both printed and in manuscript.

除了学校的写作任务，我还写些半诙谐的&应景诗&。我写这些诗的速度现在看来真使我吃惊。14岁时我模仿亚里斯多芬的笔调写了整整一出押韵诗剧，才用了一个星期。我还参加编辑校刊，这些有印刷的，也有以手稿的形式传阅的。

And he said that between the rats and the snakes and the grindstone there warn't no room in bed for him, skasely; and when there was, a body couldn't sleep, it was so lively, and it was always lively, he said, because THEY never all slept at one time, but took turn about, so when the snakes was asleep the rats was on deck, and when the rats turned in the snakes come on watch, so he always had one gang under him, in his way, and t'other gang having a circus over him, and if he got up to hunt a new place the spiders would take a chance at him as he crossed over.

他还说，他这样在在耗子、蛇和磨刀石的中间，在他那张床上，他简直没有容身之地了。他说，即便是可以容身的时候吧，他也睡不成觉，因为在那个时候，这儿可闹得欢呢。而且这里老是这么闹得欢，因为这些东西从来不是在同一个时候入睡的，而是轮流着睡的。蛇睡的时候，耗子出来上班。耗子睡了，蛇就出来上班。因此，这么一来，他身子下面总有一群东西，而这时另一群则在他身上开演其马戏。要是他起身寻觅一处新的地方，蜘蛛就会在他跨过去的时候，找个机会蜇他一下。

In fact the pilgrim theria tells us that at Jerusalem, in the fourth century, all the priests present spoke in turn, if they chose, and the bishop last of all.

事实上，朝圣者theria告诉我们，在耶路撒冷，在第四世纪，所有的神职人员目前以反过来，如果他们的选择，以及最后的主教所有。

In fact the pilgrim theria tells us that at Jerusalem, in the fourth century, all the priests present spoke in turn, if they chose, and the bishop last of all.

事实上朝圣theria告诉我们，在耶路撒冷，在第四世纪，所有的神职人员，目前以反过来，如果他们选择了，和主教最后所有。

A new hybrid method on the optimum solution of reinforced con-crete framed structure is put forward in this paper.In this methodthe coordinate transforation method and pattern search ethod areused in turn.

本文提出了一种新的求钢筋混凝土框架结构设计最优解的混合法——坐标轮换法和模式搜索法合用。

On the other hand, a theologian as broadly read as Petavius (De Trin., I, viii, 2) has no hesitation in deriving it from Platonism; Newman in turn (Arians of the Fourth Cent., 4 ed., 109) sees in it the influence of Jewish prejudices rationalized by the aid of Aristotelean ideas; while Robertson Sel.

在另一方面，神学家广泛理解为petavius （德trin ，，八， 2 ）没有犹豫，源于它从柏拉图；纽曼反过来（ arians的第四次。 4版， 109 ）视在它的影响犹太人的偏见，理顺了由援助的aristotelean想法，而罗伯逊

Chapter Six argues that the western preachers\' Euoropeanized vernacular versions of English Bible or Christian hymns played an unestimable part in late Qing dynasty\'s vernacular Chinese movement, the May 4~ vernacular Chinese movement and the May 4~ free verse movement by carding the diachronic change of Chinese literary language at the turn of 20~ century and looking into the relationship between the western preachers\' Chinese versions of English Bible or Christian hymns and the May 4~ vernacular Chinese, especially the free new verses written in the vernacular. The chapter concludes that the activities of remolding classical Chinese by the western preachers at the end of 19~ century are one of the sources of the May 4* new literature, one of the sources of the May 4~ new poetry in particular.

第六章通过梳理中国近代文学语言的历时流变，探究了十九世纪末西方传教士由于基督教圣诗和赞美诗的翻译而对汉语进行的改造活动与五四白话文运动，尤其是与白话新诗的关系，提出了西方传教士19世纪末开始的欧化白话翻译对晚清白话文运动、五四白话文运动以及五四新诗的历时嬗变均有着不可低估的影响和价值的观点，认为他们的翻译活动也是五四新文学，尤其是五四白话新诗的重要源头之一。

I always turn back to look at the ruins, leaving images showing a deserted scene. There seems to be an unfillable black hole in my heart, and I am speechless when facing the ruins. I'm not sure whether I travel around to see the ruins, or to be seen by the ruins. If the image is a mirror, I'm probably trying to escape from the "self" in the mirror. Instead, I enter the illusion in the mirror to lose myself.

每每在废墟前频频回首，留下无人空景之影像，内心宛若填不完的黑洞，总是与废墟相对无言；虽不太清楚东奔西跑是为了欣赏废墟、还是被废墟观看，若说「对象物」是面镜子的话，那我大概是藉此逃避不愿面对镜中的那个「我」，遁入镜内无人的幻境中放逐。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。