查询词典 tune out

The author considers that the form of the instrumental music structure came from special opera shape in Shangdang area and its act with five tune-patterns together in the same platform, it is also due to the Shangdang phonic criterion in Yongzheng government of Qing dynasty, which objectively shaped its system and scale, and meanwhile accelerate its growth and creativity. Shangdang instrumental music absorbed broadly t...更多he instrumental music on experience of Kun opera, Luo opera, Juan opera and Huang opera on basis of instrumental music on the local tune, which contains with diversity, and generally became of the art matrix of Shangdang folk music and opera melody.

本文认为：上党梆子器乐结构的形成，主要来自上党地区独特的戏曲生态和五种声腔同台共演的历史经验；特别是清代雍正年间国家政策对上党八音的规范，客观上引发了上党梆子器乐在体制和规模上的定型，也促进了上党梆子器乐在此基础上不断发展、创新；上党梆子器乐是在梆子腔器乐结构基础上，广泛吸收了昆腔、罗腔、卷腔、簧腔在器乐结构中的经验，由此兼容并包，逐渐成为集上党民间音乐和戏曲音乐大成的音乐艺术母体。

In 1958, Cixian People's Government has decided to bring the gap created by the "four-string" and "West Wye House tune" the merger, the establishment of a "tune-huai Cixian Theater."

1958年，磁县人民政府决定，把岔口的&四股弦&和&西小屋怀调&合并，成立了&磁县怀调剧团&。

Here is a description of the tune of Sadi Moma,a Bulgarian dance tune, in an ad-hoc form of notation using letters for notes.

这里是对Bulgarian舞曲旋律Sadi Moma的描述，是一种用字母标记的解释形式。

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你是 进化不完全的生命体，基因突变的外星人，幼稚园程度的高中生，先天蒙古症的青蛙头，圣母峰雪人的弃婴，化粪池堵塞的凶手，非洲人搞上黑*的后裔，阴阳失调的黑猩猩，被诺亚方舟压过的河马，新火山喷发口，超大无耻传声扩音喇叭，爱斯基摩人的耻辱，和蟑螂共存活的超个体，生命力腐烂的半植物，会发出臭味的**人，&唾弃&名词的源头，每天退化三次的恐龙，人类历史上最强的废材，上帝失手摔下来的旧洗衣机，能思考的无脑袋生物，损毁亚洲同胞名声的祸害，祖先为之蒙羞的子孙，沉积千年的腐植质，科学家也不敢研究的原始物种， 10倍石油浓度的沉积原料，被毁容的麦当劳叔叔，像你这种可恶的家伙：只能演电视剧里的一陀粪，比不上路边被狗洒过尿的口香糖，连如花都帅你10倍以上，找女朋友得去动物园甚至要离开地球，想要自杀只会有人劝你不要留下尸体以免污染环境，你摸过的键盘上连阿米吧原虫都活不下去，喷出来的口水比SARS还致命，装可爱的话可以瞬间解决人口膨胀的问题，耍酷装帅的话人类就只得用无性生殖，白痴可以当你的老师，智障都可以教你说人话，只要你抬头臭氧层就会破洞要移民火星是为了要离开你，如果你的丑陋可以发电的话全世界的核电厂都可以停摆，去打仗的话子弹飞弹会忍不住向你飞，手榴弹看到你会自爆，别人要开飞机去撞双子星才行而你只要跳伞就有同样的威力，你去过的名胜全部变古迹，你去过的古迹会变成历史， 18辈子都没干好事才会认识你，连丢进太阳都嫌不够环保反正横竖一句话：别让我再看见你，要是见着了你，我一定要把你灭了！

Additional pathologic findings included: chronic peptic duodenitis (6 out of 17, 35%), active duodenitis (1 out of 17, 6%), and celiac-like features (2 out of 17, 12%) in the duodenum; chemical gastropathy (3 out of 18, 17%), active chronic gastritis without Helicobacter pylori (2 out of 18, 11%), and erosion (1/18,6%) in the stomach; reactive epithelial change (3 out of 7, 43%), active esophagitis (3 out of 7, 43%), ulceration (2 out of 7, 29%), and erosion (1 out of 7, 14%) in the esophagus. Serum MPA levels were available in 7 patients, 6 of whom had abnormal duodenal apoptotic counts.

其他病理特点包括：十二指肠：慢性消化性十二指肠炎（17例中有6例，35%）、活动性十二指肠炎（17例中有1例，6%）和乳糜泻样特征（17例中有2例，12%）；胃：化学性胃病（18例中有3例，17%）、慢性活动性胃炎且无HP感染（18例中有2例，11%）和糜烂（18例中有1例，6%）；食管活检：反应性上皮改变（7例中有3例，43%）、活动性食管炎（7例中有3例，43%）、溃疡（7例中有2例，29%）和糜烂（7例中有1例，14%）。7例患者提供了其血清MPA浓度，其中有6例的十二指肠细胞凋亡计数异常。

Ooh La 歌手:The Kooks 所属专辑:Inside in Inside Out 制作人: The Kooks - Ooh La In their eyes is the place that you finally discovered That you love it here, you've got to stay On the bottom of the rock, an island On which you find you love it when you twitch You feel that itch in you pettycoat Your pretty pretty pettycoat Then you smiled, he got wild You didn't understand that there's money to be made Beauty is a card that must get played By organisation And ooh la, she was such a good girl to me And ooh la, the world just chewed her up, and spat her out And ooh la, she was such a good girl to me And ooh la, the world just chewed her up, and spat her out The world can be a very big place So be yourself don't get out of place Love your man and love him twice Go to Hollywood and pay the price Oh go to Hollywood And don't be a star, it's such a drag Take care of yourself, don't begin to lag It's a hard life to live, so live it well I'll be your friend and not in pretend I know you girl In all situations And ooh la, she was such a good girl to me And ooh la, the world just chewed her up, and spat her out And ooh la, she was such a good girl to me And ooh la, the world just chewed her up, and spat her out Pretty pretty pretty...pretty pettycoat Pretty pretty pretty...pretty pettycoat In all situations And ooh la, she was such a good girl to me And ooh la, the world just chewed her up, and spat her out And ooh la, she was such a good girl to me And ooh la, the world just chewed her up, and spat her out

户外香格里拉歌手： kooks 所属专辑：里面在里面列制作人：该kooks -户外香格里拉在他们眼中，是地方，你终于发现你喜欢这里，你还能留下来关于底部的岩石，是一个岛屿就你找到你爱它，当你抽搐你是否觉得痒，在你的小外套你的美丽漂亮的小外套然后你笑了，他得到野生你不明白有什么钱，以作美是一个卡，要发挥由组织和户外香格里拉，她是这么好的一个女孩给我和户外香格里拉，世界刚刚咀嚼她的，和吐口水她出去和户外香格里拉，她是这么好的一个女孩给我和户外香格里拉，世界刚刚咀嚼她的，和吐口水她出去这个世界可以是一个非常大的地方，所以，你不失控的地方爱你的人与爱他的两倍前往好莱坞与美国付出代价哦，去好莱坞千万不要被一个明星，它的这种拖累照顾自己，不要开始滞后这是一个艰苦的生活，让生活得好我会成为你的朋友而不是在假装我知道你的女孩在所有情况和户外香格里拉，她是这么好的一个女孩给我和户外香格里拉，世界刚刚咀嚼她的，和吐口水她出去和户外香格里拉，她是这么好的一个女孩给我和户外香格里拉，世界刚刚咀嚼她的，和吐口水她出去漂亮漂亮漂亮。。。

One critic has pointed out the realistic part of Jiang Yong's art:"In the works, covering by those unclear faces in tune of gray, there are the struggling horns, which should be the id who wants to get out of there, or the moans of the wound of the flatted pointedness in this impetuous and noisy world."

有评论家曾这样解读姜勇的作品："艺术家作品中那些一律灰绿色调的模糊的五官下，挣扎着凸现出来的尖角既是想要破茧而出的'本我'又是因为在这日益浮躁喧嚣世界中被抹平的棱角的伤口的呻吟吧？"道出姜勇绘画中现实批判性的一面。

When necessary, can be carried out in various ways to find and tune out.

需要的时候，可以通过各种方式进行查找和调出。

One critic has pointed out the realistic part of Jiang Yong's art:"In the works, covering by those unclear faces in tune of gray, there are the struggling horns, which should be the id who wants to get out of there, or the moans of the wound of the flatted pointedness in this impetuous and noisy world."

有评论家曾这样解读姜勇的作品：&艺术家作品中那些一律灰绿色调的模糊的五官下，挣扎着凸现出来的尖角既是想要破茧而出的'本我'又是因为在这日益浮躁喧嚣世界中被抹平的棱角的伤口的呻吟吧？&道出姜勇绘画中现实批判性的一面。

At one end of the room, the scented steam boiled out of the bathroom: at the other, Howl's guitar made out-of-tune twangings.

房子另一头，方向的蒸汽由浴室滚滚而出；另一头则有霍尔的吉他传出走调的叮咚声。

Although translator has turned from being a crystal ball by which the original culture can unrestrainedly penetrate to another crystal ball by which the target culture can freely traverse, the translator's personal embodiment, in the process of cognitive act, are still absent in translation studies. Translators are still subjects without body or simply disembodied subjects.

译者虽然由原语文化可以自由穿透的玻璃球变成了译语文化可以自由穿越的玻璃球，但译者认知过程中的个体体验在翻译研究中依然缺席，译者依然仅仅是一个没有躯体体验的主体。

Chillingly, he claimed our technology is 'not nearly as sophisticated' as theirs and "had they been hostile", he warned 'we would be been gone by now'.

令人毛骨悚然的，他声称我们的技术是'并不那么复杂，像他们一样，和"如果他们敌意"，他警告说，'我们将现在已经过去了。