查询词典 truth-value

In war, truth is the first casualty – Aeschylus

在战争中，第一个倒下的是真理。

"In war, truth is the first casualty"-Aeschylus

"在战争中，真理是第一个牺牲品。"

In war, truth is the first casualty -Aeschylus

战争中，真理是第一个受害者。

On the basis of a thorough analysis to aesthetic distance and zero aesthetic distance proposed by Wang Guowei, this paper holds that there are some shortcomings in Wang's ideas on truth, nature and images.

对传统上有关王国维"隔"与"不隔"说的研究观点进行分析，认为"真"说、"自然"说、"形象"说都存在一定的缺失与不足。

There should be less truth but more poetic flavor and romance. The distance between the two should be wider and wider because beauty could be brought about by distance. With aesthetic perception there would be pleasant sensation, which could help one forget the sense of pain for the time being

在摸拟的场景中去表达难以言表的生命体验，在浅表而快乐的世俗生活中，人与人之间都需要一种距离和想象空间，少一点真实多一点诗意和浪漫，彼此远一点，再远一点、再远一点，远了就会有美感，有了美感就有快感，有了快感就会暂时忘记痛感

Bestowing a word of promise here and a smile there, a whisper on one happy slave and a wave of the hand on another, Monseigneur affably passed through his rooms to the remote region of the Circumference of Truth. There, Monseigneur turned, and came back again, and so in due course of time got himself shut up in his sanctuary by the chocolate sprites, and was seen no more.

大人对这边作出个承诺，对那边绽出个微笑，对这一个幸福的奴才耳语一句，对那一个奴才摆一摆手，和蔼可亲地穿过了几道房间来到"真理边缘"的遥远地带，又转过身来，过了一会儿又让他的巧克力精灵们把他关闭在内殿里。

To tell you the truth ,you're the most affectation of man that i've met.

说实话，你是我见过的最做作的人！

To tell you the truth, you are the most affectation people I ever seen.

说实话，你是我见过的最做作的人！

To tell the truth, you are the most affectation one i have ever seen

说实话，你是我见过的最做作的人！

I know you have deep affection with her, but we must face the truth.

B 我知道你对他有很深的感情。但我们必须面对现实。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。