查询词典 transverse

The vaginal cytology of ovariectomic group showed no oestrous cycle. The area of the uterus transverse section deceased in ovariectomic group significantly. The depth of endometrium and its epithelia, the area percentage of endometric gland in ovariectomic group were smaller than those in sham surgical group.

去卵巢组阴道细胞学无明显的动情周期，表现为低雌激素状态；子宫横切面积较假手术组显著缩小，且子宫内膜厚度、内膜上皮高度、内膜腺体面积百分比等形态计量指标均小于假手术组（P〈0.05）。

Results: For the changes of fingernails,it was found that 80 patients(13.33%) had leukonychia punctata,2 leukonychia striata,1 total finger nails dystrophy,4 pitted nails,40(6.67%) variable numbers and degrees of longitudinal crest,transverse grooves or onycholysis.

结果：600例白癜风患者中，80例(13.33%)出现点状白甲，2例出现线状白甲，1例出现双手全指甲营养不良，4例指甲出现点状凹陷，40例(6.67%)出现程度和数量不等的甲横沟、纵嵴或甲分离

Then the hematoma may be seen as a padlike lesion with its maximum length along the transverse axis.21 23 In one neonate, an abdominal wall hematoma was seen to spread transversely in the supraumbilical region (Figure 13, B and C ).

在新生儿腹壁血肿可见于脐上横向扩展（图13B、C）。

Leaves usually large relative to culm, in palmate arrangement, transverse veins distinct, margins with substantial necrosis in winter.

大的叶通常相对于秆，在掌状安排，离生的横向脉，边缘具结实坏死在冬天内内。

Results The frequency of multislice CT to display peri-pancreatic big arteries including celiac trunk, common hepatic artery splenic artery, gastroduodenal artery and superior mesenteric artery was 100% while that of small arteries including dorsal pancreatic artery, transverse pancreatic artery, pancreaticomegana artery, caudal pancreatic artery, superior pancreaticoduodenal artery and inferior pancreaticoduodenal artery was

结果 多层螺旋CT对正常胰腺周围大动脉（腹腔干，肝总动脉，脾动脉，胃十二指肠动脉，肠系膜上动脉）的显示率为100%，对小动脉（胰背动脉，胰横动脉，胰大动脉，胰尾动脉，胰十二指肠上动脉，胰十二指肠下动脉）的显示率为

Based on the higher order refined shell theory of Reddy type, the assumption that transverse shear deformations vary parabolically in the thickness direction and vanish both in the bottom and top surfaces of the shell is applied and coefficients of higher order terms in the formulation can be determined.

在Reddy型高阶壳体理论的基础上，假设横向剪切变形沿壳体厚度呈抛物线分布并在壳体的上下表面上为零，进行高阶量系数的求解。

Sensory impairment and urinary dysfunction also had developed, and paraparesis persisted after the hypokalemia was corrected during hospitalization. An optokinetic nystagmus test showed bilateral sick waves and at the same time a cerebrospinal fluid analysis was normal. A blood examination disclosed borderline anti-nuclear antibodies and an elevated serum IgG level. Her cervical spinal cord showed mild swelling and contrast-enhancement when examined by magnetic resonance imaging. Neither a brain stem nor an optic nerve's lesion was found. Based on the above, acute transverse myelitis was diagnosed. All the symptoms present in the patient relieved gradually after 5-days of pulsed intravenous methylprednisolone therapy.

一50岁女性，因为眩晕、前额头痛、视力模糊、恶心、呕吐及两侧下肢无力而求诊，於低血钾矫正后，两侧下肢无力依然持续，并发生胸部以下感觉缺损及排尿困难等现象，视运动性眼振检查显示两侧波形障碍，脑脊液检查正常，血液学检查显示抗核酸抗体及血清IgG指数偏高，显影剂增强磁振造影显示颈段脊髓肿大且略为显影，并无脑干或视神经的病灶，诊断为急性横断性脊髓炎，给予静脉注射类固醇后症状逐渐缓解。

Low Transverse thermal shrinking rate ;Used for making color Pearled adornment

横向热收缩率低；用于制作珠片。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

The nonlinearity of materials of the dams and foundations,as well as transverse joints and perimetral joints are discussed.

研究中考虑了坝体、坝基材料，坝体浇筑横缝和预留周边缝等各种非线性的影响。

By the time of its fall, most of the prisoners were writers who had written against the corruptions of the government.

到它被攻陷的时候，里面多数的犯人是写了反对政府贪污文章的作家。

The most obvious variation to ovum morphological character was that the color was changed from light green to sepiaceous in embryonic development, and all the ovums were almost hatched after 96h.

在胚胎发育过程中卵的形态特征最明显的变化是颜色从淡绿到深褐色，卵在发育96h后卵基本全部孵化。