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tragedies相关的网络例句

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与 tragedies 相关的网络例句 [注:此内容来源于网络,仅供参考]

One of the a lot of black things about accoutrement Africa as a announcer is that the calibration of the animal tragedies that disentangle on this abstemious is so abundant and so acute that Africans generally end up searching like atrocious abandoned victim.

做一个报道非洲的记者,一件让人很压抑的事情就是似乎非洲大陆上的人类喜剧总是很凄惨,非洲人民总像一些绝望的受害者。

Its on the oriental stage that a series of oncoming and dormant Oedipus tragedies-incest tragedies, with which the westerners are so familiar regardless of performance on the somewhere strange stage, are highlights, so that the western spectators not only can enjoy the different exotic cultural charms, but from the commanding perspective fell the superiority of their own culture in this fabricated cultural context featured with backward, isolation and far from the reality. In addition, Zhang prefers to the method of time lagging in the film text formation, so that the textual times usually drag back to the past on purpose such as 1930s, 1940s, per-anti-Japanese war period as well as 1960s and 1970s; apart from this, the far-off areas far from the cultural center are chosen as the film space, all which get together to set up a static, stagnate and hiding Chinese traditional cultural context symbolized by backward, barbarousness and ignorantness to satisfy the male desire.

为了营造这个虚拟舞台,张艺谋影片中的采用了时间的滞后性策略,影片中的故事本文时间均选择了过去:十九世纪三十、四十年代,抗战前期,六七十年代;影片中的本文空间均选择了远离文化中心的边缘地带,通过时间的滞后策略和空间的边缘策略来满足一个停滞的、凝固的、静止的落后而由愚昧野蛮的中国传统文化语境;将处于社会边缘的女性放置在其中,利用观众位置的双重性认同结构,巧妙利用女性这一表层可见视觉中心和读解影片时意义渐隐的策略来遮掩和移位其真正的作者意识形态:即重复再一次对女性的观看,满足东西方男性的窥视欲望。

His last major tragedies, Antony and Cleopatra and Coriolanus, contain some of Shakespeare's finest poetry and were considered his most successful tragedies by the poet and critic T. S. Eliot.

他最后的主要悲剧《安东尼和克莉奥佩托》和《克里奥兰纳斯》,包含了部分莎士比亚最好的诗作,诗评家T.S艾略特称其为莎士比亚最成功的悲剧。

Shakespeare's third period includes his greatest tragedies and his so-called dark comedies. The tragedies of this period are Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Troilus and Cressida, and Coriolanus.

第三阶段诞生了莎翁最伟大的悲剧和他自称的黑色喜剧,悲剧有:《哈姆雷特》,《奥赛罗》,《李尔王》《麦克白》《安东尼与克利奥佩特拉》《特罗伊勒斯与克利西达》及《克里奥拉那斯》。

Shakespeares third period includes his greatest tragedies and his so-called dark comedies. The tragedies of this period are Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Troilus and Cressida, and Coriolanus.

第三阶段诞生了莎翁最伟大的悲剧和他自称的黑色喜剧,悲剧有:《哈姆雷特》,《奥赛罗》,《李尔王》《麦克白》《安东尼与克利奥佩特拉》《特罗伊勒斯与克利西达》及《克里奥拉那斯》。

C6 o;{4 Z2 t% ^5 Awww.zikao5.com 19. Shakespeare's third period includes his greatest tragedies and his so-called dark comedies. The tragedies of this period are Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Troilus and Cressida, and Coriolanus.

第三阶段诞生了莎翁最伟大的悲剧和他自称的黑色喜剧,悲剧有:《哈姆雷特》,《奥赛罗》,《李尔王》《麦克白》《安东尼与克利奥佩特拉》《特罗伊勒斯与克利西达》及《克里奥拉那斯》。

By analyzing the Decameron through asceticism, Brancaccio inherited humanism in ancient Roman and tragic spirits in ancient Greece. First, he had strong epochal character. Many Greek tragedies were about myth themes but mirrored the social life in Athens at that time, while the Decameron represented a variety of social contradictions and emotional conflicts in Europe during that time through successive tragedies. Second, he was concerned much about human's moral behaviors. He held that people should be distinguished by their morality.

通过对《十日谈》作品的分析,认为薄伽丘对古希腊罗马人本主义及古希腊悲剧精神的继承集中体现在两个方面:一是其强烈的时代感,古希腊悲剧演出的是神话题材,但反映的却是当时雅典社会生活的图景,而《十日谈》也正是通过一个个悲剧故事来展示当时欧洲社会的各种社会矛盾及人们之间的情感冲突;二是对道德行为的深切关注,都主张将德性作为区分人类的标准。

The analogy of the paradise lost scene connected human tragedies with family tragedies and human primogenitor tragedies of the Bible.

对失乐园场景的化用,则将生活中的人的悲剧、家庭的悲剧与《圣经》中的人类始祖的悲剧命运联系起来。

His seven extant tragedies reflect the political, religion and culture condition in the classical times of Greece. Given the place of tragedy in Athenian public life, we will consider how the action and theme of the tragedies sustained justice in the Athens city. The Oresteia with its massive tale of the genesis of human law and its conclusion in the city of Athens itself, is a particularly good example for this model of tragedy educating the citizen into citizenship.

在他现存的悲剧作品中,大量反映了古希腊古典时期政治、宗教以及文化的时代风气,如果我们考虑到悲剧在整个雅典政治生活中的地位,我们更应该埃斯库罗斯作品的主题和情节放到雅典城邦的正义观念中去,而&奥瑞斯特亚&正是埃斯库罗斯塑造雅典公民政治身份的思想体现。

Since several centuries ago, lots of famous critics have deeply felt perplexed about the morality concealed under Shakespeare"s tragedies, because anyone of Shakespeare"s tragedies can be called " A disaster story that can leads the prelatic into death".

几个世纪以来,多少知名的论者都深深地感到难以明了那隐藏于莎士比亚悲剧故事之下的道德迷津,因为一出莎士比亚的悲剧可以叫做&一个把身居高位的人引向死亡的灾难性故事&。

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If you have any questions, you can contact me anytime.

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