查询词典 traditional opera

In late times of the twenties, with new drama's declining and traditional opera's flourish renewedly, many Chinese students abroad began to reconsider the future of Chinese drama.

二十年代后期，面对新剧的衰落和传统戏曲的再一次兴盛，一些从海外归来的学子开始重新思考中国戏剧的未来之路。

Then the author aims at the question on the image of Wenjun, four important parts we take of this paper: enters the stage, elopes, sells wine, the resentment recite as the clue, how different performance in different writers and compares with the image of history. Analyzes the characteristic Wenjun's image in the traditional opera.

然后笔者则针对文君形象的塑造问题，以文君在戏曲中的四大重要戏份——出场、私奔、当垆、怨吟为线索，分析在不同作家笔下女主角文君有着怎样不同的表现，并与《史记》中的文君形象比较，分析出古典戏曲中各具特色的文君形象。

ChapterⅠintroduces the intention, significance and methods of the research from the angle of Chinese historical phonetics. Following the course of re-examining materials, ChapterⅡsurveys the pattern of rhyme, excerpting the metrical feet, ChapterⅢconnects the rhyme categories, the rhyme of different systems contacting with each other, and literary reading and colloquial reading. ChapterⅣcompares the rhyme cateories of traditional Hua-gu opera in Changsha with traditional rhyme tablesd, as well as those of traditional Hua-gu opera in Shaoyang. The total study is conducted to become united with dialect. ChapterⅤcontains the surplus discussion with three theories: the rhyming quality, the connection between rhyme categories and oral speech, between those of literary readings in traditional Hua-gu opera.

本文正文分为五章：第一章从音韵学角度，讨论了花鼓戏用韵研究的背景、意义以及研究方法；接着谨遵韵脚字系联法的步骤，第二章侧重材料分析，包括甄别材料、审度韵例、摘录韵字，第三章侧重韵部系统，包括归纳韵部、异部相押以及文白异读的情况；第四章对传统剧目的韵部系统进行了纵横(与邵阳传统花鼓戏韵部系统的比较)两条线的考察，结合方言是纵横考察过程中的重要环节；第五章是余论部分，主要讨论了三个理论性问题：长沙传统花鼓戏押韵的性质、韵部与实际语音的关系以及与长沙读书音的关系。

On the other hand, in criticism of the traditional opera, scientific thoughts are always simplifized and vulgarized.

第三章围绕五四新文学观的内容价值，评价达尔文生物进化论思想的理论奠基意义。

"I was told that until the early 1930s most Chinese films were adaptations of traditional opera, melodramas, and martial arts adventure yarns,"

据说30年代初期之前的中国电影多数是由戏曲，通俗情节剧和武打惊险故事改编而成的。

"I was told that until the early 1930s most Chinese films were adaptation s of traditional opera, melodramas , and martial arts adventure yarns,"

据说30年代初期之前的中国电影多数是由戏曲，通俗情节剧和武打惊险故事改编而成的。

Zhongyuan Yinyitn is a dictionary of rhyming words in the Yuan Dynasty, which has a great effect on the creation of traditional opera later and is also of great value in the research on Chinese rhyme.

《中原音韵》是一部元代的曲韵韵书，对后世戏曲创作影响很大，对于近代汉语语音研究也有重要价值。

Zhongyuanyinyun by Zhou Deqing is a dictionary of rhyming words in Yuan Dynasty, which has a great effect on the creation of traditional opera later and is of great value in the research on Chinese thyme, especially on pronunciation in Yuan Dynasty.

元代戏曲家周德清是江西高安人，他编撰的《中原音韵》是元代的一部重要曲韵韵书，对后代的戏曲创作影响很大，对汉语音韵研究特别是元代语音系统的研究也有重要价值。

The most in 1995 with Chinese characteristics, has five hundred years of history of traditional opera concert丝弦Master of Shakespeare's classic drama "King Lear", was awarded the fourth festival of outstanding repertoire Hebei first prize.

1995年以最具中国特色的、有五百年历史的传统丝弦戏演唱戏剧大师莎士比亚的名著《李尔王》，荣获第四届河北省戏剧节优秀剧目一等奖。

These writers created five monographs, twenty one prefaces and postscripts, six forewords, and scores of annotates and other comments on traditional opera which can be found in guides to the use of reference books, letters, diaries, essays, etc.

越中戏曲的发展大致可分前后三个阶段：第一阶段以徐渭为中心，他联络了越中众多曲家；第二阶段以王骥德为中心，他与越中诸曲家有广泛的交往；第三阶段以祁彪佳为中心，在他周围聚集了一批曲家。

I am accused of being overreligious," she said in her quiet, frank manner,"but that does not prevent me thinking the children very cruel who obstinately commit such suicide.""

客人们在卡罗利娜·埃凯家里，举止就文雅一些，因为卡罗利娜的母亲治家很严厉。

Designed by French fashion house Herm è s, this elegant uniform was manufactured in our home, Hong Kong, and was the first without a hat.

由著名品牌 Herm è s 设计，这件高贵的制服是香港本土制造，是我们第一套不配帽子的制服。