查询词典 traditional opera

Basically, Chinese traditional opera is a kind of musical opera.

中国传统戏曲说到底是一种歌舞剧。

Chinese traditional opera artistic film is an important form as the combination of the opera and the modern media.

中文摘要：戏曲艺术片是戏曲与现代传媒结合的重要形式，它通过电影的技术手段来展现中国的传统艺术。

The Fourth Chinese Drama Plum Blossom Prize and Fifth Shanghai Drama Magnolia Prize Winner, Cai Zheng-Ren is a graduator of Shanghai Traditional Opera School, mainly acts young male character in Kunju Opera.

第四届中国戏剧梅花奖和第五届上海戏剧白玉兰表演艺术主角奖获得者。1961年毕业于上海市戏曲学校首届昆剧演员班，工小生，擅演冠生戏。

Winner of 7th Chinese Drama Plum Blossom Prize, Zhang Jing-Xian is a graduator of Shanghai Traditional Opera School and was taught by Zhu Chuan-Ming, mainly acts damsel character in Kunju Opera .

第七届中国戏剧梅花奖得主。上海市戏曲学校第二届昆曲班毕业，以闺门旦应工。

Regardless of its short-term popularity, operetta manifested a trend from serious opera to popular opera, and played a significant role in connecting traditional opera with musical.

它的流行时间虽然不长，但从整个歌剧的历史来看，轻歌剧却体现出歌剧艺术由严肃到通俗的发展趋势，起着连接传统歌剧和20世纪音乐剧的桥梁作用。

Among them, big theatre has altogether 1276 seats, used for Ballet, opera, symphony, large-scale entertainment evening party, traditional opera, etc; small theatre consists of 300 seats, used for performance of stage play in small theatre, song and dance drama, and chamber music.

其中大剧场共设1276座，用于上演芭蕾、歌剧、交响乐、大型综艺晚会及戏曲等各种艺术门类演出；小剧场共设300座位，可以进行小剧场话剧、歌舞剧和室内乐的演出。

At the beginning of the dissertation, the author explained some main concepts and methods, in addition, the major concerns of the social background of Ming and Qing Dynasty and basic spreading characteristics of "Xixiangji". Social pastime and social position of traditional opera turned from vulgar to elegant formed the direct reason of the prosperity of Ming and Qing traditional opera. During the time the general characteristic of the spreading of "Xixiangji"can be concluded as follows: wide-spreading. Chapter Ⅰ, study of the play.

本文的前言部分，除了按照惯例，对课题的提出、研究方法以及一些概念加以说明和论述之外，我们主要针对明清时期的社会背景和《西厢记》传播的基本特点加以探讨和介绍，认为社会的娱乐风气和戏曲文学的社会地位由俗到雅的提升是构成明清戏曲传播繁荣兴盛的直接因素；明清时期《西厢记》传播的总体特征可概括为：受众多、传播时间长、分布广。

During 50 years after coming into being in Chinese film, Traditional opera film living space is less , is in authigene state basically, system that the theory and aesthetics creating laws at the same time since Chinese motion picture technique , the artistic media restricting , traditional opera film creation do not form one package to traditional opera film study.

在中国电影诞生后的50年间，戏曲电影的生存空间较小，基本处于自生状态，同时由于中国电影技术、艺术手段的限制，戏曲电影创作没有形成一整套对于戏曲电影创作规律的理论和美学研究的体系。

After pointing out the connotations of the two theories, the author puts a stress on clarifying their gains and losses. The author thinks that,""Drama-Poetry Theory"" enlightened some playwrights' drama-creating, but it didn't intactly reveal the ousia of opera;"" Yue-Ousia Theory""explored the question of Opera origin , but it still didn't work out the ousia structure of Chinese traditional opera.

在阐明这两种学说各自的内涵之后，着重辨析了它们各自的得失，指出：&剧诗说&虽能在一定程度上指导戏曲创作实践，并启示了一种对于戏曲艺术的诗性领悟方式，但并未完整地揭示出戏曲艺术本体，也没有准确地把握到戏曲艺术精神；&乐本体说&虽然深入地探讨了戏曲本源问题，揭示了戏曲艺术的精神命脉和审美定性，但由于未能贯彻历史的、发展的、辩证的观点，仍未能准确完整地把握到戏曲的本体结构。

The words "Pai-Chang"or "Pai5 Tiunn5" have many meanings But when used in traditional opera or music and explained as a kind of formal musical performance they are only applied in Taiwanese Peguan and Nanguan cultural circle particularly in Peguan circle There are two kinds of characters of "Pai-Chang" in terms of the function of the performance namely artistry and folk custom In Tainian city "Pai-Chang" which refers to the formal vocal performance without makeup and acting; nevertheless is used by the amateur actors' organizations of Peking opera as well Such a phenomenon raises two questions: first of all Although Peking the origin of Peking opera has vocal performance of Peking opera "Pai-Chang" is never used either artistry or folklore therefore how does this jargon hand down to the Peking opera circle in Tainan city ?

「排场」(pai5 tiunn5或ㄆㄞˊㄔㄤˇ)一词，用於戏曲音乐方面，做音乐的正式演出型态解释者，为台湾南北管文化圈所特有，其中又以北管最常使用。其以表演目的或弁郧荌粥洃嚏A可分为艺术性与民俗性两种。然而，在台南市及其周边的京剧文化圈内，亦使用有「排场」(pai5 tiunn5或ㄆㄞˊㄔㄤˇ)此一语汇，也指京剧的「正式清唱演出」。本研究动机基於对目前仅见於台南市及其周边之民俗性京调排场的两点疑惑：其一，按京剧的形成地－－北京，虽亦有京剧的清唱演出，然不论为艺术性或民俗性，北京人都不称为「排场」，那麼台南市京剧圈的排场语汇是如何得来的呢？代表了何种意义？

I am accused of being overreligious," she said in her quiet, frank manner,"but that does not prevent me thinking the children very cruel who obstinately commit such suicide.""

客人们在卡罗利娜·埃凯家里，举止就文雅一些，因为卡罗利娜的母亲治家很严厉。

Designed by French fashion house Herm è s, this elegant uniform was manufactured in our home, Hong Kong, and was the first without a hat.

由著名品牌 Herm è s 设计，这件高贵的制服是香港本土制造，是我们第一套不配帽子的制服。