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traditional Chinese painting相关的网络例句

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与 traditional Chinese painting 相关的网络例句 [注:此内容来源于网络,仅供参考]

Western painting, in nature, is a medium that speaks out the truth. It has evolved from the religious truth (Greece, Rome and the Renaissance), nationalist truth to the individual truth (impressionism and abstractionism). The traditional Chinese collectivism, when encountering with the spoken-out truth, breaks the oil painting away from the truth-pursuing quality or the free spirit inherent in the Western tradition and modern art by regarding the oil paintings as a mere class of fine arts or a medium.

西方绘画本质上是一种真理性言说的媒介,经历了从宗教真理,到国家主义真理,再到个人主义真理的演进过程,汉语传统中的集体主义在与这种真理性言说相遇时,通过仅把油画视为"画种"、"媒介",将其与西方传统中的求真气质、或现代艺术的自由精神相切割。

Song Dynasty was the golden age of Chinese bird-and the development of traditional Chinese culture, philosophy in the breadth and depth of the development of guidelines for the bird and flower painting.

两宋是中国花鸟画发展的黄金时期,中国传统的人文、哲学思想在广度和深度上指引着花鸟画的发展。

Based on JinShangYi works chairman MAO in December meeting, tajik bride, etc, and the analysis of traditional European art and JinShangYi combination of Chinese traditional art, to further explore the preliminary demonstration of Chinese painting development JinShangYi contribution.

本文通过对靳尚谊作品《毛主席在十二月会议上》、《塔吉克新娘》等的分析,以及靳尚谊对欧洲传统艺术与中国传统艺术的结合的初步探索,来进一步论证靳尚谊对中国油画发展所做出的重要贡献。

Wang Qiuyang loves to run outside, in height, speed, danger, go after new experience; Zhang Baoquan to like painting and calligraphy of chess of water flea of painting of flowers and birds in traditional Chinese style, musical instrument.

王秋杨爱往外跑,在高度、速度、危险中,追求新的体验;张宝全喜欢花鸟鱼虫、琴棋书画。

With my knowledge and understanding of Traditional Chinese elements, and the statements on the experience and usage of those elements made by the oil painters both from home and abroad, with the combination of what I have learned and understand about the national and local creation, I appropriately blend traditional Chinese elements into my artwork of oil painting, reflected on the images and colors, and manage to be more suitable formatively and spiritually.

通过对中国传统元素的认识和理解,以及对国内外画家借鉴和运用中国传统元素的阐述,切入到自身对油画民族性和本土性创作的感悟和理解,在实践中即是通过画面中物象和色彩将中国传统元素恰倒好处的融合在油画创作中,力求在形式和精神上更为贴切。

Yu Zhi-xue hews out a new horizon of the traditional Chinese landscape painting,that is,landscape painting on ice-and-snow,which possesses very significant position in the history of scenery painting with mountains and waters all through the world.

于志学的冰雪山水画开辟了传统中国山水画的新境界,在古今中外山水风景绘画史上具有重要地位,表现了人与自然和谐统一、生机无限的景象与中华民族天人合一的宇宙观。

The causes to the disparities lie in the different aesthetic preferences: the Western oil-painting stresses "reason", accompanied with science the oil-painting becomes a medium to explore the world; while Chinese traditional landscape painting emphasizes "artistic conception", all the time conveying yeaning for spiritual homeland of scholars.

两者差异性之所以产生,其根本原因在于对审美理想表达的不同取向。

He has invented new art forms in Chinese painting. Through his powerful brush, he fused principles of Chinese traditional painting and calligraphy with art forms, color and composition adopted from the western art.

他开创了中国的新绘画,以富有表达力的毛笔,将中国传统绘画和书法的基础,与西方的形式,色彩和构图的意识结合起来。

Chinese painting if left China's traditional culture, it lost the meaning of the existence of Chinese painting.

中国画若离开了中国的传统文化,也就失去了中国画存在的意义。

It is a level very hard to achieve, but with his long commitment to traditional Chinese philosophy and arts, ZHONG has achieved his new level of painting over the past years---- symbolic and expressive, free and magnificent. With jujutsu, acrobatics and other social subjects as his painting motifs, he has created, through "imaginative reconstruction" and "meaningless expression", many a coloring image combining fantasy and reality, i.e. many a painting of what he terms the "trace and image".

许多年来,钟孺乾把目光和心力投向尚虚与表意的中国哲学和文艺传统,取柔术杂技为母题,并与社会万象相联系,通过&想象性重构&和&无意味表达&,创造出&幻想&与&现实&叠合的图景,同时让笔彩与形象化生一体,弥漫成一种他之所谓的&迹象&,从而达成一种兼具象征性和表现力的、自在而恢宏的境界。

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