查询词典 touchline

My dad always tells the story that he managed to get seats by the touchline for one game and when Buchan came over to take a throw-in he said:"Buchan. Where's the money for my bloody piano?'"

我父亲总是给我讲这个故事，他试图借着布坎靠近他的座位发边线球的时候对他说："布坎，你什么时候把他妈的钢琴的钱给我……？"

That's why they are so excitable and natural on the touchline.

那是为什么他们在场边总显得那么容易激动和表现真我。

Just as the linesman thinks his popularity is increasing, he turns to see Reyes warming up on the touchline.

边裁以为是对他的鼓励，可当他回头看时，发现原来是雷耶斯在边线做热身。

At the moment, we have two new cameras in the game, called sideline and touchline.

现在，我们有两个新的视角，分别叫边线和底线。

Something which players often overlook is that if wingers hug the touchline then your team will be quite likely to get a throw-in if they are tackled.

一个玩家通常没注意到的小细节，如果你的边锋能沿边线带球，一旦他被阻截了，你的队伍能获得扔界外球的机会

But it never ends, this unaccountable optimism, for what is this warming up along the touchline?

但这永不会结束，这不知打哪来的乐观精神，沿着边线热身是为了甚么？

Tomorrow, as i've said, i'll be looking at advanced instructions and touchline shouts.

明天，就像我许诺的，我会谈一谈高级设置和边线训话（touchline shouts？？？

Tomorrow, as I've said, I'll be looking at advanced instructions and touchline shouts.

明天，就像我许诺的，我会谈一谈高级设置和边线训话（Touchline Shouts？？？明天应该有答案吧）。

I'll go into more detail on that, and also talk about "touchline shouts" in tomorrow's "part 2" blog.

在明天的第2期博客中，我会更详细地向大家介绍这些内容，以及在&边线的大声喊叫&（译者PS：Touchline Shouts，我没看懂什么意思，不会是新加的特性，在比赛的场边还可以大声训话吧？）。

I'll go into more detail on that, and also talk about "touchline shouts" in tomorrow's "part 2" blog.

在明天的第2期博客中，我会更具体地向大家介绍这些内容，以及在&边线的大声喊叫&（译者ps：touchline shouts，我没看懂什么意思，不会是新加的特性，在比赛的场边还可以大声训话吧？）。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。