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I want to love you But how this is That I can love you If I do not see you I want to love you Very pure or almost Like the priests Who do not marry The clotrées sisters Who preserve For a good old man God who hides I want to love you Of course I dream some But how want You that it goes I want to me Mo well Quer of the proverb Who known as "far from Eyes, far from the heart " God that they is false That it is sour That they is express To frighten us I want to me endor well Mir each evening By blotissant me Against anybody With your body In my memory As a grandmamma Who cries her man I want to love you Even until believing In the possible ones Advantages To mix Our two stories Into perpetual Shift I want to force well All these chances Who r' fuse to play In our favour And then to gain The chance to see you Two small days Or two small hours I want to love you But how this is That I can love you If I am not there To wrap you Of my tenderness And to comfort you If that does not go Yes I want well To love you by far The very full heart Of your great vacuum To love you love And of sorrow To love you for nothing Wet eyes I want to love you But to be frank I am not solid If I do not see you I am like blind man Without white cane Ni dog-guide… And without your arm To cross This street That one calls The ocean To cross But to you Y' does not have a large Assez rainbow I want to love you Of course In any event Do I have the choice I am trapped I am lost I turn in round I love you already Even if I feel That I éreinte With you to seek Tended arms In this alarming Labyrinth Too much complicated And too twisted I will love you Even if all that It is without exit It is impossible And I will believe in it As others believe In the Baby Jesus And with the Bible I do not know yet How this is That I will love you If I do not see you But I will love you It is a promise Hear you That I say to you there?!!

我想这是爱你，但我能怎么爱你如果我不爱你我想看到你还是很单纯的，几乎没有人喜欢娶了神父clotrées姐妹保存了老好人上帝躲在我爱你我当然希望有梦想但是不用我说，你怎么想我想好树种的谚语谁谟称为"远离眼睛远离心脏"，他们是上帝，这是假酸溜溜地表示，他们是吓唬我们，我想每个晚上我可逆好空间站的blotissant我对付谁你记忆体作为grandmamma谁喊她文我想爱你直到可能的优势，相信我们的两个故事结构转变成永恒的力量，我想这也是所有那些住宅机会'导火线玩，然后争取对我们有利的机会看到你两个或者两个小天凌晨爱你，但我想这就是我如何能爱你如果我不存在包你温柔地安慰我说，你如果不走的话，我想好爱你的心满满远远贵真空悲哀的爱你爱你爱什么，我想爱你眼睛湿但坦白说，如果我不扎实，我看不到你我一样盲无镍白色手杖狗：：没有你们的引导手臂越过这条街，一个电话，但你越过大洋肽Y'没有大assez彩虹我爱你，当然希望无论如何我做我的选择，我被困我感到失去转向轮即使我爱你我觉得我已经与你éreinte寻求在这一惊人的武器往往迷宫太多、太复杂，我爱你，即使扭曲，这是没有全部撤离是不可能，但我相信别人相信耶稣和圣经的婴儿我还不知道这是怎么说我爱你如果我不爱你，但我会看到你是一个承诺，我对你说你听？！！

In an attempt to tell Mike's story without too much interruption by applause, I made it both too conversational and too teachy.

我本想讲讲杜卡基斯的生活经历，这样就不会被太多的鼓掌打断，所以我的演讲听上去用语太随意，说教味也太重。

Hong Kong's credit countersigned a very long and some of the real estate business there is a support block, China's current credit are relatively short, not too long, and one national policy changes, disk too big, too much funding gap will be adverse factors to enterprises, but also might arise.

香港的信贷会签一个很长和一些房地产企业有一个支持块，中国目前的信用是比较短的，而不是太长，一个国家的政策变化，盘太大，太多的资金缺口将是不利因素企业，但也可能出现。

Of course, there are far too many stories -- too many dramas, too many rumpled bedsheets, rattled spouses, purloined letters, and ruined lives -- to do that history justice here.

诚然，例不胜举，如一出出戏剧，数不尽的褶皱的床单，激情的伴侣，藏匿的密信以及灰飞烟灭的生活。历史难违，尽在其中。

"Goes to him......" Has used a fragrant soaping bath has spend more than 1,000 blocks with the block others, this knife is butchered too ruthlessly also too ruthlessly, too vexed.....

&去他吗的。。。。。。&用了块别人用过的香皂洗了个澡就花了1000多块，这一刀被宰得也太狠、太窝囊了。。。。。。

I want to avoid becoming too styled and too "done" and too generic.

我要避免让我自己变得太有自己的风格，太超过以及太平凡。

One would have thought they had come to escort their mistresses home; but on looking at them more closely, the observer could see that they were not ordinary servants: their hands were too fine for that, their bearing and all their movements too majestic, and the cut of their cresses too uncommon.

一老一小坐在那里，人们可能认为他们是主人的仆人，但是走进细看，就会发现：她们的手细嫩，举止的动作优雅，着装讲究。

Her second film, David Fincher's 2002 thriller,"Panic Room," in which she played Jodie Foster's too-quick, too-wise, too-over-it daughter, proved an early indicator of her ability to play young, smart, but not precocious.

她的第二部电影，在大卫#芬奇2002年的惊悚片&战栗空间&中，她扮演朱迪#福斯特聪明的女儿。

Fortunately, the prisoners did not wake up tomorrow a strong responsibility to hold possession, but after weighing the pros to thank him and let him have a reason to punish should have, both with each other when they meet again, said with regret, is willing to bear all of the results, This more or less eliminates the tubes out strong negative impact of the unit, Meng-Tsan Chiang had been staying during the observation accompanied by his side, and she said that the experience of his own daughter grow up, easy to deal with the problem is almost evening look, see Meng-Tsan Chiang not to return to En Yu's intention and asked if she could make Li Xing Yang months and come back to take in order to blot Fortunately, her childhood years to save some special scenarios, winter vacation has just come, I heard that Li Xing see his uncle to bring his mother, Yang months are excited, and bags large and small to pack a lot of things, is like home for Spring Festival is not the general, Qi-line anomalies that Meng-Tsan Chiang's trip goes well, hope she will take the opportunity to go out a chance to get a rest, if the Yang on call around, do not worry too much too tired, know that it is easy to Xi's idea, plus there are plum star escort, they did not say much else, then, and chose to send two men to the station early morning, because in a hurry to go to work, no more leave time to say good-bye to the unit.

幸运的是醒来后的犯人并未追究管明强的责任，痛定思痛之后反而感谢他，让他得到了理应该有的惩罚，两人再次见面时都互相表示着抱歉，愿意承担所有的结果，这多少消除了管明强在单位的负面影响，留守观察的期间孟灿一直陪在他身边，和她说自己女儿成长的经历，易夕看问题处理差不多了，见孟灿还没有要回恩宇的打算，便问她可否让李子星带杨晓月过来看看，以好在她童年的印迹里保存一些特别的情景，寒假刚刚来临，听说李子星叔叔要带自己见妈妈，杨晓月异常兴奋，大包小包收拾一大堆东西，好似春节也不回家过的般，杨启行得知孟灿此行异常顺利，希望她趁外出的机会好好休息休息，如果将杨晓月叫身边，也不要太操心太累，得知是易夕的主意，加上还有李子星护航，便没有多说别的话，择日清晨送两人去了车站，因赶时间上班，没多留点时间就道别去了单位。

Cry~~ Dont know whether it was cuz we forgot to add in an egg, or we put too much cream or didn't beat it til hard enuf, or we added too much orange juice,,the cream cheese curd was too soft~ after the cake pan was opened,,we saw it slowly collapse~~aiya~~so sad!!!

哭~~ 不知道是不是忘了放蛋的原因，还是放太多cream或打的不够硬，或者是放了太多橙汁的关系，那层cream cheese不够硬~把蛋糕盘打开后，，看着它慢慢的向下塌~~哎哟~真心痛！

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。