查询词典 too...to...

The wind would blow the bobber back to you if it were too light and would scare the fishes off when it is too big.

风击的浮子会还给你好象太轻、当过800鱼太大。

In my efforts to unstiffen it, I end up taking off too much wood, and the bow is too light.

我错误的弄软了它，我最终弄掉了太多的木头，弓太轻了。

The strings are too small to be discerned by any buildable instrument, and the parallel universes are too distant.

那些弦太小了，平行的宇宙太远，无法用任何人造的仪器检测，常识告诉我，这种思考方式注定要失败。

If you are too bust to pray then you are too busy.

当你太忙于祷告时，你才真的很忙。

And it happens to us: eventually, one too many joints are damaged, one too many arteries calcify.

也发生在我们身上：最终，关节受损，动脉硬化。

You are much too pretty, as well as too good, to be grilled alive in Calcutta.

你太漂亮，也太好了，不值得那么活活地放到加尔各答去烤。

Since then, Bryant spoke of Dwight - John Howard, in his view and his first days with the center when compared to the bit,"Warcraft" has been too much progress too much.

此后，科比谈到了德怀特-霍华德，他认为和自己第一次与这位天才中锋对位时相比，"魔兽"已经进步了太多太多。

The chemisette dance can't jump too like, jump too good, very quick became to only dance.

女人的舞不能跳得太好了，跳得太好，很快就成了独舞。

The head is clean-cut, is neither too light nor too heavy, and is in proper proportion to the body.

头部轮廓鲜明，既不太轻，也不太沉重，与身躯呈恰当的比例。

They wore their hair longer. Reporters called them the "Mop Tops." Their clothes were different, too. They wore collarless suit jackets, which buttoned all the way to the top. Their accents were different, too, because they were from England. Liverpool, England. Before that, all the biggest pop stars were American.

他们的头发留得比较长，因此记者称他们做「拖把头」；他们穿的衣服不一样——无领的西装外套，并且将整排扣子全部扣起；他们的口音也不一样，因为他们来自英国利物浦，在他们之前，所有的摇滚巨星都来自美国。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。