查询词典 too...to...

Frank: I'll show you out of order. You don't know what out of order is, Mr. Trask, I'd show you, but I'm too old, I'm too tired, I'm too fucking in' blind, if I were the man I was five years ago, I'd take a flame thrower to this place!

斯莱德中校：让你见识见识什么是破坏规矩，你不知道什么叫破坏规矩，垂斯克先生，真该让你见识，可我太老了，太累了，我他妈的还是个瞎子。

Frank: I ll show you out of order. You don t know what out of order is, Mr. Trask, I d show you, but I m too old, I m too tired, I m too ****in blind, if I were the man I was five years ago, I d take a flame thrower to this place!

斯莱德中校：让你见识见识什么是破坏规矩，你不知道什么叫破坏规矩，垂斯克先生，真该让你见识，可我太老了，太累了，我他妈的还是个瞎子。

Frank: I'll show you out of order. You don't know what out of order is, Mr. Trask, I'd show you, but I'm too old, I'm too tired, I'm too ****in' blind, if I were the man I was five years ago, I'd take a flame thrower to this place!

斯莱德中校：让你见识见识什么是破坏规矩，你不知道什么叫破坏规矩，垂斯克先生，真该让你见识，可我太老了，太累了，我他妈的还是个瞎子，是爱还是恨。

I'd show you, but I'm too old, I'm too tired, I'm too fuckin' blind. If I were the man I was five years ago, I'd take a FLAMETHROWER to this place! Out of order?

我想示范，但我太老了，太累了，又是个他妈的瞎子，如果是五年前，我会带喷火枪来这儿！！

People pay too little attention to the death of forms in art, they all too flippantly contrast the old with the new without thinking whether the old is alive or has already vanished, as the sound of the sea vanishes for those who live by its shores, as the thousand-voiced roar of the town has vanished for us, as everything familiar, too well known, disappears from our consciousness.

人民付出太少注意艺术形式的死亡，他们都太轻率地对比新思维没有老的旧的是活的或已经消失，因为大海的声音消失的海岸为那些活着的谁，作为这个镇1000轰鸣声消失了我们，因为一切都熟悉，也众所周知，从我们的意识中消失。

Probably this bowl can be cooler," She said The garden balsam is correct, but it was too cool She grabs the third bowl, wolfed down eats has gotten down Is appropriate Then has had a yawn, she went upstairs arrived the bedroom The garden balsam has tried the first bed, but too has been hard Next too is soft The garden balsam sighed the tone, lay down is resting, this time she Lies down on the third bed When bear arrives in family's time, the bear daddy yells to say," Some people have sat my chair!

大约这碗会更凉，"她说。金凤花是正确的，但是它是太凉了。她抓着第三个碗，狼吞虎咽的吃了下去。正合适。然后打了个哈欠，她上楼来到了卧室。金凤花试了第一张床，但是太硬了。下一张太软。金凤花叹了口气，躺下睡着了，这时候她躺在第三张床上。当熊一家到达家里的时候，熊爸爸叫喊道，"有人坐过我的椅子！

Afghan refugee sings: You always are the mouth too hard, the mouth is too strong, fart of alone person outfit arrives day break, assault always is simple, consequence is too miserable, had not fought Bush to not be in loath, late at night I cannot sleep, be afraid that bomb sends me homing, you are so stubborn after all tired, want unluckily and old beautiful oppose, you obviously scamper world trade center, for very Mo after the event dare not admit, you do not know innocent civilian feel distressed, return magniloquence not slander should start holy battle, oh!

阿富汗难民唱：你总是嘴太硬，嘴太硬，独自一个人装屁到天亮，袭击总是简单，后果太惨，斗不过布什就别在勉强，夜深了我都不能睡，怕炸弹送我归位，你这样顽固到底累不累，偏偏要和老美作对，你明明炸了世贸中心，为甚麽事后不敢承认，无辜的平民你不懂心疼，还大言不谗要发动圣战，哦！

Beforetime the heirs of Chateau Pichon Baron were too greedy and wanted to earn money quickly from the winery. They took out too much from the vineyards and made too much wine every year.

之前碧尚男爵堡的家族继承人为了快速敛财，向葡萄田过度地索取，大量地酿酒，导致葡萄田疲惫不堪。

Nevin criticized the direction of American Protestantism in The Anxious Bench (1843), a work which attacked revivalism for being too individualistic, too emotional, and too much concerned with the "new measures"(such as the anxious bench for souls under conviction) which drew attention to human foibles and away from the work of Christ and the church.

尼批评的方向，美国基督教在焦虑长椅（ 1843 ），工作袭击复兴，为过于个人主义，过于感情用事，和太多的关注与"新措施"（如焦虑替补为灵魂的信念下）提请注意人类foibles ，远离工作的基督和教会。

I'm not into games that are too gritty or take themselves too seriously, nor am I into themes that are too pandering or sickeningly sweet. So when I set out to create Plants vs.

我并没有为了一些"高玩"去过于认真的设计很多很复杂很难的东西，我也并没有去刻意迎合休闲玩家而把游戏设计的过于低龄化和简单。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。