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tone-deaf相关的网络例句

查询词典 tone-deaf

与 tone-deaf 相关的网络例句 [注:此内容来源于网络,仅供参考]

The tone sandhi of quartersyllabic compounding forms have something with the internal structures. The ways of the tone sandhi of the multisyllabic compounding forms work through some linguistics units that are syncopated according to the discussion stop. The result of tone sandhi is the simple linkage of those linguistic units.

四字组的连读变调与内部形式有一定的关系,多字组连读变调的依据是按语流停顿来把多字组分为若干个语言单位,变调结果是这些被切分成的语言单位变调的简单加并。

In Northern Wuyu as well as other dialects, a commonly seen merger pattern of ancient voiced tone II is that of voiced obstruent tone II merging with IIA while sonorant tone II merges with IIIB.

在北部吴语以及其他一些方言里,古浊上比较常见的归并模式是次浊上归阴上,全浊上归阳去。

For example, the merger of ancient voiced obstruent onset tone IV syllables into IB covers the whole Mandarin area except for Jiangsu and Anhui which preserve tone IV, and the merger of sonorant onset tone IV syllables into III covers the Mandarin areas of Hebei-Shandong, Lanyin, Beijing, the Northeast, Liaoning, etc., and the merger of voiceless onsets into IA covers the Mandarin areas of the central plains and Hebei-Shandong.

例如,古全浊声母入声字归阳平的读法涵盖了除保留入声的江淮官话以外的所有官话区,古次浊声母入声字归去声的读法涵盖了冀鲁、兰银、北京、东北、胶辽等五个官话区,古清声母归阴平的读法也涵盖了中原官话和冀鲁官话。

If the tone frequency is changed and/or the Tone+Tone Squelch is disabled, then it will work normally.

音频率,如果改变和/或音+音静噪被禁用,那么它会正常工作。

Experimental results on tone recognition have shown the HCRFs based tone model outperform both the maximum likelihood and discriminatively trained HMM tone models when using the same model structure and observations.

声调识别实验表明采用相同的特征和结构,隐条件随机场较最大似然训练的隐马尔可夫模型声调识别率有显著提高,加入广义动态特征之后声调识别率有一致性改进。

However, most of the researches are limited within the respective dissertating on the Chinese tone and English intonation; some research draw the comparative study on the Chinese phonetics, but mixing up the basic conceptions of tone and intonation so as to make the comparative analysis between the Chinese tone and English intonation directly.

但是这些研究仅限于对汉语的声调和英语的语调的分别论述;也有些研究是针对英汉语音进行的对比分析,但是却将它们的声调和语调概念相混淆,以至于直接把英语的语调与汉语的声调做对比分析。

The second chapter probes into the way and feature of spreading on Gesar" s music, and the development and the changes of the music spreading since the involving of modern intermedium, by introducing the psalmodies in different categories. The third chapter analyses the types of Gesar" s lyrics and the patterns they could change. The forth chapter illustrates the principles of Gesar" s creating and several majority tone patterns are showed here. In the fifth chapter, the tones of Gesar are classified based on three aspects, that is, the tone" s name, utilization and the localstyles. In the sixth chapter, the feature of Gesar s tones is analyzed from the aspect of the characteristics of melody, the rhythm and time, the tone patterns and the music structure and so on. The last chapter discusses the forms of music performance and the methods that the psalmodies take to sing.

本文第一章从史诗《格萨尔》说唱结合艺术形式的产生与发展开始,对它的这种艺术形式中的说与唱分别做了介绍;第二章通过对《格萨尔》音乐创作主体——艺人的分类介绍,探讨了史诗音乐的传播方式、传播特点以及在现代传播媒介的介入下它的传播方式的发展与变化;第三章是对唱词体裁的分析和它的变化类型;第四章论述了音乐唱腔的创作原则以及几种最主要的唱腔类型;第五章从曲调的名称、曲调的运用以及地域风格特点三方面对《格萨尔》唱腔进行了分类;第六章结合谱例从旋律特征、节奏节拍、调式以及音乐结构等方面分析了《格萨尔》音乐唱腔的特点;第七章是对《格萨尔》音乐表演形式及艺人演唱方法的探讨。

Double dot half-tone: Two half-tone negatives made from the same continuous-tone copu at different screen angles are combined to make one printing plate.

双点半色调:一连续色调的原稿分别用不同网线角度造成两张半色调负片,然后合并造成一块印版。

The bamboo and wood instrument with top grade of tone quality are scarce. It was estimated that can't reach one hundredth of its total.Second, the same tone quality of Qin (the name of a kind of musical instrument) can' t be made of the same kinds of bamboo and wood material. Such as the jinhu, which is made of Nan bamboo. But its tone quality was quite different. And pad auks erhu (Chinese two-stringed musical instrument) and the violins were the same.

如小提琴,其共鸣箱是用云杉、枫木制作的,但音质相差非常悬殊,红木二胡、京胡等亦是如此;第三、红木乐器、檀木乐器价格太昂贵,且音质高档的也不过占其总数的百分之一、二;第四、过去制作的竹木乐器,在刚制作完毕时,其音量和音质都比较差,须经数年后,其音质才能纯净些,音量也才能大一些。

Fill a tulip-shaped glass with red wine to one third of a full glass (5cm from the foot of the bottom).Observe the wine.Lean 45 degrees to check its color against a white background. Fine dry red wine looks clear and glossy. By observing the color and tone of the wine, you could make good judgment about its maturity. Usually the deeper in yellow tone it looks, the more aged the wine is; the paler in color or deeper in purple tone it looks, the less aged the wine is.Smell the wine. Gently shake the glass for better contact between wine and air until the aroma of the wine evaporates enough.

首先,将红酒倒入郁金香型杯中,倒至酒杯的三分之一处(距杯脚约5厘米处),倾斜45度,对着白色的背景看颜色,好的干红葡萄酒应该是清澈、有光泽,根据葡萄酒颜色的深浅及色调,也可以判断出红酒的成熟度,通常红葡萄酒颜色越深,黄色调越重越老,颜色越浅、紫色调越重就越年轻;闻香味,酒杯轻轻晃动,促使酒与空气接触,使酒的香气释放出来,然后将鼻探入杯中,短促地清闻,红葡萄酒香味丰富。

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