查询词典 tonal gap

Part 2: The quantitative analysis of Chinese urban residents size income distribution gap and pauperization together with international comparison (chapter 2, 3, 4) This part is one of the main contents: I try to apply the worldwide used methods, such as Gini Coefficient decomposition by Shorrocks and Theil Entropy Measures by Theil, to give Chinese urban residents' whole income gap, consumption gap, income resources and structure gap, regional gap, professional and ownership gap, industrial gap a detailed decomposition and analysis, as soon as to reveal the reasons which bring about the gap.

鉴于一些经济学者对我国居民收入分配差距已作了较为系统的整体分析，所以，本文选择从城镇居民收入分配的角度，以坚持和运用马克思主义的辩证唯物主义和历史唯物主义的基本分析方法为基础，批判借鉴西方新制度学派的制度分析方法，计量经济学分析方法等，对我国城镇居民规模收入分配格局的制度变迁及其特征进行较为全面的分析。

It is concluded the factors of affecting information technology outsourcing decision-making into three aspects: technologic, economic, and strategic, and in-depth analyses outsourcing gaps which include technology gap, efficiency gap and strategic gap, and proposed a three-stage information technology outsourcing model, and identified technology gap, efficiency gap and strategic gap which are in the model, and in detail introduced using VENN diagram to identify technologic gap, and applied Technology Acceptance Model to perceive Information technology outsourcing.

通过对目前影响信息技术外包决策因素的相关研究进行综合分析，确定了影响信息技术外包决策的主要因素，将其归纳为技术、效益和策略三个方面，并对技术、效益和策略因素的缺口即外包缺口进行定义及分类，在此基础上，提出了一个三阶段的信息技术外包决策模型，并对该模型中的技术缺口、效益缺口和策略缺口识别方法进行了研究，其中重点探讨了基于VENN图解法的技术缺口识别方法。

There are three kinds of diminutives in form in YBTH, i.e. one is tonal, one is the rime with middle-glottal stop and tonal, the other is the rime with final-glottal stop and tonal.

粤北土话中有三种不同形式的小称，一种是变调，一种是中塞韵母加变调，另一种是后塞韵母加变调。

The results showed that small-scale gaps were the predominant types of disturbance. The average gap density was 12.5 km^(-1). The distribution pattern of gaps was aggregated on south facing slopes and was approximately homogeneous on north facing slopes. Conifer trees were the primary gap-makers in this forest that was dominated by Abies faxoniana, Tsuga chinensis, Betida utilis, both in abundance and diameter rank. The decay class distribution of gap-makers indicated that the mode of gap formation and gap-maker species changed with age of the forest; the contribution of conifer species to gap formation decreased with time and broadleaf species increased.

结果表明：l本区以小型林隙干扰为主，林隙平均密度为12.5个km^(-1)，林隙的分布格局在阳坡和山脊为集聚分布，阴坡近均匀分布；林隙形成木以针叶树为主，岷江冷杉、铁杉和糙皮桦在形成木的数量和径级组成上均居前列。2林隙形成木的腐烂等级分布揭示出林隙形成木的形成方式和种类组成均随时间变化。

Xiling Xia in the "three beaches"- China Beach, Blue Beach, Kong Mountain Ridge Beach,"four Gap"- Dengying Gap, Gap cattle, bovine liver-lung Gap and Gap Bingshu sword.

西陵峡中有"三滩"——泄滩、青滩、崆岭滩，"四峡"——灯影峡、黄牛峡、牛肝马肺峡和兵书宝剑峡。

The results showed GAP, GGP, GAP Ⅰ, GAP Ⅱ and GAP Ⅱ a could scavenge · OH generated by Fenton system and 〓 generated by light on hepatoflavin system markedly; GAP and GSP could reduce the content of MAD and LOP in blood and liver.

GAP、GGP、GAP Ⅰ、GAP Ⅱ和GAP Ⅱa均能有效清除Fenton体系中的·OH和光照核黄素体系的〓，并且其活性随着GAPⅡa含量的增加有所上升，以GAPⅡa为最高。

One of the most common ways to describe a wood's tonal properties is in terms of its frequency range,which is often broken down into low-end frequencies,mid-range and high-end frequencies.picture it as a visual spectrum,as we've done in the chart to the right,with the lower frequencies on the left and the higher frequen-cies on the right.the graph line for each wood visually depicts its general tonal range.rosewood and ovang kol,for example,tend to resonate with more low-end frequencies,whereas koa,cocobolo and maple tend to sound brighter from having more top-end frequencies.note also rosewood's"scooped"midrange and ovang-kol's fuller midrange.the doted lines for walnut and koa denote the expansion of low-end frequency range as the guitar opens up after a period of playing it.

最常见的方式描述了木材的声音特性是在其频率范围内，这往往是细分为低端频率，中端和高端frequencies.picture它作为一个视觉频谱，因为我们'维生素E这样做的图表，以权，以较低的频率在左边和更高的频率，种上right.the图线的每一个木材视觉描绘的一般音调range.rosewood和ovang科尔举例来说，往往会产生共鸣更多的低端频率，而兴亚， cocobolo和枫树往往从健全光明有更多的高端frequencies.note也花梨木的"收购"的中端和ovang -科尔的充分midrange.the doted线的核桃和兴亚指扩大低端频率范围内的吉他开辟了一段时间后，打它。

One of the most common ways to describe a wood's tonal properties is in terms of its frequency range,which is often broken down into low-end frequencies,mid-range and high-end frequencies.picture it as a visual spectrum,as we've done in the chart to the right,with the lower frequencies on the left and the higher frequen-cies on the right.the graph line for each wood visually depicts its general tonal range.rosewood and ovang kol,for example,tend to resonate with more low-end frequencies,whereas koa,cocobolo and maple tend to sound brighter from having more top-end frequencies.note also rosewood's"scooped"midrange and ovang-kol's fuller midrange.the doted lines for walnut and koa denote the expansion of low-end frequency range as the guitar opens up after a period of playing it.

最常见的方式描述了木材的声音特性是在其频率范围内，这往往是细分为低端频率，中端和高端frequencies.picture它作为一个视觉频谱，因为我们'维生素E这样做的图表，以权，以较低的频率在左边和更高的频率，种上right.the图线的每一个木材视觉描绘的一般音调range.rosewood和ovang科尔举例来说，往往会产生共鸣更多的低端频率，而兴亚， cocobolo和枫树往往从健全光明有更多的高端frequencies.note也花梨木的&收购&的中端和ovang -科尔的充分midrange.the doted线的核桃和兴亚指扩大低端频率范围内的吉他开辟了一段时间后，打它。

A tonal system consisting of seven tones in fixed relationship to a tonic,having a characteristic key signature and being since the Renaissance the structural foundation of the bulk of Western music; tonal ity.

调、主音包括七个与主音有固定关系的音色的调音系统，有独特的调号，自文艺复兴以来一直是西方音乐主体的结构基础；调性

A systemic and theoretic dissertating is given toward this opinion: from the angle of the types of literature, ci poetry is a new -type of poetry different from Jinti-poetry, which has more kinds of rules and forms. Ci poetry is a fruit of lyrics being given limited rules and forms. Number statistic and comparison in rules and forms is done toward each tonal patterns and rhyme schemes of ci poetry and the works in Tang and Wudai Dynasty. The outline of the forming of the tonal patterns and rhyme schemes...

根据这种界定，对唐五代各个词调的不同体式分别做了数量统计和格律考察，据此对中唐、晚唐、五代时期词调及词体的演变、发展进程做了分别的勾勒，认为早期的诗人唱和对某些词调的具体样式的形成有影响；到了晚唐，大量新调才进入文学领域；而五代则是一个词调与词体在文人手中展开全面探索的时期。

Although translator has turned from being a crystal ball by which the original culture can unrestrainedly penetrate to another crystal ball by which the target culture can freely traverse, the translator's personal embodiment, in the process of cognitive act, are still absent in translation studies. Translators are still subjects without body or simply disembodied subjects.

译者虽然由原语文化可以自由穿透的玻璃球变成了译语文化可以自由穿越的玻璃球，但译者认知过程中的个体体验在翻译研究中依然缺席，译者依然仅仅是一个没有躯体体验的主体。

Chillingly, he claimed our technology is 'not nearly as sophisticated' as theirs and "had they been hostile", he warned 'we would be been gone by now'.

令人毛骨悚然的，他声称我们的技术是'并不那么复杂，像他们一样，和"如果他们敌意"，他警告说，'我们将现在已经过去了。