查询词典 to the end

One of the most common ways to describe a wood's tonal properties is in terms of its frequency range,which is often broken down into low-end frequencies,mid-range and high-end frequencies.picture it as a visual spectrum,as we've done in the chart to the right,with the lower frequencies on the left and the higher frequen-cies on the right.the graph line for each wood visually depicts its general tonal range.rosewood and ovang kol,for example,tend to resonate with more low-end frequencies,whereas koa,cocobolo and maple tend to sound brighter from having more top-end frequencies.note also rosewood's"scooped"midrange and ovang-kol's fuller midrange.the doted lines for walnut and koa denote the expansion of low-end frequency range as the guitar opens up after a period of playing it.

最常见的方式描述了木材的声音特性是在其频率范围内，这往往是细分为低端频率，中端和高端frequencies.picture它作为一个视觉频谱，因为我们'维生素E这样做的图表，以权，以较低的频率在左边和更高的频率，种上right.the图线的每一个木材视觉描绘的一般音调range.rosewood和ovang科尔举例来说，往往会产生共鸣更多的低端频率，而兴亚， cocobolo和枫树往往从健全光明有更多的高端frequencies.note也花梨木的"收购"的中端和ovang -科尔的充分midrange.the doted线的核桃和兴亚指扩大低端频率范围内的吉他开辟了一段时间后，打它。

In public in the distance in the end in the far future in the form of in their efforts to survive incredible labour instead of/ instead it is believed that..\people believe…\sb\sth believed to be… It is said/ reported/ believed/ known/ thought that clause it is/was …that/who … It won't be long before we meet again. it/sb/sth is believed to be…=It is believe that… keep …from doing sth keep company with sb keep sb as prisoner keep sb company lay foundation for\of ….

尽全力做某事 without efforts 毫不费力不遗余力做某事努力做某事当众，公开地；当众，公开地；公然 in private =privately 在远处在远处，远方的 keep sb at a distance = keep sb's distance from 疏远别人最后，终于末尾最后终于 at the end of---在…末尾(at the 在末尾 beginning of 在未来，在将来在遥远的未来在将来； in the near 在未来在将来； future 在不远的将来以…形式形式在努力求生时体力劳动(者难以置信的劳动 physical labour 体力劳动者) skilled labour 技术工人相反，而不是而不是，代替相反而不是代替相信据说/报道信知想据说报道/信/知/想，报道强调句式不用多久…不用多久人们认为，据认为人们认为据认为保护…免受伤害保护免受伤害和某人结交囚禁某人陪伴某人奠定了…。

Steel moment-resisting frames with welded beam-to-column connection were traditionally regarded as having excellent performance, and widely adopted in steel constructions, but this opinion changed after the 1994 Northrige earthquake and the 1995 Hyogoken-Nanbu earthquake. These earthquakes also arouse engineers to resurvey the behavior of end-plate connections. It is well known that end-plate connections have definite flexibility, which can increase damp, prolong period, and decease swing of structure. So it can reduce the damage, and is one of the best choices for resisting earthquake.

中文题名钢框架梁柱端板连接在循环荷载作用下的破坏机理及抗震设计对策副题名外文题名 Collapse mechanism and design criterion of steel beam-to-column end-plate connections under cyclic load 论文作者郭兵导师顾强学科专业结构工程研究领域\研究方向学位级别博士学位授予单位西安建筑科技大学学位授予日期2002 论文页码总数127页关键词钢结构框架结构抗震设计钢框架梁柱端板连接馆藏号BSLW /2003 /TU392 /6 传统观点认为，梁柱焊接刚性连接具有较好的抗震性能，因此在工程中得到了广泛地应用，但1994年的Northrige地震和1995年的阪神地震改变了这种传统观点，这两次地震也引起了工程技术人员对端板连接的再审视。

From the sensuous scat singing on "Honey Bee" to the sultry break-up song,"Is This the End," recalling the existential longing of Peggy Lee's "Is That All There Is," Zee is hopeful of finding love, but equally aware of lurking heartache.

在季小薇的首张同名专辑里，从很有感觉的"Honey Bee"，到分手歌曲"Is This the End"，这首歌教人唤起永恒的Peggy Lee/佩姬李大作"Is That All There Is"，都可以发现Zee Avi是那种希望找到爱、但同样也深刻了解到心痛必如影随行的人。

One of the most common ways to describe a wood's tonal properties is in terms of its frequency range,which is often broken down into low-end frequencies,mid-range and high-end frequencies.picture it as a visual spectrum,as we've done in the chart to the right,with the lower frequencies on the left and the higher frequen-cies on the right.the graph line for each wood visually depicts its general tonal range.rosewood and ovang kol,for example,tend to resonate with more low-end frequencies,whereas koa,cocobolo and maple tend to sound brighter from having more top-end frequencies.note also rosewood's"scooped"midrange and ovang-kol's fuller midrange.the doted lines for walnut and koa denote the expansion of low-end frequency range as the guitar opens up after a period of playing it.

最常见的方式描述了木材的声音特性是在其频率范围内，这往往是细分为低端频率，中端和高端frequencies.picture它作为一个视觉频谱，因为我们'维生素E这样做的图表，以权，以较低的频率在左边和更高的频率，种上right.the图线的每一个木材视觉描绘的一般音调range.rosewood和ovang科尔举例来说，往往会产生共鸣更多的低端频率，而兴亚， cocobolo和枫树往往从健全光明有更多的高端frequencies.note也花梨木的&收购&的中端和ovang -科尔的充分midrange.the doted线的核桃和兴亚指扩大低端频率范围内的吉他开辟了一段时间后，打它。

We often abbreviate words and then add an -o- or -ie- on the end as in -bring your cossie to the barbie this arvo-.

我们经常缩略词语，然后在词尾加上o或ie，如bring your cossie to the barbie this arvo。

The two best songs on Seven Seven come at the end. 'Oh Ma The Sea Is Rising' is a folkish ballad made buoyant by a delicate string section. The distant notes of an opera singer and a touch of piano add further colour; this is a simple song made rich by an intelligent arrangement. 'The Long Goodbye' is more ambitious; constructed out of slow vocal loops and misty layers of guitar and bells, it sounds like a long walk to the end of a jetty on a winter's morning.

这张专辑中最好的两首歌都在结尾部分，&Oh Ma The Sea Is Rising&是一首让人心情舒畅的民谣叙事诗，有着精致的弦乐部分；歌剧唱腔加上钢琴的有质感的演奏为这首歌加了不少分，这本就是一首由于用心的编排而化平庸为神奇的歌曲；&The Long Goodbye&显得野心勃勃，缓慢而反复的演唱加上层次模糊的吉他和铃声伴奏，让人仿佛置身于某个冬天的早晨迈向码头的漫步道。

Based on aforementioned findings, the author disclosed China have gone through three wave of marketing since the open policy reform in the end of seventies in the last century: the first wave taken place from the end of seventies to the end of eighties of last century, during this period of time, enterprises commonly took a marketing tactics mix of unitary product, high gross-profit pricing, wholesale and information notification; the second wave happened from the end of eighties to the end of nineties in the last century, during the second wave, enterprises often took a marketing tactics mix of serialized products, medium gross profit pricing, regional distribution and advertisement on mass media; the third wave occurred from the end of nineties of last century to now, during the third wave, enterprises usually adopted a marketing tactics mix of segmented products, low gross profit pricing, outlet interception and tangible benefits promotion.

基于上述认识，本书进而揭示出，中国市场自上个世纪70年代末改革开放以来，已经经历了三次营销浪潮：第一次营销浪潮发生在20世纪70年代末至80年代末，期间，企业界普遍采取的是&单一化产品+高毛利政策+批发销售+信息告知&的链接标记营销策略组合。第二次营销浪潮发生在20世纪80年代末至90年代末，期间，企业界普遍采取的是&系列化产品+中毛利政策+区域链接标记分销+大众链接标记广告&的营销策略组合。第三次营销浪潮发生在20世纪90年代末至今，期间，企业界普遍采取的是&细分化产品+低毛利政策+链接标记终端拦截+实惠促销&的营销策略组合。

Based on aforementioned findings, the author disclosed China have gone through three wave of marketing since the open policy reform in the end of seventies in the last century: the fi rst wave taken place from the end of seventies to the end of eighties of last century, during this period of time, enterprises commonly took a marketing tactics mix of unitary product, high gross-profit pricing, wholesale and information notification; the second wave happened from the end of eighties to the end of nineties in the last century, during the second wave, enterprises often took a marketing tactics mix of serialized products, medium gross profit pricing, regional distribution and advertisement on mass media; the third wave occurred from the end of nineties of last century to now, during the third wave, enterprises usually adopted a marketing tactics mix of segmented products, low gross profit pricing, outlet interception and tangible benefits promotion.

基于上述认识，本书进而揭示出，中国市场自上个世纪70年代末改革开放以来，已经经历了三次营销浪潮：第一次营销浪潮发生在20世纪70年代末至80年代末，期间，企业界普遍采取的是&单一化产品+高毛利政策+批发销售+信息告知&的营销策略组合。第二次营销浪潮发生在20世纪80年代末至90年代末，期间，企业界普遍采取的是&系列化产品+中毛利政策+区域分销+大众广告&的营销策略组合。第三次营销浪潮发生在20世纪90年代末至今，期间，企业界普遍采取的是&细分化产品+低毛利政策+终端拦截+实惠促销&的营销策略组合。

Based on aforementioned findings, the author disclosed China have gone through three wave of marketing since the open policy reform in the end of seventies in the last century: the first wave taken place from the end of seventies to the end of eighties of last century, during this period of time, enterprises commonly took a marketing tactics mix of unitary product, high gross-profit pricing, wholesale and information notification; the second wave happened from the end of eighties to the end of nineties in the last century, during the second wave, enterprises often took a marketing tactics mix of serialized products, medium gross profit pricing, regional distribution and advertisement on mass media; the third wave occurred from the end of nineties of last century to now, during the third wave, enterprises usually adopted a marketing tactics mix of segmented products, low gross profit pricing, outlet interception and tangible benefits promotion.

基于上述认识，本书进而揭示出，中国市场自上个世纪70年代末改革开放以来，已经经历了三次营销浪潮：第一次营销浪潮发生在20世纪70年代末至80年代末，期间，企业界普遍采取的是&单一化产品+高毛利政策+批发销售+信息告知&的营销策略组合。第二次营销浪潮发生在20世纪80年代末至90年代末，期间，企业界普遍采取的是&系列化产品+中毛利政策+区域分销+大众广告&的营销策略组合。第三次营销浪潮发生在20世纪90年代末至今，期间，企业界普遍采取的是&细分化产品+低毛利政策+终端拦截+实惠促销&的营销策略组合。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。