查询词典 to no end

It went from stillness, to action, to friendship, with no discernible end to each round.

它从静止，以行动，以友谊，没有任何可辨，结束每个回合。

This is life, there are always a lot of regret, it is impossible to always live in the memories, only the end to a new beginning, I could not wait any longer because I did not have too much of the past five years, she has also Besides this there is no significance, a few days ago in North Street City days on the elevator she encountered, I downlink, uplink her, she did not call the sound I do not know her, I have not seen, but not less than 1 meter distance, but also face-to-face, I saw her I saw one, but she did not have any reaction.

人生就是这样，总有很多遗憾，也不可能总是活在回忆里，只有结束，才能从新开始，我也不可能再等了，因为我没有太多的5年来等她，况且这也已经没有任何的意义了，前几天在北城天街电梯上碰到她，我下行，她上行，她都没招呼一声，我也不知道她有没有看到我，可是不到距离不到1米，而且是面对面，我看到她看了我一眼，但是她没有任何的反应。

00 At night, I went to the radio. Because almost no one was on duty at night, and i was familiar with it, i entered the director room easily. A man was busy dialing, with a piece of paper before him, which was fully written with phone numbers and answers. He dialed one by one and ordered the same fake customers as me on the other end of the phone the answers they should say later. My arriving alerted him a little, looking back at me doubtingly. I pointed the host in the live broadcasting room the other side of the glass partition, and waved. After the host responded with a smiling face, he left me alone, and continued to dial. I pulled a stool and sat beside him, watching him busy about. From time to time, he would scold, because several calls put through but the other side was unwilling.

晚上8点我到了电台，因为晚上也没有什么人值班，再说对我也还熟悉，我很轻松的到了导播间，一个男子正在忙碌的打电话，面前放着一张纸，上面写满了电话号码和答案，他一个一个的拨打和交代电话那端"象我一样的托"，等下要说的答案，我的到来让他略显警觉，回头疑问的看着我，我指了指玻璃隔断那边直播间里的主持人，挥了下手，里面的主持人回了个笑脸后，男子即不再理我，而继续拨打着电话，我拉了张凳子坐在他的旁边，看着和他忙碌，间断里他会骂骂咧咧，因为个别电话拨通了，对方不愿意。

The use of free will to put an end to one's life finds no sanction in the theology to which Van Dusen was committed.

在Van Dusen所献身的神学中，运用自由意志力是绝对禁止的。

Lyric Spend all your time waiting for that second chance For a break that would make it OK There's always some reasons to feel not good enough And it's hard at the end of the day I need some distraction or a beautiful release Memories seep from my veins Let me be empty and weightless And maybe I'll find some peace tonight In the arms of the angel Fly away from here From this dark, cold hotel room And the endlessness that you fear You are pulled from the wreckage of your silent reverie You are in the arms of the angel May you find some comfort here So tired of the straight line And everywhere you turn There're vultures and thieves at your back The storm keeps on twisting You keep on building the lies That you make up for all that you lack It don't make no difference, escape one last time It's easier to believe In this sweet madness, oh this glorious sadness That brings me to my knees

抒情花光你的时间等待，第二次机会，让我们稍作休息，使它有确定的总是由于某种原因感到不够好，似乎也很难在最后一天，我需要一些牵拉还是一个美丽的记忆，释放漏水，从我的脉，让我空洞和失重，也许我会找一些和平今晚的怀里天使飞走从这里从这个黑暗中，寒冷房间和吉祥说，你怕你抬出飞机残骸你的沉默你的遐想在武器的天使，你可以找到一些安慰，让疲倦的直线你到处转，歌颂雕和小偷在你的背部风波不断捻你们继续建设鬼话，你弥补一切，你没有这样做，不作任何区别，逃跑，最后一次是最容易相信在这甜蜜的疯狂，哦这一光荣的哀愁，我想提出我的膝盖

Back from pursuit thy Powers with loud acclaime Thee only extoll'd, Son of thy Fathers might, To execute fierce vengeance on his foes, Not so on Man; him through their malice fall'n, [ 400 ] Father of Mercie and Grace, thou didst not doome So strictly, but much more to pitie encline: No sooner did thy dear and onely Son Perceive thee purpos'd not to doom frail Man So strictly, but much more to pitie enclin'd, [ 405 ] He to appease thy wrauth, and end the strife Of Mercy and Justice in thy face discern'd, Regardless of the Bliss wherein hee sat Second to thee, offerd himself to die For mans offence.

追击归来后，您的从属权贵，都高声颂扬您，称您为天父威力之子，猛烈地报复了他的仇敌。对人却不这样，人是由于被诱惑而失坠的，天父怜悯而加恩，您并不对他加严厉的审判，而是倾注更多的同情哀怜。您亲爱的独生子见您对人不加严刑，却倾向于同情，便想平息您的怒气，平息您容颜上所表现的慈悲与正义之争，舍弃自己仅次于您的位置与幸福，甘愿舍身，代替人的罪孽而死。

After the great success of Kurt Cobain reputation of the state has the burden to him, finally found him at those behind the glory and cheering, people do not really understand his music, just blindly rushing headlong into mass action, he felt penetrate to the bone Pathos and lonely, had no choice but to escape as a hallucinogen and narcotic, and finally, in April 1994 day, he had a bullet put an end to their lives, then followed the dissolution of Nirvana

取得巨大成功后的柯特·科本却不堪声名带给他的重负，他最终发现在那些荣誉与欢呼声背后，人们并不真正理解他的音乐，只是盲目地一哄而上，他感到彻骨的悲怆与孤独，只好将迷幻和麻醉作为逃避，终于，1994年4月的一天，他以一颗子弹结束了自己的生命，从此Nirvana也随之解散

Even though Deng Jianjin's early paintings were related to dreams, love, sex, pornography, peeking, and self-absorption, they provided no entertainment at all. Instead they gave a representation of exaggerated, dead serious, and even overcorrect individual heroism. They bore the historical baggage of China's 5000 years of civilization and all the suffering and oppression of Chinese people in modern Chinese history. They were a diligent and honorable means of salvation.By the end of 1990s, Deng Jianjin's series 'About the Witness's Dreams' continued to carry on his signature style of being 'expressive' and 'intimate', but cynicism and jokes had also started to prevail among his paintings heavy in colors and opened up a way out for 'sentimental youth' and 'heavy-hearted moods'. Ever since then, Deng Jianjin has obtained a sense of uninhibited freedom and been able to let his thoughts flow on this paintings.

邓箭今的早期作品虽然与梦境有关，与情色和色情有关，与偷窥和自恋有关，但却毫无娱乐性，是一种放大了的、极其严肃的、甚至是矫枉过正的个人英雄主义写照，它背负着五千年文明的历史包袱和近现代中国人民的所有压抑和苦难，是一种花大力气的、正派的拯救的方式。90年代末，邓箭今在《有关目击者的梦境》系列中，虽然延续了他一贯的"表现"和"私密"的话语风格，但是调侃和玩笑之风开始盛行于色彩拥挤的画面，并为"感伤的青春"和"忧心重重的情怀"开启了一扇透气的风门，从此，邓箭今游刃有余，思想得以自由穿行。

Results The hind limb function of the injured rats recovered at different degrees, the most extent recovery occurred during the time site 1~2 week, recovery continued from 2 to 3 week and, BBB was up to 12 at the end of the third week, but there was no significance recovery during 3~4 week. the astrocyte caudal to the injury plane began hyperplasy and hypertrophy; astrocyte in which GFAP in expression was positive the gray matter increased obviously from 3 days to 14 days after hemisection. The expression of MBP is same as that of GFAP.

结果 伤后后肢均有不同程度的恢复，1~2周时恢复幅度最大，2~3周时后肢运动功能继续恢复，3周时BBB评分最高达12分，3~4周运动功能无显著性恢复，损伤后1 d损伤远端3~6 mm处GFAP阳性星形胶质细胞开始增生肥大，3~4 d灰质中星形胶质细胞明显增多，2周时达到高峰，损伤近端3~6 mm处少突胶质细胞的增生反应过程与星形胶质细胞相似。

If i die tomorrow I'd be allright Dream Theater Because i believe That after we're gone The spirit carries on I used to be frightened of dying I used to think death was the end But that was before I'm not scared anymore I know that my soul will transcend I may never find all the answers I may never understand why I may never prove What i know to be true But i know that i still have to try If i die tomorrow I'd be allright Because i believe That after we're gone The spirit carries on Victoria:"move on, be brave Because i am no longer here But please never let Your memory of me disappear" Nicholas: Safe in the light that surrounds me Free of the fear and the pain My questioning mind Has helped me to find The meaning in my life again Victoria's real I finally feel At peace with the girl in my dreams And now that i'm here It's perfectly clear I found out what all of this means If i die tomorrow I'd be allright Because i believe That after we're gone The spirit carries on Hypnotherapist: you are once again surrounded by a brilliant white light.

如果我死在明天我就是所有权梦剧场因为我相信之后，我们正在经历精神继承从前我害怕死亡从前我认为死亡是完不过，那是以前我不害怕了我知道我的灵魂将超越我可能永远找不到所有的答案我可能永远不会明白为什么我可从来没有证明我所知道的是事实但我知道我仍然要尝试如果我死在明天我就是所有权因为我相信之后，我们正在经历精神继承维多利亚："的大举措，要有勇气因为我已不再在这里但请决不辜负你的记忆力对我的消失"尼古拉斯：安全，在轻环绕箱免费的恐惧和痛苦我的质疑态度已帮我找到意思是我人生的又维多利亚的实质最后，我觉得在和平与女孩在我的梦想现在我来这里它的完全清楚我发现什么所有这一切都意味着如果我死在明天我就是所有权因为我相信之后，我们正在经历精神继承

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。