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Before intervention, FSWs knew little about the knowledge of STDs and HIV/AIDS, and were imperceptive about the risk of being infected with HIV. There were quite a lot mistakes about their condom using. HIV related high-risk behaviors also existed. Comprehensive intervention need to be carried out urgently, widely and deeply in this population.

1。干预前性服务小姐性病、艾滋病知识水平低，对感染艾滋病的危险认识不足，在安全套的使用中存在许多错误，存在感染艾滋病的高危行为，需及时、广泛、深入地开展针对该人群的艾滋病综合干预措施。

When the Aoduya that be asked about by media most impressional accomplishs a design to be when, tom Chilton points out, there are a lot of achievements to be able to be reached between Aoduya, among them one is the Boss that defeats all Aoduya below difficult mode and final Boss, this will be very bad accomplishment.

当被媒体问到奥杜亚最有印象的成就设计为何时，Tom Chilton 指出，在奥杜亚当中有很多成就可以达成，其中一项就是在困难模式下打败所有奥杜亚的 Boss 与最终 Boss，这个将是非常难的成就。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

What is remarkable about Campbell's conclusions is that, in spite of all the stylometric studies that have been conducted since his time, perhaps the only chronological fact about Plato's works that can now be said to be proven by stylometry is the fact that Critias, Timaeus, Laws, Philebus, Sophist, and Statesman are the latest of Plato's dialogues, the others earlier.

坎贝尔的结论最值得注意之处是，尽管从他那个时代所进行的所有文体学研究，但是我们现在可以说由文体学证明的有关柏拉图作品的唯一年代顺序是这样一个事实：《蒂迈欧篇》、《法律篇》、《斐利布斯篇》、《智者篇》和《政治家篇》都是柏拉图对话录中最晚的，其他的作品更早。

While I think about doing this, perhaps even read an article about dieting or talk to friends about it, I am consideredto be in the unfreezing stage.

当我考虑这么做的时候，也许是看看有关这方面的书或是和朋友聊聊，可以认为是我处于解冻阶段。

She said, don't say nothing about the Proctors, but only about the Apthorps -- which 'll be perfectly true, because she is going there to speak about their buying the house; I know it, because she told me so herself.""

这我清楚，因为是她亲口对我这么说的。&&好吧。她们说。随后就去找她们的叔叔，向他们问候，给他们传口信。如今一切顺利。姑娘们不会说什么，因为她们想去英国。

She said, don't say nothing about the Proctors, but only about the Apthorps -- which 'll be perfectly true, because she is going there to speak about their buying the house; I know it, because she told me so herself.

如果这样，至少她在早上会回家来的，她还说，关于普洛克托斯家，什么也别说，只提阿贝索贝斯家便行了――这是完全实实在在的话，因为她去那里是为了讲她们买下房子的事。

If they have been scattered and can nowhere be found, it is our will, supported by the penalty of excommunication or ecclesiastical interdict to be automatically incurred by the lands and domain of the ruler, that, after a just estimate has been made about them, the said prelates receive satisfaction through those who carried out the said sequestrations, applications or dispersals or who gave orders for them to be carried out; and further, that their goods and the goods of those subject to them, wherever these may be found, may be seized and held if, after being warned, they refuse to obey.

如果它们已经被分散，可没有找到，这是我们的意愿，得到了惩罚绝罚或教会阻截自动招致的土地和域的统治者，在一个公正的估计已取得了他们，上述主教得到满意通过这些谁进行了说sequestrations ，应用程序或分散或谁给了订单，他们将要进行；并进一步，他们的商品和货物的这些问题给他们，这些地方可能会发现，可能被没收并举行后，如果被警告，他们拒绝服从。

Decrees about various matters to be decided by the council: power is given to judges to make decisions, and for pairs of them to hear cases; that bulls of the council are to be obeyed; that forgers of conciliar bulls are to be punished in the same way as forgers of apostolic letters; that letters are to be despatched regarding the graces granted by the former pope John, except expectative and exceptional graces; ambassadors to Italy are appointed .

法令对各种事项须由理事会：电源，是考虑到法官作出决定，并为对他们审理案件；公牛安理会要服从，即伪造的conciliar公牛要予以处罚同样的方式伪造的教宗信件；信件都是以寄发关于青睐理所当然由前教宗若望除expectative和特殊青睐；大使意大利获得委任。

The lamp had very GREat anxiety about the next day, for he knew that he had to appear for the first time at the town hall, to be inspected by the mayor and the council, who were to decide if he were fit for further service or not;—whether the lamp was good enough to be used to light the inhabitants of one of the suburbs, or in the country, at some factory; and if not, it would be sent at once to an iron foundry, to be melted down.

这个&明天&引起路灯的恐怖，因为它知道它将第一次要在市政府出现，被&36位先生&2审查一番，看它是不是还能继续服务。1即屋顶下的那间低矮的房间。一般是当作储藏室使用的。只有穷学生和艺术家住在里面。2这是丹麦市政府里参议员的总数。

Singer Leona Lewis and former Led Zeppelin guitarist Jimmy Page emerged as the bus transformed into a grass-covered carnival float, and the pair combined for a rendition of "Whole Lotta Love".

歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车，和一双合并为一移交&整个lotta爱&。

This is Kate, and that's Erin.

这是凯特，那个是爱朗。