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The modern physics development by to the concrete material embodiment inspection, moved towards to the abstract material abstract research, namely from specially moves towards general, its utilizes the mathematical instrument is also same, moves towards mathematics from physical mathematics physics, already developed the abstract algebra and the general analysis situs, from bad on the one hand said, the physicist because of lost the concrete material object to change confusedly, was at a loss how to proceed, from was good on the one hand says, the research technique from specially moved towards general, also caused its thinking mode to have the return, tended to the philosophy, this speaking of the physics, was one kind of significant crisis, but at the same time, Also is a brand-new development turning point.

现代物理学的发展已由对具体物质的具象考察，走向对抽象物质的抽象研究，即从特殊走向一般，其所运用的数学工具也一样，从物理的数学走向数学的物理，已经发展到抽象代数和一般拓扑学，从坏的一方面讲，物理学家因失去了具体的物质对象而变得迷茫，无所适从，从好的一方面讲，研究方法的从特殊走向一般，也使其思维方式发生了回归，趋向于哲学，这对物理学而言，是一种重大危机，但与此同时，也是一个全新的发展契机。

Your diarist has a choice: he could fly to Kiev, well away from the ash cloud, from there to Istanbul, from there to Madrid, and from there—perhaps—take a train to a northern Spanish or French port and then a ferry to Britain.

我们的记者有个选择：他可以飞去Kiev，远离火山灰，从那里去伊斯坦布尔，再去马德里，再从那里，可能的话，乘坐火车去西班牙北部或法国的港口然后渡船到英国。

This article starts form carding the formation and development of the animations in the United States, Japan and Europe, in their respective national television animation style characteristics. In the second chapter, from the national culture, folk customs and ways, the character and geographical four conditions explore the United States, Japan, Europe, ethnic style animation in the film formation due to the dynamic; Chapter III trays to find the common aesthetic features of the Television Animation factors in United States, Japan, Europe, also this part describes the characters from four aspects, such as to find truthfulness, to find kind and so on. Chapter four is the key of this article, this part colludes several parts , such as film animation level, the way how animation to present to the concept of integrity, the character and language of the text character and so on . This end of this article is a summary of papers, down from globalization understanding of the vision of China Television Animation, the theoretical study of the ultimate goal is to practice creative services, what is more important is a comparative analysis, which received some of reference, identify China Television Animation and the gap between other countries, in order to learn from foreign advanced development of the film and television animation experience in the domestic film and television animation themes and concepts updates, in the localization of the close integration with the international on the road to the former OK, can have a more far-reaching significance.

论文首先从美、日、欧、中影视动画各自民族风格的特点出发，对其民族风格的形成与发展进行系统的梳理；进而在第二章中，从民族文化、民风民俗、民族性格和地域条件四个方面探究美、日、欧、中影视动画民族风格形成的动因；第三章是对美、日、欧、中影视动画的同质性因素进行比较，论文从启真、扬善、弘美、尚趣四个维度来寻求其共通的美学特征；第四章中外影视动画民族风格的异质性因素比较是本文的重点，也是论文的难点，这一章涉及到许多影视动画本体性的层面，拟从动画的观念品格、文本品格和行为品格三个方面进行把握、比较；最后一章是论文的总结，从全球化的视野下来认识中国影视动画，理论研究的最终目的是要为实践创作服务的，因而，论文更主要的是通过比较分析，从中获得一些借鉴性意见，找出中国影视动画和其他国家之间的差距，更好的学习国外影视动画先进的发展经验，以期对国产影视动画在题材和观念的更新上、在本土化与国际化紧密结合的道路上如何前行能够有更为深远的指导意义。

Judging from the present state of the work, Liu tend to extract formal elements from the rules and habits of writing, such as the two dimensional quality of calligraphy and the temporal quality of writing. The writing of lines from top to bottom, from left to right or from right to left is directly linked with the likening of 'love' to personal relations.

从作品的现状看，刘永刚是较多从文字书写的规定和习惯中提取形式要素，比如书法的平面性，书写的时间性，都是从上往下和从左到右或从右到左的直线流通展现方式，以及将&爱&比拟为人与人之间的关系等，都有直接的联系。

Advertisement creative design and production - Business VI Visual Identity System - posters, advertising, outdoor ads, such as print media advertising creative, design and production - the effect of three-dimensional space design - Terminal publicity materials design, printing, printing and production of terminal logo logo display terminal design and production - retail, restaurant chains, the Exhibition Hall, proprietary point of sale visual, display, logo design and production - large-scale buildings and public facilitiessystem design and production - display display rack, Steel-wood counters , props, metal, plexiglass products, design and production planning and implementation of the Convention and Exhibition Events - Exhibition design, exhibition and set up the planning, organization - the contractors of various large-scale exhibition PR campaign society System: display cabinets and display of aircraft products and Exhibition Items Exhibition Logo Products Terminal Units structures: the word independent Lightbox plexiglass signs carved three-dimensional packing of hard metal processing of aluminum and neon signboards word products LED advertising signs lightguide plate flipped three ultra-thin light box light box cloth 3M Film 3M Inkjet Printer Photo Posters posters from scratch, from a point to face, from the visual culture, from the surface to the deep, from products to brands, Norma are consistent pursuit.

广告创意设计及制作-企业VI视觉识别系统-海报、车身广告、户外广告等平面媒体的广告创意、设计及制作-三维立体空间效果设计-终端宣传品的设计、印刷、喷绘及制作终端标识终端标识展示设计及制作-零售、餐饮连锁店、展示厅、专卖售点的视觉、展示、标识设计和制作-大型建筑物及公共设施导视系统的设计和制作-展示展架、钢木柜台、道具、金属、有机玻璃制品的设计和制作会展活动策划及执行-展览会设计、布展及搭建策划、组织-承办各项大型社会公关活动展览展示系统：展示柜及陈列架产品展示道具展览展台搭建终端标识产品：独立字灯箱有机玻璃雕刻立体吸塑硬招牌金属加工铝字招牌霓虹灯及LED制品三翻转广告招牌导光板超薄灯箱 3M灯箱布喷绘 3M贴膜宣传画招贴喷绘写真从无到有，从点到面，从视觉到文化，从表面到深邃，从产品到品牌，是诺玛一贯的追求。

From Rusticus I received the impression that my character required improvement and discipline; and from him I learned not to be led astray to sophistic emulation, nor to writing on speculative matters, nor to delivering little hortatory orations, nor to showing myself off as a man who practises much discipline, or does benevolent acts in order to make a display; and to abstain from rhetoric, and poetry, and fine writing; and not to walk about in the house in my outdoor dress, nor to do other things of the kind; and to write my letters with simplicity, like the letter which Rusticus wrote from Sinuessa to my mother; and with respect to those who have offended me by words, or done me wrong, to be easily disposed to be pacified and reconciled, as soon as they have shown a readiness to be reconciled; and to read carefully, and not to be satisfied with a superficial understanding of a book; nor hastily to give my assent to those who talk overmuch; and I am indebted to him for being acquainted with the discourses of Epictetus, which he communicated to me out of his own collection.

从拉斯蒂克斯，我领悟到我的品格需要改进和训练，知道不迷误于诡辩的竞赛，不写作投机的东西，不进行繁琐的劝诫，不显示自己训练有素，或者做仁慈的行为以图炫耀；学会了避免辞藻华丽、构思精巧的写作；不穿着出门用的衣服在室内行走及别的类似事情；学会了以朴素的风格写信，就像拉斯蒂克斯从锡纽埃瑟给我的母亲写的信一样；对于那些以言词冒犯我，或者对我做了错事的人，一旦他们表现出和解的意愿，就乐意地与他们和解；从他，我也学会了仔细地阅读，不满足于表面的理解，不轻率地同意那些夸夸其谈的人；我亦感谢他使我熟悉了埃比克太德的言论，那是他从自己的收藏中传授给我的。

The amount of nutrients derived from chemical fertilizer was increased. The nitrogen fertilizer application rates applied to wheat ranged from 103kg/hm〓 to 192kg/hm〓, from 99kg/hm〓 to 187kg/hm〓 for rape and from 173kg/hm〓 to 207kg/hm〓 for rice. The nitrogen fertilizer application rates applied to maize, potato and apple tree tended to increase, from 60kg/hm〓, 64kg/hm〓 and 299kg/hm〓 to 196kg/hm〓, 127kg/hm〓 and 126kg/hm〓 respectively.

化肥施用总量总体上为增加趋势，单位面积氮肥施用量为：小麦、油菜与水稻年际之间波动较大，其中小麦在103-192kg／hm〓间变化，1991年达到高峰，油菜在99-187kg／hm〓间变化，1992年达到高峰，水稻在173-207kg／hm〓间变化；玉米、马铃薯与苹果为增加趋势，分别从60kg／hm〓、64kg／hm〓y和299kg／hm〓增加到196kg／hm〓、127kg／hm〓和352kg／hm〓。

It analyzes the Internet opinion and its control thoroughly and systematically using the technical routine from generalities to peculiars, from theory to practice, from periphery to crux, from current situation to question, again to solution in the hope of making up for the omissions and deficiencies of present relative research achievements on the Internet opinion and its control, of adding to, developing, making perfect it on the basis of succession, and trying to design a train of thought combining generality and personality and operated easily for the social control on the Internet opinion.

即采用从一般到具体、从理论到实践、从外围到内核，从现状到问题再到解决方案的技术路线，对网络舆论及其控制问题进行较全面、系统地分析，以期对目前已有相当研究成果和基础的网络舆论及其控制研究拾遗补漏，对原有理论在继承的基础上补充、发展、完善，并试图为网络舆论的社会控制设计一条共性与个性相结合，具有较强可操作性的思路。

And he also deduces the complete systemic universal theory that the comic's circling movement from the ancient and it graduated layer upon layer and to evolve from the beginning to the end, and grow out of nothing empty to solid; and the universe formula:E = mn1+n2+…nn + mc2 ;and the truth of the gravitation origin; and the extragalactic nebula red shift phenomenon is the result of its galaxy quality structure and the magnitude characteristic attraction, mutually by no means was far away but explodes, and he obtained the universe theory different from the large explosion completely. At the same time it will explain the abstract cultural natural sciences knowledge truth secret something like: Pan-Gu heaven and earth, the River-Chart and the Luo-River-Book, primal chaos and Yi Gua, the profound and abstruse principles of Daoism, the symbolism number of Yi-ology and so on, and it is so broad and profound mystical that it is to be lost many years in Chinese eternity civilization. Then, he establishment the law of myriad things with one method; and deciphered the method that CongzhiZu instantaneously obtained the girth quotient density earlier near millennium than the European at the Han Dynasty, and broke the misunderstanding that all to think he has use shearing the round technique method in the world; and expounded the Pan Gu truth that the world occurs and forms with, broke the thought Pan Gu was the god superstition which the folk spread; and has cleared the-River-Chart and Luo-river-book is the nature objective reflection appearance of the universe transportation principle; and has opened the universe code numeral secret; and explained the scientific truth Fu Xi drawing the ancient divination symbol, furthermore, the writer has drawn all the ancient divination symbol order orientation diagram that had lost the thousands years of the pre-heaven Lian-shan, the midst Gui-cang, the after earth Qian-kun,and the after heaven Zou-Yiology. Through the universe laws and regulations law of from the beginning to the ultimate and myriad things all out of Pangu River-chart Luo river book primal chaos, explained thoroughly the digital code of the universe myriad things' transports and constitution. The digital code only a digital odd and even, but the binary system code deduced the world myriad things' number.

推论出宇宙万物从无到有、由虚化实、由始到终、从一到万、盘旋古衡地层层量级运动演化完备系统的万有理论；推算出了宇宙万有品质及能量公式 E = mn1+n2+…nn +mc2；论述了万有引力、磁力、电流、微观中的强力弱力诸能量的由来，以及宇宙万有物质和三大力等统一为一体的道理；推论出一切物质构成存在皆是能量结晶体，得出&一切物质皆是能量实在&，&物质本身即是能量&的理论；讲明了银河外星系的红移现象是其盘旋圆合成的星系巨大品质结构和量级特性的引力所致，并非相互远离而爆炸，得出了与大爆炸完全不同的理论；同时破解了中国博大精深神秘玄奥的华表准天、八节太极、弇兹九宫、盘古天地、河图洛书、太极易卦、天机道秘、象数彖爻等自然科学知识道理奥秘；释解并创立了万物同准法理论；解密了古代祖冲之早於欧洲近千年，瞬间得出圆周率密率的方法，打破了世界上都认为密率是用割圆术等推算出的误解；阐明了盘古天地发生形成的宇宙自然之道，以及日晷观天历纪二十四节气等等，许多天地万物万事的科学同准方法，揭秘了认为盘古是民间流传的神话迷信；理清了河图洛书是天地垂象万物负图之客观自然规律出现的宇宙物有运化成物的基本道理的数理定律；解开了现代专家教授都迷惑不解的太极易卦天地编码万物数理秘密；释解了伏羲画卦的科学道理，把失传数千年的先天连山易、中天归藏易、后地乾坤形易以及后天周易的遗失卦象次序方位数学矩阵图全都补画出来；通解了宇宙天地万有运化构成的基因数码，只用一这个最简单元始数字，奇偶一二进位地组成编码天地数字推演万物。

" The Greek military leader and historian Xenophon, who served with Greek mercenaries in Persia, first used the Greek word paradeisos adopted from the Avestan word to refer to the Persian kings' and nobles' parks or pleasure grounds. This Greek word extended to mean "garden" or "orchard was an obvious choice for translators of the Bible into Greek to use both for the Garden of Eden and the Abode of the Blessed, or heaven. The Greek word was adopted into Late Latin and was used much as we might expect in its biblical senses in ecclesiastical Latin. The Old English word paradis taken from Latin is found, but our word probably really established itself in Middle English (first recorded before 1200), derived both from Latin and from Old French, which had adopted the word from Latin. paradise.

曾随希腊雇佣军到波斯服役的希腊军事将领和历史学家色诺芬，首先使用了希腊语词paradeisos，，该词采用了阿维斯陀词，指波斯国王和贵族们的花园或游乐场，这个希腊词衍生到表示&花园&或&果园&，显然是译者在把《圣经》翻译成希腊文时所做出的选择，以用来表明伊甸园和天国或天堂，有这两种含义的希腊词被引入后期的拉丁语中且当它们在教会拉丁文（后期拉丁语paradisus 中意为《圣经》方面的意义时被更广泛地使用，古英语paradis 一词来自拉丁文，但我们用的这个词可能在中古英语（首次记录在1200年前）中真正确立了起来，人们发现它源于拉丁文和从拉丁文中采纳了这个词的古法语

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。