查询词典 to a man

From Rusticus I received the impression that my character required improvement and discipline; and from him I learned not to be led astray to sophistic emulation, nor to writing on speculative matters, nor to delivering little hortatory orations, nor to showing myself off as a man who practises much discipline, or does benevolent acts in order to make a display; and to abstain from rhetoric, and poetry, and fine writing; and not to walk about in the house in my outdoor dress, nor to do other things of the kind; and to write my letters with simplicity, like the letter which Rusticus wrote from Sinuessa to my mother; and with respect to those who have offended me by words, or done me wrong, to be easily disposed to be pacified and reconciled, as soon as they have shown a readiness to be reconciled; and to read carefully, and not to be satisfied with a superficial understanding of a book; nor hastily to give my assent to those who talk overmuch; and I am indebted to him for being acquainted with the discourses of Epictetus , which he communicated to me out of his own collection.

我从拉斯蒂克斯那里领悟了许多，这使我的性格得以完善和规范；他让我懂得如何不致陷入诡辩论战的歧途，如何不写那些投机取巧的文章，如何不发表急功近利的演说，如何像深藏不露者那样既不显山露水，又能循循善诱、从善如流；他教我力戒文过饰非、靡丽铺张和词藻华美；他教我别装模作样、咆哮于庭，亦不作诸如此类的其它做派；他教我用词简洁，就像拉斯蒂克斯从辛努厄萨写给母亲的书信那样行文；他教我宽以待人，无论他人恶语相加还是错上加错，只要他们有和解之意，必当冰释前嫌、和好如初；他教我用功读书，不满足于一知半解；他教我不要随便附和夸夸其谈的人；我感激他让我熟读爱比克泰德的演讲论文，使我在他的文集之外与他沟通交流。

Epik High《epilogue》《over》 You got so much to prove hopin' they approve The only thing that's true is all you ever do is do You're movin' shoe to shoe but you're not goin' you stop growin' the moment that you stay at the top The only way is to drop free-falin' down the stairs that you climbed up lined up to freely mount the air But you dare not airdrop tired up like a hairknot hikin' down without a chance of steppin' on a fair rock And so you stand still in a stand still Hands still buildin' castles on a sandhill Man chill is what your friends say but you're not hearin' what little men say Anyway Keep on goin' and taste the stars Keep on growin' and raise the bar You're livin life for the A's down to the Z's After the hill you've got a mountain to seize You are an overacheiver do what it takes till it takes everything you are You are an overacheiver do what it takes till it takes everything you are Who can tell Your living in an organized hell The mansion of your mind just an oversized cell The pressure everything is done to a measure In the sea of competition sunk like a treasure Like a feather fallin' slow spralin' to the floor Strung up like a broken violin to your course Opportunity is knockin' at your door but you never left a welcome mat (It doesn't matter anymore) Or anyhow but you're too late to turn back Fate pushin' you into the wall like a thumbtack Ain't no comebacks in this game of life Roll the dice again Roll it once never twice Keep on goin' and taste the stars keep on growin' and raise the bar You're livin' life for the A's down to the Z's After one drop you've got a fountain to seize You are an overacheiver do what it takes till it takes everything you are You are an overacheiver do what it takes till it takes everything you are You are an overacheiver do what it takes till it takes everything you are Want a break from the world but the world wanna break you The weight makes your backbone curl up and ache you You are an overacheiver do what it takes till it takes everything you are Want a break from the world but the world wanna break you The weight makes your backbone curl up and ache you

登录 |《跋》Epik高《在》你有如此多的证明 hopin '他们批准只有一件事，是真实的你满脑子都是做是什么你的鞋，准予鞋但你不是要你停止growin ''那一刻你呆在上面惟一的办法就是下降 free-falin"下楼梯，你爬了上去自由转会到山的空气但你不敢airdrop累了，就像一个hairknot "没机会 steppin的一个公平的岩石和你伫立于一个静止 buildin手依然在sandhill的城堡你的朋友是什么人寒意但是你不hearin'小男人说无论如何，味道传来的持续的星星继续growin '和酒吧你在生活的一个能Z的你已经得到了山之后，一座山要抓住你是一个overacheiver 做任何事，直到你是什么你是一个overacheiver 做任何事，直到你是什么谁能告诉你的生活在一个有组织的地狱大厦的头脑只是一个超大的细胞所有的压力，对测量在大海中沉没宝藏。像竞争像羽毛的慢spralin因为"到地板上像破碎悬挂的小提琴你的课程机会是knockin '来到你的门前但你从未离开过一个欢迎仪式。无论如何，但你还是太迟了回去"你pushin命运像个图钉墙不是在这场比赛复出的生活滚动骰子滚它又从不两次不断传来的味道和天上的星星继续growin '和酒吧你推荐的生活为一个能Z的你已经得到了一滴后一个喷泉扣押你是一个overacheiver 做任何事，直到你是什么你是一个overacheiver 做任何事，直到你是什么你是一个overacheiver 做任何事，直到你是什么想一下这个世界但是世界想要打破你让你的体重骨干蜷缩和疼痛你是一个overacheiver 做任何事，直到你是什么想一下这个世界但是世界想要打破你让你的体重骨干蜷缩和疼痛

Really abhorrent, did not sympathize with a person, also pay no attention to what what mauled, return venomously slander, still scold me to say you are sure the head has a problem, can be here how otherwise talk rubbish, gas gets my pop eye to want as academic as her, did not think of to walk out of a man to come, say if you are solid however be be hit by those mop, the issue that also does not involve us, I am so angry that do not have a word to say, because rapid move goes receiving a daughter to classes are over, do not think again as academic as them, but answer,want to feel to subdue more more in the home, but did not cause the accident that weigh an injury to cannot accuse them again, the grievance that wants to hit reporter hot line to let a reporter understand its reason to let its say me in the newspaper is afraid of again fussily.

真可恶，一点都不同情人，也不问是否打伤了什么的，还血口喷人，还骂我说你肯定脑袋有问题，不然怎会在这儿瞎说，气得我瞪大眼睛想与她理论，没想到走出一个男人来，说你假如却实是被那些拖把打到了，也不关我们的事啊，我是气得没话说，由于急着去接女儿放学，不想再与他们理论，可是回到家里越想越觉得委屈，但没造成重伤事故又不能告他们，想打记者热线让记者来了解事情缘由让其登报说说我的委屈又怕小题大做了。

I soon found a way to convince him that I would do him no harm, and taking him up by the Hand laugh'd at him, and pointed to the Kid which I had kill'd, beckoned to him to run and fetch it, which he did; and while he was wondering and looking to see how the Creature was kill'd, I loaded my Gun again, and by and by I saw a great Fowl like a Hawk sit upon a Tree within Shot; so to let Friday understand a little what I would do, I call'd him to me again, pointed at the Fowl which was indeed a Parrot, tho' I thought it had been a Hawk, I say pointing to the Parrot, and to my Gun, and to the Ground under the Parrot, to let him see I would make it fall, I made him understand that I would shoot and kill that Bird; accordingly I fir'd and bad him look, and immediately he saw the Parrot fall, he stood like one frighted again, notwithstanding all I had said to him; and I found he was the more amaz'd, because he did not see me put any Thing into the Gun; but thought that there must be some wonderful Fund of Death and Destruction in that Thing, able to kill Man, Beast, Bird, or any Thing near, or far off; and the Astonishment this created in him was such, as could not wear off for a long Time; and I believe, if I would have let him, he would have worshipp'd me and my Gun: As for the Gun it self, he would not so much as touch it for several Days after; but would speak to it, and talk to it, as if it had answer'd him, when he was by himself; which, as I afterwards learn'd of him, was to desire it not to kill him.

可怜的星期五上次曾看到我用枪打死了他的敌人，但当时他站在远处，弄不清是怎么回事，也想象不出我是怎样把他的敌人打死的。可这一次他看到我开枪，着实吃惊不少；他浑身颤抖，简直吓呆了，差一点瘫倒在地上。他既没有去看我开枪射击的那只小羊，也没有看到我已把小羊打死了，只顾扯开他自己的背心，在身上摸来摸去，看看自己有没有受伤。原来他以为我要杀死他。他跑到我跟前，扑通一声跪下来抱住我的双腿，嘴里叽哩咕噜说了不少话，我都不懂。但我不难明白他的意思，那就是求我不要杀他。我马上想出办法使他相信，我决不会伤害他。我一面用手把他从地上扶起来，一面哈哈大笑，并用手指着那打死的小羊，叫他跑过去把它带回来。他马上跑过去了。他在那里查看小山羊是怎样被打死的，并感到百思不得其解。这时我趁此机会重新把枪装上了子弹。不久，我看见一只大鸟，样子像一只苍鹰，正落在我射程内的一棵树上。为了让星期五稍稍明白我是怎样开枪的，就叫他来到我跟前。我用手指了指那只鸟--现在我看清了，其实那是一只鹦鹉，而我原先把它当作苍鹰了。我刚才说了，我用手指了指那只鹦鹉，又指了指自己的枪和鹦鹉身子底下的地方，意思是说，我要开枪把那只鸟打下来。

I coach people to drive. Last Sunday, I saw a tragedy. Two coaches collided with each other. A building collapsed.Many people clustered to see what happened. Five persons died during the collision. Coherent blood wet their clothes. And thewet cloths clung to their bodies. The police covered the dead with cloaks. A man volunteered to help them. His friendly behavior was a cloak for his evil intentions. A dead wonman clutched her purse tightly but he stole it. Few people noticed his coarse action. Then he wanted to escape from there but tripped over a coil of rope. His clumsy movement attracted the police. According to the clue a witness supplied, he was arrested. At the same time, a coal ship was sailing along the coast clockwise. One of my colleagues happened to be on the ship. His free time never coincided with mine. We only used Morse code to keeo in touch. So I was surprised to see him. What a coincidence!

我辅导人们驾驶上周日我目睹了一场悲剧两辆长途汽车互相碰撞一座建筑倒塌了许多人群集而来看发生什么了事情有5人在碰撞中丧生粘附的血弄湿了他们的衣服并且湿衣服粘住了他们的身体警察用外套盖住死者一个男人自告奋勇帮助他们他友善的举动实际上对邪恶动机的掩盖一名女死者牢牢握住她的钱包但还被他偷走了很少人注意到他的粗鲁行为然后他想逃离那里但被一卷绳索绊倒了他那笨拙的动作引起了警方的注意根据一名证人提供的线索他被捕了与此同时一艘煤船正以顺时针方向驶向海岸我的一个同事碰巧在船上他的闲暇时间从不和我一致我们只用摩尔斯密码保持联系因此我很惊奇地见到他真巧合呀！

I soon found a way to convince him that I would do him no harm, and taking him up by the Hand laugh'd at him, and pointed to the Kid which I had kill'd, beckoned to him to run and fetch it, which he did; and while he was wondering and looking to see how the Creature was kill'd, I loaded my Gun again, and by and by I saw a great Fowl like a Hawk sit upon a Tree within Shot; so to let Friday understand a little what I would do, I call'd him to me again, pointed at the Fowl which was indeed a Parrot, tho' I thought it had been a Hawk, I say pointing to the Parrot, and to my Gun, and to the Ground under the Parrot, to let him see I would make it fall, I made him understand that I would shoot and kill that Bird; accordingly I fir'd and bad him look, and immediately he saw the Parrot fall, he stood like one frighted again, notwithstanding all I had said to him; and I found he was the more amaz'd, because he did not see me put any Thing into the Gun; but thought that there must be some wonderful Fund of Death and Destruction in that Thing, able to kill Man, Beast, Bird, or any Thing near, or far off; and the Astonishment this created in him was such, as could not wear off for a long Time; and I believe, if I would have let him, he would have worshipp'd me and my Gun: As for the Gun it self, he would not so much as touch it for several Days after; but would speak to it, and talk to it, as if it had answer'd him, when he was by himself; which, as I afterwards learn'd of him, was to desire it not to kill him.

其实，对星期五，我根本用不着采取任何防范措施。任何其他人都不可能有像星期五这样忠诚老实、听话可爱的仆人。他没有脾气，性格开朗，不怀鬼胎，对我又顺从又热心。他对我的感情，就像孩子对父亲的感情，一往情深。我可以说，无论何时何地，他都宁愿牺牲自己的生命来保护我。后来，他的许多表现都证明了这一点，并使我对此毫不怀疑。因此，我深信，对他我根本不用防备。

From Rusticus I received the impression that my character required improvement and discipline; and from him I learned not to be led astray to sophistic emulation, nor to writing on speculative matters, nor to delivering little hortatory orations, nor to showing myself off as a man who practises much discipline, or does benevolent acts in order to make a display; and to abstain from rhetoric, and poetry, and fine writing; and not to walk about in the house in my outdoor dress, nor to do other things of the kind; and to write my letters with simplicity, like the letter which Rusticus wrote from Sinuessa to my mother; and with respect to those who have offended me by words, or done me wrong, to be easily disposed to be pacified and reconciled, as soon as they have shown a readiness to be reconciled; and to read carefully, and not to be satisfied with a superficial understanding of a book; nor hastily to give my assent to those who talk overmuch; and I am indebted to him for being acquainted with the discourses of Epictetus, which he communicated to me out of his own collection.

从拉斯蒂克斯，我领悟到我的品格需要改进和训练，知道不迷误于诡辩的竞赛，不写作投机的东西，不进行繁琐的劝诫，不显示自己训练有素，或者做仁慈的行为以图炫耀；学会了避免辞藻华丽、构思精巧的写作；不穿着出门用的衣服在室内行走及别的类似事情；学会了以朴素的风格写信，就像拉斯蒂克斯从锡纽埃瑟给我的母亲写的信一样；对于那些以言词冒犯我，或者对我做了错事的人，一旦他们表现出和解的意愿，就乐意地与他们和解；从他，我也学会了仔细地阅读，不满足于表面的理解，不轻率地同意那些夸夸其谈的人；我亦感谢他使我熟悉了埃比克太德的言论，那是他从自己的收藏中传授给我的。

I sometimes dream of a larger and more populous house, standing in a golden age, of enduring materials, and without gingerbread work, which shall still consist of only one room, a vast, rude,substantial, primitive hall, without ceiling or plastering, with bare rafters and purlins supporting a sort of lower heaven over one's head —— useful to keep off rain and snow, where the king and queen posts stand out to receive your homage, when you have done reverence to the prostrate Saturn of an older dynasty on stepping over the sill; a cavernous house, wherein you must reach up a torch upon a pole to see the roof; where some may live in the fireplace,some in the recess of a window, and some on settles, some at one end of the hall, some at another, and some aloft on rafters with the spiders, if they choose; a house which you have got into when you have opened the outside door, and the ceremony is over; where the weary traveller may wash, and eat, and converse, and sleep, without further journey; such a shelter as you would be glad to reach in a tempestuous night, containing all the essentials of a house, and nothing for house-keeping; where you can see all the treasures of the house at one view, and everything hangs upon its peg, that a man should use; at once kitchen, pantry, parlor, chamber, storehouse,and garret; where you can see so necessary a thing, as a barrel or a ladder, so convenient a thing as a cupboard, and hear the pot boil,and pay your respects to the fire that cooks your dinner, and the oven that bakes your bread, and the necessary furniture and utensils are the chief ornaments; where the washing is not put out, nor the fire, nor the mistress, and perhaps you are sometimes requested to move from off the trap-door, when the cook would descend into the cellar, and so learn whether the ground is solid or hollow beneath you without stamping.

我有时梦见了一座较大的容得很多人的房屋，矗立在神话中的黄金时代中，材料耐用持久，屋顶上也没有华而不实的装饰，可是它只包括一个房间，一个阔大、简朴、实用而具有原始风味的厅堂，没有天花板没有灰浆，只有光光的椽木和桁条，支撑着头顶上的较低的天，——却尽足以抵御雨雪了，在那里，在你进门向一个古代的俯卧的农神致敬之后，你看到衍架中柱和双柱架在接受你的致敬；一个空洞洞的房间，你必须把火炬装在一根长竿顶端方能看到屋顶，而在那里，有人可以住在炉边，有人可以往在窗口凹处，有人在高背长椅上，有人在大厅一端，有人在另一端，有人，如果他们中意，可以和蜘蛛一起住在椽木上：这屋子，你一打开大门就到了里边，不必再拘泥形迹；在那里，疲倦的旅客可以洗尘、吃喝、谈天、睡觉，不须继续旅行，正是在暴风雨之夜你愿意到达的一间房屋，一切应有尽有，又无管理家务之烦；在那里，你一眼可以望尽屋中一切财富，而凡是人所需要的都挂在木钉上；同时是厨房，伙食房，客厅，卧室，栈房和阁楼；在那里你可以看见木桶和梯子之类的有用的东西和碗橱之类的便利的设备，你听到壶里的水沸腾了，你能向煮你的饭菜的火焰和焙你的面包的炉子致敬，而必需的家具与用具是主要的装饰品；在那里，洗涤物不必晒在外面，炉火不熄，女主人也不会生气，也许有时要你移动一下，让厨子从地板门里走下地窖去，而你不用蹬脚就可以知道你的脚下是虚是实。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族&血性&的传承方面。

At a party given to introduce Elsa Schraeder to the Captain's neighbors, the ominous rumblings of the imminent German Anschluss begin to be heard. Some of the guests almost come to blows over the possibility of Hilter's take-over of Austria, and one of them threatens the Captain, who is firmly opposed to the Nazi regime. When Maria tries to teach one of the von Trapp boys the charming Austrian folk dance, the Laendler, the Captain takes over, dancing for the first time with Maria. During the dance Maria is confronted with a sudden realization: she has fallen in love with the Captain. In dismay, she flees to the Abbey, where the Mother Abbess advises her that the love of a man and a woman is holy, and that the Abbey is not a place to hide from one's problems but a place in which to confront them. She urges Maria to reach out to meet life and insists that Maria return to the von Trapp household.

在一个将Elsa介绍给邻居的晚宴上，其中一位宾客威胁严厉反对纳粹政权的乔治上校，当玛莉亚试著教导冯崔普家族里的男孩们奥地利最优美的民族舞蹈时，上校第一次接过玛莉亚的手并与其共舞，就在两人共舞时，玛莉亚突然意识到她已经爱上了这位上校，在困惑迷惘之中，玛莉亚飞奔到修道院，修女们提醒她男女之爱是非常神圣的，修道院并不是隐藏个人问题的地方，而是面对问题之所，还鼓励玛莉亚伸出双手去迎接新生活，并坚持玛莉亚返回冯崔普家族。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。