查询词典 time space

The individuals familiar from experience are also said to be material: they fill regions of space with impenetrable "stuff," and are locatable in space and time.

经验所熟悉的这些个体，也被说成是'物质的'：它们用不可穿透的&材料&填满空间区域，可在时间和空间中定位。

The finite difference time-domain method is stable and easy to be used, but due to the fact that it approximates the space derivatives in Maxwells curlequations by central difference, FDTD usually requires more than 20 grids perwavelength to achieve acceptable accuracy. As a contrast, pseudospectraltime-domain method approximates the space derivatives by pseudospectralmethod, which guarantees the accuracy, theoretically requiting only 2 grids perwavelength.

传统的电磁场数值算法——时域有限差分法稳定而易于实现，但由于FDTD采用中心差分近似Maxwell旋度方程的微分，每个波长上需要取的网格数通常较多，而时域伪谱法采用伪谱法求微分，理论上每个波长只需要取两个网格便可以达到较高的精度。

The range of sounds this instrument is capable of is truly amazing, from shimmering pads, to mysterious drones, crystalline digital manipulations to dark distorted atmospheres, menacing mechanisms, evocative resonances, surreal sound effects, complex cascades, formant sheens, dark disturbing horror, analogue waves, amazing space textures, strange vocal synthesis and of course, sounds from the Outer Limits of space and time.

各种声音这一工具能够真正令人吃惊，从波光垫，以神秘的无人驾驶飞机，结晶数字操纵扭曲向黑暗气氛，威胁的机制，唤起共鸣，贺岁片音效，复杂的级联，共振sheens ，黑暗恐惧不安，模拟波，惊人的空间纹理，奇怪的声音合成，当然，声音从外部界限的空间和时间。

Its technology is deeply roted in science and research stemming from the Russian Space Programme in an attempt to increase the amount of time an astronaut stay in space.

它的技术是非常roted科学和研究从俄罗斯联邦航天计划产生的，企图增加时间的宇航员在太空逗留。

Its technology is deeply roted in science and research stemming from the Russian Space Programme in an attempt to increase the amount of time an astronaut stay in space.

它的技术是非常roted科学和研究产生了俄罗斯太空计划，试图增加数量的时间宇航员在太空逗留。

The results show that a the variation of annual mean runoff of Huayuankou section exist an intrinsic dynamic mechanism, which is the results of joint action of affecting factor of periodicity and non-periodicity, having obvious chaos characteristic; b the correlation dimension of attractor of phase space is 5.09 and saturation inserted dimension is 14. It shows that to establish a mathematical model of the annual mean runoff system of Huayuankou at least requires 6 independent variables and the required saturation inserted dimension for rebuilding phase space is 14; c the steady estimate of Kolmogorov entropy is 0.14, showing the average predictable time of the annual mean runoff variation of Huayuankou is about 7 years and; d using nonlinear deterministic chaos model is more suitable to describe the variation of annual mean runoff of Huayuankou.

结果表明：①花园口年平均径流量变化存在着内在动力学机制，是由周期性和非周期性影响因子共同作用的结果，具有明显的混沌特性；②相空间吸引子的关联维为5.09，饱和嵌入维数为14，这说明要建立花园口年平均径流系统的数学模型，至少需要6个独立变量，重构相空间所需要的饱和嵌入维数为14；③Kolmogorov熵的稳定估计为0.14，说明花园口年平均径流量变化的平均可预报时间大约为7年；④用非线性确定性的混沌模型比完全的随机模型更适于描述黄河花园口年平均径流量的变化。

At the same time, as a result of lacking correct plan channel, the planers , architects, landscape designers and sculpture maker s each design and create as themselves,it cause the design of urban environment is mixed and disorderly,there is not integral and concordant beauty in urban sculpture and urban space, through analyzing urban space environment, this paper discussed the fundamental of urban sculpture...

同时，由于缺乏正确的规划引导，规划师、建筑师、景观设计师、雕塑家各自进行设计与创作，造成城市环境设计无序的状态，城市雕塑和城市空间环境不能形成整体和谐之美，论文通过对城市空间环境的分析，探讨城市雕塑创作的原则。

Through discourse re-writing, graphic paintings forms the thinking into this artistic context. By the study on two paintings with similar style, this paper aims to examine the space constructed from the paintings. The goal is to know how the appreciators digest and re-form the image when paintings are deemed as the language of space re-presentation. Furthermore, the investigation on how characters in paintings and artists per se make their influences, and how they connect with each other by the paintings will be made at the same time.

摘要 平面绘画作品藉由论述的再书写纪录，建立这场艺术文脉的思考，笔者藉由两组画面组成类同之艺术作品为研究对象，旨在探讨画面中所形构成出来的空间，当作品的画面作为空间再现的语言时，是如何透过观众观赏后的消解与重组影像，而画面里人的角色以及艺术家本身的角色如何介入影响，又如何的在画面中被连结成关系。

Space-based colors on a gray hue, cultural brick wall with prominent simple varnish brush with an alternative, local-glass wall with a stainless steel folder at the same time a circumference of the partition, that is, to the expansion of virtual space, while a contemporary , There is a cohesion and unity of the Yun-Yi.

空间色彩上以灰色为主色调，墙面用文化砖刷清漆突出质朴与另类，局部墙面用清玻同时夹有不锈钢条进行圆周型的分割，即能虚拟式的扩展空间，同时具有现代感，有一种凝聚与团结的蕴意。

Write by the standard exceed a link, resemble such: QQ space leaves a message code, do not look down upon this Title attribute, it can have the effect of clew caller already, also can let search engine to know it wants where to go to, attention, do not write too long-winded: Title=QQ space leaves a message code is complete China most the website with best cruel, so written person most probably spirit has a problem, and of time have more than needed.

按规范书写超链接，就像这样：QQ空间留言代码，别小看这个title属性，它既可以起到提示访客的作用，也可以让搜索引擎知道它要去哪里，注重，别写的太罗嗦：title=&QQ空间留言代码是全中国最酷最好的网站&，这么写的人八成精神有问题，而且时间富余的很。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。